Passing, posing, persuasion: cultural production and coloniality in Japan's East Asian empire
"Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | "Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors--in multiple senses of the word--from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries"-- |
| Beschreibung: | November 2023 |
| Beschreibung: | vi, 202 Seiten |
| ISBN: | 9780824895228 0824895223 9780824896300 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049328307 | ||
| 003 | DE-604 | ||
| 005 | 20240125 | ||
| 007 | t | ||
| 008 | 230915s2023 b||| 10||| eng d | ||
| 020 | |a 9780824895228 |c (hbk.) |9 978-0-8248-9522-8 | ||
| 020 | |a 0824895223 |9 0-8248-9522-3 | ||
| 020 | |a 9780824896300 |c ppb. |9 9780824896300 | ||
| 035 | |a (OCoLC)1401209845 | ||
| 035 | |a (DE-599)BVBBV049328307 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 | ||
| 084 | |a NQ 9300 |0 (DE-625)129160: |2 rvk | ||
| 084 | |a NK 7700 |0 (DE-625)126244: |2 rvk | ||
| 084 | |a NQ 5755 |0 (DE-625)128642: |2 rvk | ||
| 245 | 1 | 0 | |a Passing, posing, persuasion |b cultural production and coloniality in Japan's East Asian empire |c edited by Christina Yi, Andre Haag, and Catherine Ryu |
| 264 | 1 | |a Honolulu |b University of Hawaii Press |c [2023] | |
| 300 | |a vi, 202 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a November 2023 | ||
| 505 | 8 | |a Introduction: Passing, Posing, and Persuasion in the Japanese Empire / Christina Yi, Andre Haag, And Catherine Ryu -- A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan / Robert Tierney -- Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent / Kimberly Kono -- Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan / Andre Haag -- Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses across Colonial Korea and the Segregated United States / Nayoung Aimee Kwon -- Crafting the Colonial "Japanese Child" / Joan E. Ericson -- A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan-Asian Femininity / Faye Yuan Kleeman -- Ri Kōran: Posing and Passing as a "Cultured Native" / Nobuko Yamasaki -- In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August / Kang Yuni; translated By Cindi Textor | |
| 520 | 3 | |a "Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors--in multiple senses of the word--from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries"-- | |
| 650 | 0 | 7 | |a Kunstwerk |0 (DE-588)4123592-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kolonialismus |0 (DE-588)4073624-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Japan |0 (DE-588)4028495-5 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Japanese literature / Shōwa period, 1926-1989 / History and criticism | |
| 653 | 0 | |a Ethnicity / Japan / Colonies / History / 20th century | |
| 653 | 0 | |a Passing (Identity) / Japan / Colonies / History / 20th century | |
| 653 | 0 | |a Literature in propaganda / Japan / History / 20th century | |
| 653 | 0 | |a Propaganda, Japanese / Japan / Colonies / History / 20th century | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2019 |z University of Bristish Columbia |2 gnd-content | |
| 689 | 0 | 0 | |a Japan |0 (DE-588)4028495-5 |D g |
| 689 | 0 | 1 | |a Kolonialismus |0 (DE-588)4073624-6 |D s |
| 689 | 0 | 2 | |a Kunstwerk |0 (DE-588)4123592-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Yi, Christina |0 (DE-588)1156880831 |4 edt | |
| 700 | 1 | |a Haag, Andre |0 (DE-588)131722146X |4 edt | |
| 700 | 1 | |a Ryu, Catherine |0 (DE-588)1317221788 |4 edt | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034589133 | ||
Datensatz im Suchindex
| _version_ | 1804185843135414272 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Yi, Christina Haag, Andre Ryu, Catherine |
| author2_role | edt edt edt |
| author2_variant | c y cy a h ah c r cr |
| author_GND | (DE-588)1156880831 (DE-588)131722146X (DE-588)1317221788 |
| author_facet | Yi, Christina Haag, Andre Ryu, Catherine |
| building | Verbundindex |
| bvnumber | BV049328307 |
| classification_rvk | NQ 9300 NK 7700 NQ 5755 |
| contents | Introduction: Passing, Posing, and Persuasion in the Japanese Empire / Christina Yi, Andre Haag, And Catherine Ryu -- A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan / Robert Tierney -- Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent / Kimberly Kono -- Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan / Andre Haag -- Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses across Colonial Korea and the Segregated United States / Nayoung Aimee Kwon -- Crafting the Colonial "Japanese Child" / Joan E. Ericson -- A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan-Asian Femininity / Faye Yuan Kleeman -- Ri Kōran: Posing and Passing as a "Cultured Native" / Nobuko Yamasaki -- In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August / Kang Yuni; translated By Cindi Textor |
| ctrlnum | (OCoLC)1401209845 (DE-599)BVBBV049328307 |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04927nam a22005298c 4500</leader><controlfield tag="001">BV049328307</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240125 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230915s2023 b||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824895228</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-0-8248-9522-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0824895223</subfield><subfield code="9">0-8248-9522-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824896300</subfield><subfield code="c">ppb.</subfield><subfield code="9">9780824896300</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401209845</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049328307</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NQ 9300</subfield><subfield code="0">(DE-625)129160:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NK 7700</subfield><subfield code="0">(DE-625)126244:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NQ 5755</subfield><subfield code="0">(DE-625)128642:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Passing, posing, persuasion</subfield><subfield code="b">cultural production and coloniality in Japan's East Asian empire</subfield><subfield code="c">edited by Christina Yi, Andre Haag, and Catherine Ryu</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaii Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vi, 202 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">November 2023</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: Passing, Posing, and Persuasion in the Japanese Empire / Christina Yi, Andre Haag, And Catherine Ryu -- A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan / Robert Tierney -- Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent / Kimberly Kono -- Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan / Andre Haag -- Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses across Colonial Korea and the Segregated United States / Nayoung Aimee Kwon -- Crafting the Colonial "Japanese Child" / Joan E. Ericson -- A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan-Asian Femininity / Faye Yuan Kleeman -- Ri Kōran: Posing and Passing as a "Cultured Native" / Nobuko Yamasaki -- In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August / Kang Yuni; translated By Cindi Textor</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors--in multiple senses of the word--from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstwerk</subfield><subfield code="0">(DE-588)4123592-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kolonialismus</subfield><subfield code="0">(DE-588)4073624-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Japanese literature / Shōwa period, 1926-1989 / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Ethnicity / Japan / Colonies / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Passing (Identity) / Japan / Colonies / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Literature in propaganda / Japan / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Propaganda, Japanese / Japan / Colonies / History / 20th century</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2019</subfield><subfield code="z">University of Bristish Columbia</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kolonialismus</subfield><subfield code="0">(DE-588)4073624-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstwerk</subfield><subfield code="0">(DE-588)4123592-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Yi, Christina</subfield><subfield code="0">(DE-588)1156880831</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Haag, Andre</subfield><subfield code="0">(DE-588)131722146X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ryu, Catherine</subfield><subfield code="0">(DE-588)1317221788</subfield><subfield code="4">edt</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034589133</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 2019 University of Bristish Columbia gnd-content |
| genre_facet | Konferenzschrift 2019 University of Bristish Columbia |
| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV049328307 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:44:46Z |
| indexdate | 2024-07-10T10:01:40Z |
| institution | BVB |
| isbn | 9780824895228 0824895223 9780824896300 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034589133 |
| oclc_num | 1401209845 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | vi, 202 Seiten |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Hawaii Press |
| record_format | marc |
| spelling | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire edited by Christina Yi, Andre Haag, and Catherine Ryu Honolulu University of Hawaii Press [2023] vi, 202 Seiten txt rdacontent n rdamedia nc rdacarrier November 2023 Introduction: Passing, Posing, and Persuasion in the Japanese Empire / Christina Yi, Andre Haag, And Catherine Ryu -- A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan / Robert Tierney -- Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent / Kimberly Kono -- Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan / Andre Haag -- Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses across Colonial Korea and the Segregated United States / Nayoung Aimee Kwon -- Crafting the Colonial "Japanese Child" / Joan E. Ericson -- A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan-Asian Femininity / Faye Yuan Kleeman -- Ri Kōran: Posing and Passing as a "Cultured Native" / Nobuko Yamasaki -- In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August / Kang Yuni; translated By Cindi Textor "Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors--in multiple senses of the word--from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries"-- Kunstwerk (DE-588)4123592-7 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japanese literature / Shōwa period, 1926-1989 / History and criticism Ethnicity / Japan / Colonies / History / 20th century Passing (Identity) / Japan / Colonies / History / 20th century Literature in propaganda / Japan / History / 20th century Propaganda, Japanese / Japan / Colonies / History / 20th century (DE-588)1071861417 Konferenzschrift 2019 University of Bristish Columbia gnd-content Japan (DE-588)4028495-5 g Kolonialismus (DE-588)4073624-6 s Kunstwerk (DE-588)4123592-7 s DE-604 Yi, Christina (DE-588)1156880831 edt Haag, Andre (DE-588)131722146X edt Ryu, Catherine (DE-588)1317221788 edt |
| spellingShingle | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire Introduction: Passing, Posing, and Persuasion in the Japanese Empire / Christina Yi, Andre Haag, And Catherine Ryu -- A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan / Robert Tierney -- Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent / Kimberly Kono -- Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan / Andre Haag -- Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses across Colonial Korea and the Segregated United States / Nayoung Aimee Kwon -- Crafting the Colonial "Japanese Child" / Joan E. Ericson -- A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan-Asian Femininity / Faye Yuan Kleeman -- Ri Kōran: Posing and Passing as a "Cultured Native" / Nobuko Yamasaki -- In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August / Kang Yuni; translated By Cindi Textor Kunstwerk (DE-588)4123592-7 gnd Kolonialismus (DE-588)4073624-6 gnd |
| subject_GND | (DE-588)4123592-7 (DE-588)4073624-6 (DE-588)4028495-5 (DE-588)1071861417 |
| title | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire |
| title_auth | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire |
| title_exact_search | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire |
| title_exact_search_txtP | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire |
| title_full | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire edited by Christina Yi, Andre Haag, and Catherine Ryu |
| title_fullStr | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire edited by Christina Yi, Andre Haag, and Catherine Ryu |
| title_full_unstemmed | Passing, posing, persuasion cultural production and coloniality in Japan's East Asian empire edited by Christina Yi, Andre Haag, and Catherine Ryu |
| title_short | Passing, posing, persuasion |
| title_sort | passing posing persuasion cultural production and coloniality in japan s east asian empire |
| title_sub | cultural production and coloniality in Japan's East Asian empire |
| topic | Kunstwerk (DE-588)4123592-7 gnd Kolonialismus (DE-588)4073624-6 gnd |
| topic_facet | Kunstwerk Kolonialismus Japan Konferenzschrift 2019 University of Bristish Columbia |
| work_keys_str_mv | AT yichristina passingposingpersuasionculturalproductionandcolonialityinjapanseastasianempire AT haagandre passingposingpersuasionculturalproductionandcolonialityinjapanseastasianempire AT ryucatherine passingposingpersuasionculturalproductionandcolonialityinjapanseastasianempire |