Performance in popular culture:
"Performance in Popular Culture reveals the intricate relationship between performance and popular culture by exploring how theatrical conventions and dramaturgical tropes have informed the way the social is constructed for popular consumption. Staged as a series of case studies, this book cons...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
[2024]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Performance in Popular Culture reveals the intricate relationship between performance and popular culture by exploring how theatrical conventions and dramaturgical tropes have informed the way the social is constructed for popular consumption. Staged as a series of case studies, this book considers the diverse ways the social is imagined and produced in live and mediated performances, in images and texts, in interactive experiences and in cultural institutions. By looking at performance in popular culture, the world we live in becomes more visible, open to investigation and (perhaps) to change. Performance in Popular Culture engages a wide range of disciplines and theoretical frameworks: performance, theatre and cultural studies; comparative literature and media studies; gender and sexuality, critical race and post-colonial theories. Designed for accessibility at an undergraduate level, the case studies make use of visual materials, moving images and texts that are readily available to lecturers and students, to scholars and to the general public." |
| Beschreibung: | viii, 267 Seiten Illustrationen |
| ISBN: | 9781032036472 |
Internformat
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| 520 | 3 | |a "Performance in Popular Culture reveals the intricate relationship between performance and popular culture by exploring how theatrical conventions and dramaturgical tropes have informed the way the social is constructed for popular consumption. Staged as a series of case studies, this book considers the diverse ways the social is imagined and produced in live and mediated performances, in images and texts, in interactive experiences and in cultural institutions. By looking at performance in popular culture, the world we live in becomes more visible, open to investigation and (perhaps) to change. Performance in Popular Culture engages a wide range of disciplines and theoretical frameworks: performance, theatre and cultural studies; comparative literature and media studies; gender and sexuality, critical race and post-colonial theories. Designed for accessibility at an undergraduate level, the case studies make use of visual materials, moving images and texts that are readily available to lecturers and students, to scholars and to the general public." | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents List of illustrations Acknowledgements ix x 1 Introduction PART I Screens and things 11 1 The Marx Brothers: From stage toscreen 13 2 Betty Boop’s animated performances 23 3 Performing the pandemic 33 PART II Boxed sets 43 4 Puppet plays: Boxes are made to be broken 45 5 I Love Lucy: From live performance to canned entertainment 55 6 Do you hear the people sing? 63 PART III Stars in our eyes 7 Like a diva: From Maria Callas to Madonna 8 Beyoncé’s Homecoming I ‘Lift Every Voice and Sing’ 9 Got Talent 75 77 86 95
viii Contents PART IV Public arts/art’s publics 105 10 Fragments of the past, cabinets of curiosity and cultural convergences 107 11 Marina Abramovic is present 117 12 Pepper’s Ghost and the haunted, educational exhibits at Wellington Museum 126 PART V Sporting arenas and fields of play 133 13 The fix is in: Professional wrestling 135 14 Olympian opening ceremonies 145 15 Cheerleaders in the popular (American) imagination 155 PART VI Sideshows no more 167 16 Evangelical performance: From morality plays to the Power Team and Hell House 169 17 Queer shows 180 18 Feminism: One step forward, three steps back? 189 PART VII Culture shows 199 19 Performing Maori 201 20 Shakespeare’s Globe Theatre: Planted in London, popping up in Auckland 210 21 Making a show of royalty 219 PART VIII Power, politics and protest 229 22 Donald Trump and the pro-wrestling-ification of politics in the USA 231 23 Race matters 241 24 Visions of the apocalypse 252 Index 264 |
| adam_txt |
Contents List of illustrations Acknowledgements ix x 1 Introduction PART I Screens and things 11 1 The Marx Brothers: From stage toscreen 13 2 Betty Boop’s animated performances 23 3 Performing the pandemic 33 PART II Boxed sets 43 4 Puppet plays: Boxes are made to be broken 45 5 I Love Lucy: From live performance to canned entertainment 55 6 Do you hear the people sing? 63 PART III Stars in our eyes 7 Like a diva: From Maria Callas to Madonna 8 Beyoncé’s Homecoming I ‘Lift Every Voice and Sing’ 9 Got Talent 75 77 86 95
viii Contents PART IV Public arts/art’s publics 105 10 Fragments of the past, cabinets of curiosity and cultural convergences 107 11 Marina Abramovic is present 117 12 Pepper’s Ghost and the haunted, educational exhibits at Wellington Museum 126 PART V Sporting arenas and fields of play 133 13 The fix is in: Professional wrestling 135 14 Olympian opening ceremonies 145 15 Cheerleaders in the popular (American) imagination 155 PART VI Sideshows no more 167 16 Evangelical performance: From morality plays to the Power Team and Hell House 169 17 Queer shows 180 18 Feminism: One step forward, three steps back? 189 PART VII Culture shows 199 19 Performing Maori 201 20 Shakespeare’s Globe Theatre: Planted in London, popping up in Auckland 210 21 Making a show of royalty 219 PART VIII Power, politics and protest 229 22 Donald Trump and the pro-wrestling-ification of politics in the USA 231 23 Race matters 241 24 Visions of the apocalypse 252 Index 264 |
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| spelling | Mazer, Sharon Verfasser (DE-588)1318169771 aut Performance in popular culture Sharon Mazer London ; New York Routledge [2024] viii, 267 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Performance in Popular Culture reveals the intricate relationship between performance and popular culture by exploring how theatrical conventions and dramaturgical tropes have informed the way the social is constructed for popular consumption. Staged as a series of case studies, this book considers the diverse ways the social is imagined and produced in live and mediated performances, in images and texts, in interactive experiences and in cultural institutions. By looking at performance in popular culture, the world we live in becomes more visible, open to investigation and (perhaps) to change. Performance in Popular Culture engages a wide range of disciplines and theoretical frameworks: performance, theatre and cultural studies; comparative literature and media studies; gender and sexuality, critical race and post-colonial theories. Designed for accessibility at an undergraduate level, the case studies make use of visual materials, moving images and texts that are readily available to lecturers and students, to scholars and to the general public." Popkultur (DE-588)4175361-6 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Popkultur (DE-588)4175361-6 s Performance Künste (DE-588)4173750-7 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-032-03648-9 Erscheint auch als Online-Ausgabe 978-1-003-18834-6 Erscheint auch als Online-Ausgabe 978-1-00-093442-7 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034588312&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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