Salomania and the representation of race and gender in modern erotic dance:
"This is a study of the performance and circulation of the figure of Salome in imperial Europe and settler colonial North America during the late years of the long period of expansion and territorial occupation at the end of the nineteenth century and the beginning of the twentieth. The book op...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Waterloo, Ontario, Canada
Wilfrid Laurier University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This is a study of the performance and circulation of the figure of Salome in imperial Europe and settler colonial North America during the late years of the long period of expansion and territorial occupation at the end of the nineteenth century and the beginning of the twentieth. The book opens with a discussion of Maud Allan's "The Vision of Salome" dance on the London stage in 1908, and the resulting "Salomania" craze that dominated dance for years and pervaded innumerable works in all media that followed. This is followed by a history of erotic dance as it emerged in the nineteenth century, then turns to the representation of Salome in art and literature, in works by writers Gustave Flaubert and Oscar Wilde, composer Richard Strauss, and film director Billy Wilder, as well as the dance interpretations by Allan and Loie Fuller. The book arrives at the phenomenon of "Salomania" as a turning point in the history of erotic dance, reconsidering this event as one that is grounded in the cultural logic of reproductive fetishism shaped by the male artists of the later nineteenth century and that is best understood as a series of interrelated performances in which reproductivity itself is central." |
| Beschreibung: | XII, 305 Seiten Illustrationen 24 cm |
| ISBN: | 9781771125871 |
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| 520 | 3 | |a "This is a study of the performance and circulation of the figure of Salome in imperial Europe and settler colonial North America during the late years of the long period of expansion and territorial occupation at the end of the nineteenth century and the beginning of the twentieth. The book opens with a discussion of Maud Allan's "The Vision of Salome" dance on the London stage in 1908, and the resulting "Salomania" craze that dominated dance for years and pervaded innumerable works in all media that followed. This is followed by a history of erotic dance as it emerged in the nineteenth century, then turns to the representation of Salome in art and literature, in works by writers Gustave Flaubert and Oscar Wilde, composer Richard Strauss, and film director Billy Wilder, as well as the dance interpretations by Allan and Loie Fuller. The book arrives at the phenomenon of "Salomania" as a turning point in the history of erotic dance, reconsidering this event as one that is grounded in the cultural logic of reproductive fetishism shaped by the male artists of the later nineteenth century and that is best understood as a series of interrelated performances in which reproductivity itself is central." | |
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Datensatz im Suchindex
| _version_ | 1804185816009801728 |
|---|---|
| adam_text | Contente Acknowledgements / xi introduction: Maud Allan and the Salome dance in 1908 / 1 chapter 1: Erotic dance and the culture of imperial motherhood 117 CHAPTER 2: “Salomé, c est moi”: male artists and the image of the dancer I 35 CHAPTER 3: Enter Herodias: the phallic mother and the reproductive fetish I si chapter 4: On not seeing Salome in Sunset Boulevard I 79 chapter 5: The fetish and the reproduction of whiteness from the Salome corpus to Salome, Where She Danced / 95 CHAPTER 6: “Pathmakers for Salome”: the danse du ventre, the hootchie kootch, and “Little Egypt” / 117 chapter 7: chapter Oscar Wilde, Loie Fuller, and Maud Allan / 147 8: Salomania and the memetic moment / 179 epilogue: Salomania’s legacies / 207 Notes / 211 Works Cited / 277 Copyright Acknowledgements / 295 Index / 297 IX
|
| adam_txt |
Contente Acknowledgements / xi introduction: Maud Allan and the Salome dance in 1908 / 1 chapter 1: Erotic dance and the culture of imperial motherhood 117 CHAPTER 2: “Salomé, c est moi”: male artists and the image of the dancer I 35 CHAPTER 3: Enter Herodias: the phallic mother and the reproductive fetish I si chapter 4: On not seeing Salome in Sunset Boulevard I 79 chapter 5: The fetish and the reproduction of whiteness from the Salome corpus to Salome, Where She Danced / 95 CHAPTER 6: “Pathmakers for Salome”: the danse du ventre, the hootchie kootch, and “Little Egypt” / 117 chapter 7: chapter Oscar Wilde, Loie Fuller, and Maud Allan / 147 8: Salomania and the memetic moment / 179 epilogue: Salomania’s legacies / 207 Notes / 211 Works Cited / 277 Copyright Acknowledgements / 295 Index / 297 IX |
| any_adam_object | 1 |
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| author | Devereux, Cecily Margaret 1963- |
| author_GND | (DE-588)173820557 |
| author_facet | Devereux, Cecily Margaret 1963- |
| author_role | aut |
| author_sort | Devereux, Cecily Margaret 1963- |
| author_variant | c m d cm cmd |
| building | Verbundindex |
| bvnumber | BV049312495 |
| ctrlnum | (OCoLC)1414561083 (DE-599)BVBBV049312495 |
| dewey-full | 792.809409/034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.809409/034 |
| dewey-search | 792.809409/034 |
