The science-music borderlands: reckoning with the past and imagining the future
"Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that h...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2023]
|
Schlagworte: | |
Zusammenfassung: | "Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and emerging researchers—neuroscientists and cognitive scientists, musicians, historical musicologists, and ethnomusicologists—build bridges between humanistic and scientific approaches to music studies, particularly music psychology. Deftly edited by Elizabeth H. Margulis, Psyche Loui, and Deirdre Loughridge, The Science-Music Borderlands embodies how sustained interaction among disciplines can lead to a richer understanding of musical life. The essays in this volume provide the scientific study of music with its first major reckoning, exploring the intellectual history of the field and its central debates, while charting a path forward. The Science-Music Borderlands is essential reading for music scholars from any disciplinary background. It will also interest those working at the intersection of music and science, such as music teachers, performers, composers, and music therapists"-- |
Beschreibung: | x, 417 Seiten Illustrationen, Diagramme 23 cm |
ISBN: | 9780262047647 0262047640 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049308608 | ||
003 | DE-604 | ||
005 | 20250122 | ||
007 | t| | ||
008 | 230901s2023 xx a||| b||| 00||| eng d | ||
020 | |a 9780262047647 |9 978-0-262-04764-7 | ||
020 | |a 0262047640 |9 0-262-04764-0 | ||
035 | |a (OCoLC)1373396219 | ||
035 | |a (DE-599)BVBBV049308608 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 | ||
084 | |a LR 56650 |0 (DE-625)109805:13528 |2 rvk | ||
100 | 1 | |a Margulis, Elizabeth Hellmuth |e Verfasser |0 (DE-588)1023745410 |4 aut | |
245 | 1 | 0 | |a The science-music borderlands |b reckoning with the past and imagining the future |c edited by Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge |
264 | 1 | |a Cambridge, Massachusetts ; London, England |b The MIT Press |c [2023] | |
264 | 4 | |c © 2023 | |
300 | |a x, 417 Seiten |b Illustrationen, Diagramme |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | 0 | |t Introduction -- |t Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration |r Aniruddh D. Patel |t Musical Meaning in Transspecies Perspective: A Semiotic Model |r Gary Tomlinson |t Cross-Species Research in Biomusicality: Methods, Pitfalls, and Prospects |r Diandra Duengen, Marianne Sarfati, Andrea Ravignani |t Humane Treatment, Sound Experiments |r Rachel Mundy |t Of Sound Minds and Tuning Forks: Neuroscience's Vibratory Histories |r Carmel Raz |t Music, Mind, Body, and World |r Jonathan De Souza |t Rhythmic Entrainment and Embodied Cognition |r Maria A. G. Witek |t The Musical Mind: Perspectives from Developmental Science |r Haley E. Kragness, Erin E. Hannon, Laura K. Cirelli |t The Science of Music Is about Relations |r Jim Sykes |t Toward Neurotechnology for Musical Creativity |r Eduardo Reck Miranda |t Combating Reductionism in Music Neuroscience with Ecologically Valid Paradigms: What Can (and Cannot) Be Gained? |r Jamal Williams, Matthew Sachs |t Hidden Repertoires in the Brain Accessed by Music in Aging and Neurodegeneration |r Sarah Faber, Randy McIntosh |t Composing at the Border of Experimental Music and Music Experiment |r Grace Leslie |t Music Theory and Experimental Science |r Diana Deutsch |t Conversation with Pamela Z |r Pamela Z, Psyche Loui, Deirdre Loughridge |t "The Musical Mind Is the Normal Mind": Remaking Musicianship for Eugenics |r Alexander W. Cowan |t The Musician-Nonmusician Conundrum and Developmental Music Research |r Beatriz Ilari, Assal Habibi |
505 | 8 | 0 | |t Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences |r Patrick E. Savage, Nori Jacoby, Elizabeth H. Margulis, Hideo Daikoku, Manuel Anglada-Tort, Salwa El-Sawan Castelo-Branco, Florence Ewomazino Nweke, Shinya Fujii, Shantala Hegde, Hu Chuan-Peng, Jason Jabbour, Casey Lew-Williams, Diana Mangalagiu, Rita McNamara, Daniel Müllensiefen, Patricia Opondo, Aniruddh D. Patel, Huib Schippers |t Conversations with Steven Feld |r Steven Feld, Nori Jacoby, Deirdre Loughridge, Psyche Loui, Elizabeth H. Margulis |
