Catholic kinaestheology:
The study of Christian art is often synonymous with the study of Christian images. Yet in this article we adopt a different approach; examining a particular corpus of Christian art not as a collection of images, so much as the outcome of bodily gestures. Specifically, we analyze an extensive collect...
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Hauptverfasser: | , |
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Format: | Elektronisch Artikel |
Sprache: | English |
Veröffentlicht: |
2023-07-06
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Online-Zugang: | Volltext Volltext |
Zusammenfassung: | The study of Christian art is often synonymous with the study of Christian images. Yet in this article we adopt a different approach; examining a particular corpus of Christian art not as a collection of images, so much as the outcome of bodily gestures. Specifically, we analyze an extensive collection of rock art from the deserts of northern New Mexico as traces left behind by generations of Catholics, particularly the members of a lay fraternity known as the Penitentes. These penitents sought to manifest their piety through the pain and suffering incurred in the repetitive pecking of crosses onto basalt boulders. Even though the result of their actions was an image, we argue that privileging an iconographic analysis of such art fails to adequately capture the kinaesthetic theology that underlay its production |
Beschreibung: | Illustrationen |
ISSN: | 2701-1550 |
DOI: | 10.11588/xxi.2023.2.96030 |
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spelling | Wilkinson, Darryl Verfasser (DE-588)1137018216 aut Catholic kinaestheology Darryl Wilkinson & Severin Fowles 2023-07-06 Illustrationen txt rdacontent c rdamedia cr rdacarrier The study of Christian art is often synonymous with the study of Christian images. Yet in this article we adopt a different approach; examining a particular corpus of Christian art not as a collection of images, so much as the outcome of bodily gestures. Specifically, we analyze an extensive collection of rock art from the deserts of northern New Mexico as traces left behind by generations of Catholics, particularly the members of a lay fraternity known as the Penitentes. These penitents sought to manifest their piety through the pain and suffering incurred in the repetitive pecking of crosses onto basalt boulders. Even though the result of their actions was an image, we argue that privileging an iconographic analysis of such art fails to adequately capture the kinaesthetic theology that underlay its production Zusammenfassung in englischer Sprache Felsbilder Katholizismus Kinästhetik Penitentes Descansos Fowles, Severin M. Verfasser (DE-588)103627599X aut volume:4 number:2 year:2023 pages:191-208 21: inquiries into art, history, and the visual Heidelberg, 2023 Vol. 4, No. 2 (2023), Seite 191-208 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2023.2.96030 Resolving-System Verlag kostenfrei Volltext https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/96030 Verlag kostenfrei Volltext |
spellingShingle | Wilkinson, Darryl Fowles, Severin M. Catholic kinaestheology |
title | Catholic kinaestheology |
title_auth | Catholic kinaestheology |
title_exact_search | Catholic kinaestheology |
title_exact_search_txtP | Catholic kinaestheology |
title_full | Catholic kinaestheology Darryl Wilkinson & Severin Fowles |
title_fullStr | Catholic kinaestheology Darryl Wilkinson & Severin Fowles |
title_full_unstemmed | Catholic kinaestheology Darryl Wilkinson & Severin Fowles |
title_short | Catholic kinaestheology |
title_sort | catholic kinaestheology |
url | https://doi.org/10.11588/xxi.2023.2.96030 https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/96030 |
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