| dewey-sort | 3792.809409 234 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1840-1914 gnd |
| era_facet | Geschichte 1840-1914 |
| format | Book |
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| id | DE-604.BV049312495 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:41:19Z |
| indexdate | 2024-07-10T10:01:14Z |
| institution | BVB |
| isbn | 9781771125871 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034573591 |
| oclc_num | 1414561083 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XII, 305 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20231215 DHB_BSB_FID |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Wilfrid Laurier University Press |
| record_format | marc |
| spelling | Devereux, Cecily Margaret 1963- Verfasser (DE-588)173820557 aut Salomania and the representation of race and gender in modern erotic dance Cecily Devereux Salomania Waterloo, Ontario, Canada Wilfrid Laurier University Press [2023] XII, 305 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "This is a study of the performance and circulation of the figure of Salome in imperial Europe and settler colonial North America during the late years of the long period of expansion and territorial occupation at the end of the nineteenth century and the beginning of the twentieth. The book opens with a discussion of Maud Allan's "The Vision of Salome" dance on the London stage in 1908, and the resulting "Salomania" craze that dominated dance for years and pervaded innumerable works in all media that followed. This is followed by a history of erotic dance as it emerged in the nineteenth century, then turns to the representation of Salome in art and literature, in works by writers Gustave Flaubert and Oscar Wilde, composer Richard Strauss, and film director Billy Wilder, as well as the dance interpretations by Allan and Loie Fuller. The book arrives at the phenomenon of "Salomania" as a turning point in the history of erotic dance, reconsidering this event as one that is grounded in the cultural logic of reproductive fetishism shaped by the male artists of the later nineteenth century and that is best understood as a series of interrelated performances in which reproductivity itself is central." Salome Jüngerin ca. 1.Jh (DE-588)121281665X gnd rswk-swf Geschichte 1840-1914 gnd rswk-swf Erotik (DE-588)4015369-1 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Tänzerin (DE-588)4207110-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Sex in dance / Europe / History / 19th century Dance / Europe / History / 19th century Women dancers / Europe / History / 19th century Salome / (Biblical figure) / Art Salome / (Biblical figure) / In literature PERFORMING ARTS / Dance / History & Criticism Salome / (Biblical figure) Dance Literature Sex in dance Women dancers Europe 1800-1899 Art History Salome Jüngerin ca. 1.Jh (DE-588)121281665X p Tanz (DE-588)4059028-8 s Tänzerin (DE-588)4207110-0 s Erotik (DE-588)4015369-1 s Identität (DE-588)4026482-8 s Rezeption (DE-588)4049716-1 s Literatur (DE-588)4035964-5 s Künste (DE-588)4033422-3 s Musik (DE-588)4040802-4 s Geschichte 1840-1914 z DE-604 Erscheint auch als Online-Ausgabe 978-1-77112-588-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034573591&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Devereux, Cecily Margaret 1963- Salomania and the representation of race and gender in modern erotic dance Salome Jüngerin ca. 1.Jh (DE-588)121281665X gnd Erotik (DE-588)4015369-1 gnd Tanz (DE-588)4059028-8 gnd Tänzerin (DE-588)4207110-0 gnd Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Identität (DE-588)4026482-8 gnd Musik (DE-588)4040802-4 gnd Künste (DE-588)4033422-3 gnd |
| subject_GND | (DE-588)121281665X (DE-588)4015369-1 (DE-588)4059028-8 (DE-588)4207110-0 (DE-588)4035964-5 (DE-588)4049716-1 (DE-588)4026482-8 (DE-588)4040802-4 (DE-588)4033422-3 |
| title | Salomania and the representation of race and gender in modern erotic dance |
| title_alt | Salomania |
| title_auth | Salomania and the representation of race and gender in modern erotic dance |
| title_exact_search | Salomania and the representation of race and gender in modern erotic dance |
| title_exact_search_txtP | Salomania and the representation of race and gender in modern erotic dance |
| title_full | Salomania and the representation of race and gender in modern erotic dance Cecily Devereux |
| title_fullStr | Salomania and the representation of race and gender in modern erotic dance Cecily Devereux |
| title_full_unstemmed | Salomania and the representation of race and gender in modern erotic dance Cecily Devereux |
| title_short | Salomania and the representation of race and gender in modern erotic dance |
| title_sort | salomania and the representation of race and gender in modern erotic dance |
| topic | Salome Jüngerin ca. 1.Jh (DE-588)121281665X gnd Erotik (DE-588)4015369-1 gnd Tanz (DE-588)4059028-8 gnd Tänzerin (DE-588)4207110-0 gnd Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Identität (DE-588)4026482-8 gnd Musik (DE-588)4040802-4 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Salome Jüngerin ca. 1.Jh Erotik Tanz Tänzerin Literatur Rezeption Identität Musik Künste |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034573591&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT devereuxcecilymargaret salomaniaandtherepresentationofraceandgenderinmoderneroticdance AT devereuxcecilymargaret salomania |