520 | 3 | |a "Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and emerging researchers—neuroscientists and cognitive scientists, musicians, historical musicologists, and ethnomusicologists—build bridges between humanistic and scientific approaches to music studies, particularly music psychology. Deftly edited by Elizabeth H. Margulis, Psyche Loui, and Deirdre Loughridge, The Science-Music Borderlands embodies how sustained interaction among disciplines can lead to a richer understanding of musical life. The essays in this volume provide the scientific study of music with its first major reckoning, exploring the intellectual history of the field and its central debates, while charting a path forward. The Science-Music Borderlands is essential reading for music scholars from any disciplinary background. It will also interest those working at the intersection of music and science, such as music teachers, performers, composers, and music therapists"-- | |
653 | 0 | |a Music / Psychological aspects | |
653 | 0 | |a Musical ability | |
653 | 0 | |a Cognition | |
653 | 0 | |a Neuropsychology | |
653 | 0 | |a Cognition | |
653 | 0 | |a Music / Psychological aspects | |
653 | 0 | |a Musical ability | |
653 | 0 | |a Neuropsychology | |
700 | 1 | |a Loui, Psyche |e Sonstige |0 (DE-588)1069608025 |4 oth | |
700 | 1 | |a Loughridge, Deirdre |e Sonstige |0 (DE-588)104215189X |4 oth | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-262-37303-6 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-0-262-37304-3 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034569759 |
Datensatz im Suchindex
_version_ | 1821954185407496192 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Margulis, Elizabeth Hellmuth |
author_GND | (DE-588)1023745410 (DE-588)1069608025 (DE-588)104215189X |
author_additional | Aniruddh D. Patel Gary Tomlinson Diandra Duengen, Marianne Sarfati, Andrea Ravignani Rachel Mundy Carmel Raz Jonathan De Souza Maria A. G. Witek Haley E. Kragness, Erin E. Hannon, Laura K. Cirelli Jim Sykes Eduardo Reck Miranda Jamal Williams, Matthew Sachs Sarah Faber, Randy McIntosh Grace Leslie Diana Deutsch Pamela Z, Psyche Loui, Deirdre Loughridge Alexander W. Cowan Beatriz Ilari, Assal Habibi Patrick E. Savage, Nori Jacoby, Elizabeth H. Margulis, Hideo Daikoku, Manuel Anglada-Tort, Salwa El-Sawan Castelo-Branco, Florence Ewomazino Nweke, Shinya Fujii, Shantala Hegde, Hu Chuan-Peng, Jason Jabbour, Casey Lew-Williams, Diana Mangalagiu, Rita McNamara, Daniel Müllensiefen, Patricia Opondo, Aniruddh D. Patel, Huib Schippers Steven Feld, Nori Jacoby, Deirdre Loughridge, Psyche Loui, Elizabeth H. Margulis |
author_facet | Margulis, Elizabeth Hellmuth |
author_role | aut |
author_sort | Margulis, Elizabeth Hellmuth |
author_variant | e h m eh ehm |
building | Verbundindex |
bvnumber | BV049308608 |
classification_rvk | LR 56650 |
contents | Introduction -- Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration Musical Meaning in Transspecies Perspective: A Semiotic Model Cross-Species Research in Biomusicality: Methods, Pitfalls, and Prospects Humane Treatment, Sound Experiments Of Sound Minds and Tuning Forks: Neuroscience's Vibratory Histories Music, Mind, Body, and World Rhythmic Entrainment and Embodied Cognition The Musical Mind: Perspectives from Developmental Science The Science of Music Is about Relations Toward Neurotechnology for Musical Creativity Combating Reductionism in Music Neuroscience with Ecologically Valid Paradigms: What Can (and Cannot) Be Gained? Hidden Repertoires in the Brain Accessed by Music in Aging and Neurodegeneration Composing at the Border of Experimental Music and Music Experiment Music Theory and Experimental Science Conversation with Pamela Z "The Musical Mind Is the Normal Mind": Remaking Musicianship for Eugenics The Musician-Nonmusician Conundrum and Developmental Music Research Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences Conversations with Steven Feld |
