Music as cultural heritage and novelty:
Intro -- Preface -- Contents -- Part I Reconsidering Music History -- 1 What is 'Modern'? How to Renew Musical Heritages or the Innovators and Reformers of Music History -- 1.1 About the 'Modern' -- 1.1.1 Germany -- 1.1.2 Russia -- 1.1.3 France -- 1.1.4 Latin America -- 1.1.5 Per...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham
Springer International Publishing
[2022]
|
| Schriftenreihe: | Numanities - Arts and Humanities in Progress
24 |
| Zusammenfassung: | Intro -- Preface -- Contents -- Part I Reconsidering Music History -- 1 What is 'Modern'? How to Renew Musical Heritages or the Innovators and Reformers of Music History -- 1.1 About the 'Modern' -- 1.1.1 Germany -- 1.1.2 Russia -- 1.1.3 France -- 1.1.4 Latin America -- 1.1.5 Peripheries of Europe -- 1.1.6 United States -- 1.2 About the 'Postmodern' -- 1.3 The Structure of the Modern Sign -- References -- 2 Paradigms of European Music of the 18th-20th Centuries and Stravinsky's Innovations -- 2.1 Introduction -- 2.2 The Main Extramusical Paradigms -- 2.2.1 Verbal Speech as the General Paradigm for Music -- 2.2.2 Nature as the General Paradigm for Music -- 2.3 General Paradigms in the 20th-Century Music -- 2.4 Stravinsky and the Change of General Paradigm for European Music -- 2.4.1 Paradigm of Nature in Different Variants -- 2.4.2 Rite-Gesture as the General Paradigm for Stravinsky's Music -- 2.4.3 Gesture and Word in Stravinsky's Music -- 2.4.4 Some Other Kinds of the Gesture Paradigm -- 2.5 A Brief Glance at a "Bouquet" of Paradigms in the Music of Stravinsky Epoch -- 2.5.1 Different Kinds of Music from the Point of View of Information -- 2.6 Conclusions -- References -- 3 Mémoire et invariants dans les uvres de l'histoire musicale européenne, dans la littérature et dans les neurosciences -- 3.1 Les topiques, invariants et universaux en musique -- 3.2 Les topiques dans la littérature -- 3.3 La question des invariants dans les recherches en neurosciences et les recherches récentes concernant la mémoire -- 3.4 Quelques exemples musicaux des XIXe et XXe Siècles -- References -- 4 The Heritage Prior to Killing the Radio Star: How Modern Music Videos Were Shaped by Their Predecessors -- 4.1 Definition and Characteristics of the Music Video -- 4.2 The Genres of Music Video -- 4.3 A Short History (and Pre-history) of Music Videos. |
| Beschreibung: | XI, 422 Seiten |
| ISBN: | 9783031111457 |
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| 520 | 3 | |a Intro -- Preface -- Contents -- Part I Reconsidering Music History -- 1 What is 'Modern'? How to Renew Musical Heritages or the Innovators and Reformers of Music History -- 1.1 About the 'Modern' -- 1.1.1 Germany -- 1.1.2 Russia -- 1.1.3 France -- 1.1.4 Latin America -- 1.1.5 Peripheries of Europe -- 1.1.6 United States -- 1.2 About the 'Postmodern' -- 1.3 The Structure of the Modern Sign -- References -- 2 Paradigms of European Music of the 18th-20th Centuries and Stravinsky's Innovations -- 2.1 Introduction -- 2.2 The Main Extramusical Paradigms -- 2.2.1 Verbal Speech as the General Paradigm for Music -- 2.2.2 Nature as the General Paradigm for Music -- 2.3 General Paradigms in the 20th-Century Music -- 2.4 Stravinsky and the Change of General Paradigm for European Music -- 2.4.1 Paradigm of Nature in Different Variants -- 2.4.2 Rite-Gesture as the General Paradigm for Stravinsky's Music -- 2.4.3 Gesture and Word in Stravinsky's Music -- 2.4.4 Some Other Kinds of the Gesture Paradigm -- 2.5 A Brief Glance at a "Bouquet" of Paradigms in the Music of Stravinsky Epoch -- 2.5.1 Different Kinds of Music from the Point of View of Information -- 2.6 Conclusions -- References -- 3 Mémoire et invariants dans les uvres de l'histoire musicale européenne, dans la littérature et dans les neurosciences -- 3.1 Les topiques, invariants et universaux en musique -- 3.2 Les topiques dans la littérature -- 3.3 La question des invariants dans les recherches en neurosciences et les recherches récentes concernant la mémoire -- 3.4 Quelques exemples musicaux des XIXe et XXe Siècles -- References -- 4 The Heritage Prior to Killing the Radio Star: How Modern Music Videos Were Shaped by Their Predecessors -- 4.1 Definition and Characteristics of the Music Video -- 4.2 The Genres of Music Video -- 4.3 A Short History (and Pre-history) of Music Videos. | |
