Decolonizing contemporary gospel music through praxis: handsworth revolutions
"Robert Beckford shows how the black British gospel music tradition is in crisis after it became distanced from the 'roots' of the gospel in the US that influenced it. The book develops a revolutionary gospel music genre or ‘social gospel,’ in two stages. The first stage is a reshapin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2023
|
| Schriftenreihe: | Bloomsbury studies in Black religion and cultures
Bloomsbury collections |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | "Robert Beckford shows how the black British gospel music tradition is in crisis after it became distanced from the 'roots' of the gospel in the US that influenced it. The book develops a revolutionary gospel music genre or ‘social gospel,’ in two stages. The first stage is a reshaping and retooling of the theological and theo-musicological structures of contemporary gospel music, based on a socio-political reading of black British music production. The second stage is a practical guide, a theo-musicological reflection on the production of the author’s album: Jamaican Bible Remix. To reveal how these tracks are cut-and-mixed in the recording studio, the second part of the book consists of case studies of individual songs from the album (Incarnation: no blacks, no Irish, no dogs,’ and ‘Magnificat’). The book ends with a call for a post-logocentric black liberation theology situated within the black radical sacred music tradition of the African Caribbean diaspora." |
| Beschreibung: | 1 Online-Ressource (264 Seiten) |
| ISBN: | 9781350081772 9781350081758 9781350081765 |
| DOI: | 10.5040/9781350081772 |
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Datensatz im Suchindex
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| id | DE-604.BV049340139 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:46:50Z |
| indexdate | 2024-07-10T10:01:57Z |
| institution | BVB |
| isbn | 9781350081772 9781350081758 9781350081765 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034600739 |
| oclc_num | 1401210407 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (264 Seiten) |
| psigel | ZDB-162-RES ZDB-162-RES23 BSB_NED_20240201 ZDB-162-RES ZDB-162-RES23 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Bloomsbury studies in Black religion and cultures Bloomsbury collections |
| spelling | Beckford, Robert Verfasser (DE-588)1046526480 aut Decolonizing contemporary gospel music through praxis handsworth revolutions Robert Beckford London ; New York Bloomsbury Academic 2023 1 Online-Ressource (264 Seiten) txt rdacontent c rdamedia cr rdacarrier Bloomsbury studies in Black religion and cultures Bloomsbury collections "Robert Beckford shows how the black British gospel music tradition is in crisis after it became distanced from the 'roots' of the gospel in the US that influenced it. The book develops a revolutionary gospel music genre or ‘social gospel,’ in two stages. The first stage is a reshaping and retooling of the theological and theo-musicological structures of contemporary gospel music, based on a socio-political reading of black British music production. The second stage is a practical guide, a theo-musicological reflection on the production of the author’s album: Jamaican Bible Remix. To reveal how these tracks are cut-and-mixed in the recording studio, the second part of the book consists of case studies of individual songs from the album (Incarnation: no blacks, no Irish, no dogs,’ and ‘Magnificat’). The book ends with a call for a post-logocentric black liberation theology situated within the black radical sacred music tradition of the African Caribbean diaspora." Geschichte gnd rswk-swf Gospelsong (DE-588)4137312-1 gnd rswk-swf Schwarze Theologie (DE-588)4053779-1 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Gospel music / Great Britain / History and criticism Decolonization Großbritannien (DE-588)4022153-2 g Gospelsong (DE-588)4137312-1 s Schwarze Theologie (DE-588)4053779-1 s Entkolonialisierung (DE-588)4070860-3 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, hbk 978-1-350-08173-4 https://doi.org/10.5040/9781350081772?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Beckford, Robert Decolonizing contemporary gospel music through praxis handsworth revolutions Gospelsong (DE-588)4137312-1 gnd Schwarze Theologie (DE-588)4053779-1 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| subject_GND | (DE-588)4137312-1 (DE-588)4053779-1 (DE-588)4070860-3 (DE-588)4022153-2 |
| title | Decolonizing contemporary gospel music through praxis handsworth revolutions |
| title_auth | Decolonizing contemporary gospel music through praxis handsworth revolutions |
| title_exact_search | Decolonizing contemporary gospel music through praxis handsworth revolutions |
| title_exact_search_txtP | Decolonizing contemporary gospel music through praxis handsworth revolutions |
| title_full | Decolonizing contemporary gospel music through praxis handsworth revolutions Robert Beckford |
| title_fullStr | Decolonizing contemporary gospel music through praxis handsworth revolutions Robert Beckford |
| title_full_unstemmed | Decolonizing contemporary gospel music through praxis handsworth revolutions Robert Beckford |
| title_short | Decolonizing contemporary gospel music through praxis |
| title_sort | decolonizing contemporary gospel music through praxis handsworth revolutions |
| title_sub | handsworth revolutions |
| topic | Gospelsong (DE-588)4137312-1 gnd Schwarze Theologie (DE-588)4053779-1 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| topic_facet | Gospelsong Schwarze Theologie Entkolonialisierung Großbritannien |
| url | https://doi.org/10.5040/9781350081772?locatt=label:secondary_bloomsburyCollections |
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