ctrlnum | (OCoLC)1373396219 (DE-599)BVBBV049308608 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049308608</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250122</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">230901s2023 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780262047647</subfield><subfield code="9">978-0-262-04764-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0262047640</subfield><subfield code="9">0-262-04764-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1373396219</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049308608</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56650</subfield><subfield code="0">(DE-625)109805:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Margulis, Elizabeth Hellmuth</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1023745410</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The science-music borderlands</subfield><subfield code="b">reckoning with the past and imagining the future</subfield><subfield code="c">edited by Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Massachusetts ; London, England</subfield><subfield code="b">The MIT Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 417 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction --</subfield><subfield code="t">Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration</subfield><subfield code="r">Aniruddh D. Patel</subfield><subfield code="t">Musical Meaning in Transspecies Perspective: A Semiotic Model</subfield><subfield code="r">Gary Tomlinson</subfield><subfield code="t">Cross-Species Research in Biomusicality: Methods, Pitfalls, and Prospects</subfield><subfield code="r">Diandra Duengen, Marianne Sarfati, Andrea Ravignani</subfield><subfield code="t">Humane Treatment, Sound Experiments</subfield><subfield code="r">Rachel Mundy</subfield><subfield code="t">Of Sound Minds and Tuning Forks: Neuroscience's Vibratory Histories</subfield><subfield code="r">Carmel Raz</subfield><subfield code="t">Music, Mind, Body, and World</subfield><subfield code="r">Jonathan De Souza</subfield><subfield code="t">Rhythmic Entrainment and Embodied Cognition</subfield><subfield code="r">Maria A. G. Witek</subfield><subfield code="t">The Musical Mind: Perspectives from Developmental Science</subfield><subfield code="r">Haley E. Kragness, Erin E. Hannon, Laura K. Cirelli</subfield><subfield code="t">The Science of Music Is about Relations</subfield><subfield code="r">Jim Sykes</subfield><subfield code="t">Toward Neurotechnology for Musical Creativity</subfield><subfield code="r">Eduardo Reck Miranda</subfield><subfield code="t">Combating Reductionism in Music Neuroscience with Ecologically Valid Paradigms: What Can (and Cannot) Be Gained?</subfield><subfield code="r">Jamal Williams, Matthew Sachs</subfield><subfield code="t">Hidden Repertoires in the Brain Accessed by Music in Aging and Neurodegeneration</subfield><subfield code="r">Sarah Faber, Randy McIntosh</subfield><subfield code="t">Composing at the Border of Experimental Music and Music Experiment</subfield><subfield code="r">Grace Leslie</subfield><subfield code="t">Music Theory and Experimental Science</subfield><subfield code="r">Diana Deutsch</subfield><subfield code="t">Conversation with Pamela Z</subfield><subfield code="r">Pamela Z, Psyche Loui, Deirdre Loughridge</subfield><subfield code="t">"The Musical Mind Is the Normal Mind": Remaking Musicianship for Eugenics</subfield><subfield code="r">Alexander W. Cowan</subfield><subfield code="t">The Musician-Nonmusician Conundrum and Developmental Music Research</subfield><subfield code="r">Beatriz Ilari, Assal Habibi</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences</subfield><subfield code="r">Patrick E. Savage, Nori Jacoby, Elizabeth H. Margulis, Hideo Daikoku, Manuel Anglada-Tort, Salwa El-Sawan Castelo-Branco, Florence Ewomazino Nweke, Shinya Fujii, Shantala Hegde, Hu Chuan-Peng, Jason Jabbour, Casey Lew-Williams, Diana Mangalagiu, Rita McNamara, Daniel Müllensiefen, Patricia Opondo, Aniruddh D. Patel, Huib Schippers</subfield><subfield code="t">Conversations with Steven Feld</subfield><subfield code="r">Steven Feld, Nori Jacoby, Deirdre Loughridge, Psyche Loui, Elizabeth H. Margulis</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and emerging researchers—neuroscientists and cognitive scientists, musicians, historical musicologists, and ethnomusicologists—build bridges between humanistic and scientific approaches to music studies, particularly music psychology. Deftly edited by Elizabeth H. Margulis, Psyche Loui, and Deirdre Loughridge, The Science-Music Borderlands embodies how sustained interaction among disciplines can lead to a richer understanding of musical life. The essays in this volume provide the scientific study of music with its first major reckoning, exploring the intellectual history of the field and its central debates, while charting a path forward. The Science-Music Borderlands is essential reading for music scholars from any disciplinary background. It will also interest those