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| index_date | 2024-07-03T22:41:29Z |
| indexdate | 2024-07-10T10:01:15Z |
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| isbn | 9783031111457 |
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| series | Numanities - Arts and Humanities in Progress |
| series2 | Numanities - Arts and Humanities in Progress |
| spelling | Music as cultural heritage and novelty edited by Oana Andreica Cham Springer International Publishing [2022] XI, 422 Seiten txt rdacontent n rdamedia nc rdacarrier Numanities - Arts and Humanities in Progress 24 Intro -- Preface -- Contents -- Part I Reconsidering Music History -- 1 What is 'Modern'? How to Renew Musical Heritages or the Innovators and Reformers of Music History -- 1.1 About the 'Modern' -- 1.1.1 Germany -- 1.1.2 Russia -- 1.1.3 France -- 1.1.4 Latin America -- 1.1.5 Peripheries of Europe -- 1.1.6 United States -- 1.2 About the 'Postmodern' -- 1.3 The Structure of the Modern Sign -- References -- 2 Paradigms of European Music of the 18th-20th Centuries and Stravinsky's Innovations -- 2.1 Introduction -- 2.2 The Main Extramusical Paradigms -- 2.2.1 Verbal Speech as the General Paradigm for Music -- 2.2.2 Nature as the General Paradigm for Music -- 2.3 General Paradigms in the 20th-Century Music -- 2.4 Stravinsky and the Change of General Paradigm for European Music -- 2.4.1 Paradigm of Nature in Different Variants -- 2.4.2 Rite-Gesture as the General Paradigm for Stravinsky's Music -- 2.4.3 Gesture and Word in Stravinsky's Music -- 2.4.4 Some Other Kinds of the Gesture Paradigm -- 2.5 A Brief Glance at a "Bouquet" of Paradigms in the Music of Stravinsky Epoch -- 2.5.1 Different Kinds of Music from the Point of View of Information -- 2.6 Conclusions -- References -- 3 Mémoire et invariants dans les uvres de l'histoire musicale européenne, dans la littérature et dans les neurosciences -- 3.1 Les topiques, invariants et universaux en musique -- 3.2 Les topiques dans la littérature -- 3.3 La question des invariants dans les recherches en neurosciences et les recherches récentes concernant la mémoire -- 3.4 Quelques exemples musicaux des XIXe et XXe Siècles -- References -- 4 The Heritage Prior to Killing the Radio Star: How Modern Music Videos Were Shaped by Their Predecessors -- 4.1 Definition and Characteristics of the Music Video -- 4.2 The Genres of Music Video -- 4.3 A Short History (and Pre-history) of Music Videos. Andreica, Oana (DE-588)1278606483 edt Numanities - Arts and Humanities in Progress 24 (DE-604)BV049313204 24 |
| spellingShingle | Music as cultural heritage and novelty Numanities - Arts and Humanities in Progress |
| title | Music as cultural heritage and novelty |
| title_auth | Music as cultural heritage and novelty |
| title_exact_search | Music as cultural heritage and novelty |
| title_exact_search_txtP | Music as cultural heritage and novelty |
| title_full | Music as cultural heritage and novelty edited by Oana Andreica |
| title_fullStr | Music as cultural heritage and novelty edited by Oana Andreica |
| title_full_unstemmed | Music as cultural heritage and novelty edited by Oana Andreica |
| title_short | Music as cultural heritage and novelty |
| title_sort | music as cultural heritage and novelty |
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