Routledge companion to literature and art:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
| Schriftenreihe: | Routledge literature companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxii, 510 Seiten Illustrationen |
| ISBN: | 9781032226156 9781032226187 |
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Datensatz im Suchindex
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CONTENTS List ofFigures List of Contributors Acknowledgments Introduction Neil Murphy, W. Michelle Wang, and Cheryl Julia Lee ix xiv xxii 1 PARTI Aesthetics, Art, and Literature: Theoretical Concerns 13 1 The Concept of Literature Gordon Graham 15 2 Cracking the Mirror: Autobiography and Self-Portraiture James A. W. Heffernan 26 3 Literature, Art, Craft Derek Attridge 40 4 Beauty as Interaction Wendy Steiner 51 5 Figuration: The Cinematic in Literature Mieke Bal 60
Contents 6 A New Science of Aesthetics: The Dual Brain Mechanics of Beauty, Wonder, and the Sublime Angus Fletcher 72 7 Experiential Aesthetics and Varieties of the Sublime Patrick Colm Hogan 84 8 The Unattainable in the Literature of Love Semir Zeki 96 9 “Go and catch a falling star”: Embodiment, Cognition, and Imagery G. Gabrielle Starr 107 PART II Ekphrastic Encounters 123 10 Ekphrastic Encounters and Contemporary Fiction Neil Murphy 125 11 The Strange Case of Notional Ekphrasis Liliane Louvel 138 12 The Temporal Politics of Chaucerian Ekphrasis and the Beginnings of Trecento Art History Andrew James Johnston 149 13 Ekphrasis and the Modern Lyric Elizabeth K. Heisinger 14 Negotiating the In-Between: Culture as “A Gift that Circulates and which No One Owns” in Nick Joaquin’s “A Portrait of the Artist as Filipino: An Elegy in Three Scenes” Cheryl Julia Lee 160 174 15 Multivalent Muses in Mori Ogai’s Fictions Anri Yasuda 187 16 Making Magic: Comics and the Ekphrastic Art of the Almost There Shiamin Kwa 198 17 Ekphrasis: Art and Texts on Art in the Ottoman World Jale N. Erzen 210
Contents 18 “Wildly visual”: Bouvier, Synge, and Flaherty on the Aran Islands Elizabeth Geary Keohane 19 A Matisse Story: A. S. Byatt’s “A Lamia in the Cévennes” and the Religion of Happiness Laurence Petit 219 229 20 Art-Life-Planet: Ekphrasis Today Sofie Behluli and Gabriele Rippl 241 PART III Intermedial Crossings: From Antiquity to the Nineteenth Century 251 21 Vispo : A History of Visual Poetry Jane Partner 253 22 Entwining Ephemeral with the Eternal: Locus, Conca, and Margarita at Conques Bissera V. Pentcheva 276 23 Representing Truth in Illuminated Arthurian Manuscripts: Specular Encounters and the Meta Image Dominique DeLuca 302 24 Dasharatha’s Oil Vat in the Mewar Ramayana Subhashini Kaligotla 25 The Pictorial Parallel and the Early Histories of Eighteenth-Century British Fiction Jakub Lipski 313 326 26 Laurence Sterne and Eighteenth-Century Visual Culture M-C. Newbould 337 27 Delacroix Reads Ivanhoe: “Painting Thoughts” Beth S. Wright 349 PART IV Intermedial Crossings: From Modernism to the Present 363 28 Another Turn of the Screw: Illustration as Interpretation Andrei Pop 365 vii
Contents 29 Driving the Plot through Color Mieke Bal 384 30 T. S. Eliot and the Gesamtkunstwerk or “Total Work of Art” Aakanksha J. Virkar 397 31 Dancing Feeling, or Kinesthetic Empathy in Contemporary Dance Fictions Torsa Ghosal 410 32 Inscribed Sites: Verbal Art in Postmodern Built Environments Brian J. McAllister and Brian McHale 423 33 Detritus Art after WWII: Impoverishment, Collage, and the Inoperative Tradition Erika Mihdlycsa 438 34 Behind the Painting, A Pantoum: Literature and Art and Southeast Asia Roger Nelson 452 35 Bridging Worlds: Infographics, Maps, and Photographs in Graphic Novels Nancy Pedri 467 36 Conceptual and Performative Art in Tom McCarthy, Michel Houellebecq, and Don DeLillo Joakim Wrethed 480 37 Concealed Strokes: Fu-bi as Aesthetic Principle W. Michelle Wang 492 Index 506
The Routledge Companion to Literature andArt explores the links between literature and visual art from classical ekphrasis through to contemporary experimental forms. The collection’s engage ment with diverse literary and cultural artifacts offers a comprehensive survey of the vibrant interrelationships that currently inform literary studies and the arts. Featuring four sections, the first part provides an overview of theoretical approaches to art and literature from philosophy and aesthetics through to cognitive neuroscience. Part two examines one of the most important intersections between text and image: the workings of ekphrasis across poetry, fiction, drama, comics, life and travel writing, and architectural treatises. Parts three and four consider intermedial crossings from antiquity to the present. The contributors examine the rich intermedial experiments that range from manuscript studies to infographics in graphic narratives, illuminating the vibrant ways in which texts have intersected with illustration, music, dance, archi tecture, painting, photography, media installations, and television. Throughout this dynamic collection of 37 chapters, the contributors evolve existing critical debates in innovative new directions. The volume will be a critical resource for advanced under graduate and graduate students, as well as specialist scholars working in literary studies, phil osophy of art, text and image studies, and visual culture. |