working at the intersection of music and science, such as music teachers, performers, composers, and music therapists"--</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Psychological aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical ability</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cognition</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Neuropsychology</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cognition</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Psychological aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical ability</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Neuropsychology</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Loui, Psyche</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1069608025</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Loughridge, Deirdre</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)104215189X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-262-37303-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-0-262-37304-3</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034569759</subfield></datafield></record></collection> |
id | DE-604.BV049308608 |
illustrated | Illustrated |
index_date | 2024-07-03T22:40:21Z |
indexdate | 2025-01-22T13:01:52Z |
institution | BVB |
isbn | 9780262047647 0262047640 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034569759 |
oclc_num | 1373396219 |
open_access_boolean | |
owner | DE-11 |
owner_facet | DE-11 |
physical | x, 417 Seiten Illustrationen, Diagramme 23 cm |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | The MIT Press |
record_format | marc |
spelling | Margulis, Elizabeth Hellmuth Verfasser (DE-588)1023745410 aut The science-music borderlands reckoning with the past and imagining the future edited by Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge Cambridge, Massachusetts ; London, England The MIT Press [2023] © 2023 x, 417 Seiten Illustrationen, Diagramme 23 cm txt rdacontent n rdamedia nc rdacarrier Introduction -- Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration Aniruddh D. Patel Musical Meaning in Transspecies Perspective: A Semiotic Model Gary Tomlinson Cross-Species Research in Biomusicality: Methods, Pitfalls, and Prospects Diandra Duengen, Marianne Sarfati, Andrea Ravignani Humane Treatment, Sound Experiments Rachel Mundy Of Sound Minds and Tuning Forks: Neuroscience's Vibratory Histories Carmel Raz Music, Mind, Body, and World Jonathan De Souza Rhythmic Entrainment and Embodied Cognition Maria A. G. Witek The Musical Mind: Perspectives from Developmental Science Haley E. Kragness, Erin E. Hannon, Laura K. Cirelli The Science of Music Is about Relations Jim Sykes Toward Neurotechnology for Musical Creativity Eduardo Reck Miranda Combating Reductionism in Music Neuroscience with Ecologically Valid Paradigms: What Can (and Cannot) Be Gained? Jamal Williams, Matthew Sachs Hidden Repertoires in the Brain Accessed by Music in Aging and Neurodegeneration Sarah Faber, Randy McIntosh Composing at the Border of Experimental Music and Music Experiment Grace Leslie Music Theory and Experimental Science Diana Deutsch Conversation with Pamela Z Pamela Z, Psyche Loui, Deirdre Loughridge "The Musical Mind Is the Normal Mind": Remaking Musicianship for Eugenics Alexander W. Cowan The Musician-Nonmusician Conundrum and Developmental Music Research Beatriz Ilari, Assal Habibi Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences Patrick E. Savage, Nori Jacoby, Elizabeth H. Margulis, Hideo Daikoku, Manuel Anglada-Tort, Salwa El-Sawan Castelo-Branco, Florence Ewomazino Nweke, Shinya Fujii, Shantala Hegde, Hu Chuan-Peng, Jason Jabbour, Casey Lew-Williams, Diana Mangalagiu, Rita McNamara, Daniel Müllensiefen, Patricia Opondo, Aniruddh D. Patel, Huib Schippers Conversations with Steven Feld Steven Feld, Nori Jacoby, Deirdre Loughridge, Psyche Loui, Elizabeth H. Margulis "Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and emerging researchers—neuroscientists and cognitive scientists, musicians, historical musicologists, and ethnomusicologists—build bridges between humanistic and scientific approaches to music studies, particularly music psychology. Deftly edited by Elizabeth H. Margulis, Psyche Loui, and Deirdre Loughridge, The Science-Music Borderlands embodies how sustained interaction among disciplines can lead to a richer understanding of musical life. The essays in this volume provide the scientific study of music with its first major reckoning, exploring the intellectual history of the field and its central debates, while charting a path forward. The Science-Music Borderlands is essential reading for music scholars from any disciplinary background. It will also interest those working at the intersection of music and science, such as music teachers, performers, composers, and music therapists"-- Music / Psychological aspects Musical ability Cognition Neuropsychology Loui, Psyche Sonstige (DE-588)1069608025 oth Loughridge, Deirdre Sonstige (DE-588)104215189X oth Erscheint auch als Online-Ausgabe, EPUB 978-0-262-37303-6 Erscheint auch als Online-Ausgabe, PDF 978-0-262-37304-3 |
spellingShingle | Margulis, Elizabeth Hellmuth The science-music borderlands reckoning with the past and imagining the future Introduction -- Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration Musical Meaning in Transspecies Perspective: A Semiotic Model Cross-Species Research in Biomusicality: Methods, Pitfalls, and Prospects Humane Treatment, Sound Experiments Of Sound Minds and Tuning Forks: Neuroscience's Vibratory Histories Music, Mind, Body, and World Rhythmic Entrainment and Embodied Cognition The Musical Mind: Perspectives from Developmental Science The Science of Music Is about Relations Toward Neurotechnology for Musical Creativity Combating Reductionism in Music Neuroscience with Ecologically Valid Paradigms: What Can (and Cannot) Be Gained? Hidden Repertoires in the Brain Accessed by Music in Aging and Neurodegeneration Composing at the Border of Experimental Music and Music Experiment Music Theory and Experimental Science Conversation with Pamela Z "The Musical Mind Is the Normal Mind": Remaking Musicianship for Eugenics The Musician-Nonmusician Conundrum and Developmental Music Research Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences Conversations with Steven Feld |
title | The science-music borderlands reckoning with the past and imagining the future |
title_alt | Introduction -- Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration Musical Meaning in Transspecies Perspective: A Semiotic Model Cross-Species Research in Biomusicality: Methods, Pitfalls, and Prospects Humane Treatment, Sound Experiments Of Sound Minds and Tuning Forks: Neuroscience's Vibratory Histories Music, Mind, Body, and World Rhythmic Entrainment and Embodied Cognition The Musical Mind: Perspectives from Developmental Science The Science of Music Is about Relations Toward Neurotechnology for Musical Creativity Combating Reductionism in Music Neuroscience with Ecologically Valid Paradigms: What Can (and Cannot) Be Gained? Hidden Repertoires in the Brain Accessed by Music in Aging and Neurodegeneration Composing at the Border of Experimental Music and Music Experiment Music Theory and Experimental Science Conversation with Pamela Z "The Musical Mind Is the Normal Mind": Remaking Musicianship for Eugenics The Musician-Nonmusician Conundrum and Developmental Music Research Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences Conversations with Steven Feld |
title_auth | The science-music borderlands reckoning with the past and imagining the future |
title_exact_search | The science-music borderlands reckoning with the past and imagining the future |
title_exact_search_txtP | The science-music borderlands reckoning with the past and imagining the future |
title_full | The science-music borderlands reckoning with the past and imagining the future edited by Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge |
title_fullStr | The science-music borderlands reckoning with the past and imagining the future edited by Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge |
title_full_unstemmed | The science-music borderlands reckoning with the past and imagining the future edited by Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge |
title_short | The science-music borderlands |
title_sort | the science music borderlands reckoning with the past and imagining the future |
title_sub | reckoning with the past and imagining the future |
work_keys_str_mv | AT marguliselizabethhellmuth thesciencemusicborderlandsreckoningwiththepastandimaginingthefuture AT louipsyche thesciencemusicborderlandsreckoningwiththepastandimaginingthefuture AT loughridgedeirdre thesciencemusicborderlandsreckoningwiththepastandimaginingthefuture |