| adam_txt |
CONTENTS List ofFigures List of Contributors Acknowledgments Introduction Neil Murphy, W. Michelle Wang, and Cheryl Julia Lee ix xiv xxii 1 PARTI Aesthetics, Art, and Literature: Theoretical Concerns 13 1 The Concept of Literature Gordon Graham 15 2 Cracking the Mirror: Autobiography and Self-Portraiture James A. W. Heffernan 26 3 Literature, Art, Craft Derek Attridge 40 4 Beauty as Interaction Wendy Steiner 51 5 Figuration: The Cinematic in Literature Mieke Bal 60
Contents 6 A New Science of Aesthetics: The Dual Brain Mechanics of Beauty, Wonder, and the Sublime Angus Fletcher 72 7 Experiential Aesthetics and Varieties of the Sublime Patrick Colm Hogan 84 8 The Unattainable in the Literature of Love Semir Zeki 96 9 “Go and catch a falling star”: Embodiment, Cognition, and Imagery G. Gabrielle Starr 107 PART II Ekphrastic Encounters 123 10 Ekphrastic Encounters and Contemporary Fiction Neil Murphy 125 11 The Strange Case of Notional Ekphrasis Liliane Louvel 138 12 The Temporal Politics of Chaucerian Ekphrasis and the Beginnings of Trecento Art History Andrew James Johnston 149 13 Ekphrasis and the Modern Lyric Elizabeth K. Heisinger 14 Negotiating the In-Between: Culture as “A Gift that Circulates and which No One Owns” in Nick Joaquin’s “A Portrait of the Artist as Filipino: An Elegy in Three Scenes” Cheryl Julia Lee 160 174 15 Multivalent Muses in Mori Ogai’s Fictions Anri Yasuda 187 16 Making Magic: Comics and the Ekphrastic Art of the Almost There Shiamin Kwa 198 17 Ekphrasis: Art and Texts on Art in the Ottoman World Jale N. Erzen 210
Contents 18 “Wildly visual”: Bouvier, Synge, and Flaherty on the Aran Islands Elizabeth Geary Keohane 19 A Matisse Story: A. S. Byatt’s “A Lamia in the Cévennes” and the Religion of Happiness Laurence Petit 219 229 20 Art-Life-Planet: Ekphrasis Today Sofie Behluli and Gabriele Rippl 241 PART III Intermedial Crossings: From Antiquity to the Nineteenth Century 251 21 Vispo : A History of Visual Poetry Jane Partner 253 22 Entwining Ephemeral with the Eternal: Locus, Conca, and Margarita at Conques Bissera V. Pentcheva 276 23 Representing Truth in Illuminated Arthurian Manuscripts: Specular Encounters and the Meta Image Dominique DeLuca 302 24 Dasharatha’s Oil Vat in the Mewar Ramayana Subhashini Kaligotla 25 The Pictorial Parallel and the Early Histories of Eighteenth-Century British Fiction Jakub Lipski 313 326 26 Laurence Sterne and Eighteenth-Century Visual Culture M-C. Newbould 337 27 Delacroix Reads Ivanhoe: “Painting Thoughts” Beth S. Wright 349 PART IV Intermedial Crossings: From Modernism to the Present 363 28 Another Turn of the Screw: Illustration as Interpretation Andrei Pop 365 vii
Contents 29 Driving the Plot through Color Mieke Bal 384 30 T. S. Eliot and the Gesamtkunstwerk or “Total Work of Art” Aakanksha J. Virkar 397 31 Dancing Feeling, or Kinesthetic Empathy in Contemporary Dance Fictions Torsa Ghosal 410 32 Inscribed Sites: Verbal Art in Postmodern Built Environments Brian J. McAllister and Brian McHale 423 33 Detritus Art after WWII: Impoverishment, Collage, and the Inoperative Tradition Erika Mihdlycsa 438 34 Behind the Painting, A Pantoum: Literature and Art and Southeast Asia Roger Nelson 452 35 Bridging Worlds: Infographics, Maps, and Photographs in Graphic Novels Nancy Pedri 467 36 Conceptual and Performative Art in Tom McCarthy, Michel Houellebecq, and Don DeLillo Joakim Wrethed 480 37 Concealed Strokes: Fu-bi as Aesthetic Principle W. Michelle Wang 492 Index 506
The Routledge Companion to Literature andArt explores the links between literature and visual art from classical ekphrasis through to contemporary experimental forms. The collection’s engage ment with diverse literary and cultural artifacts offers a comprehensive survey of the vibrant interrelationships that currently inform literary studies and the arts. Featuring four sections, the first part provides an overview of theoretical approaches to art and literature from philosophy and aesthetics through to cognitive neuroscience. Part two examines one of the most important intersections between text and image: the workings of ekphrasis across poetry, fiction, drama, comics, life and travel writing, and architectural treatises. Parts three and four consider intermedial crossings from antiquity to the present. The contributors examine the rich intermedial experiments that range from manuscript studies to infographics in graphic narratives, illuminating the vibrant ways in which texts have intersected with illustration, music, dance, archi tecture, painting, photography, media installations, and television. Throughout this dynamic collection of 37 chapters, the contributors evolve existing critical debates in innovative new directions. The volume will be a critical resource for advanced under graduate and graduate students, as well as specialist scholars working in literary studies, phil osophy of art, text and image studies, and visual culture. |
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