The perceptual structure of sound:
This book presents a comprehensive review of how acoustic waves are processed by the auditory system into structured sounds such as musical melodies, speech utterances, or environmental sounds. After an introduction, an overview is given of how the ears distribute acoustic information over a large a...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cham, Switzerland
Springer
[2023]
|
Schriftenreihe: | Current research in systematic musicology
volume 11 |
Schlagworte: | |
Zusammenfassung: | This book presents a comprehensive review of how acoustic waves are processed by the auditory system into structured sounds such as musical melodies, speech utterances, or environmental sounds. After an introduction, an overview is given of how the ears distribute acoustic information over a large array of frequency channels that contain the auditory information used by the central nervous system to generate a mental image of what is happening around the listener. This process, called auditory scene analysis, consists of two stages. In the first stage, auditory units are formed such as musical tones and speech syllables. Each auditory unit is perceived at a well-defined moment in time, the beat location of that auditory unit. Moreover, from this process of auditory-unit formation, the auditory attributes of these auditory units emerge, such as their timbre, their pitch, their loudness, and their perceived location. Each of these attributes is discussed in the corresponding chapter. In the second stage of auditory scene analysis, auditory-stream formation, the successive auditory units are integrated into auditory streams, i.e., temporally structured sequences of auditory units that are perceived as emanating from one and the same sound source. Examples of such auditory streams are musical melodies and the utterances of one speaker. The temporal structure of an auditory stream, its rhythm, is determined by the beat locations of its auditory units. The role played by the auditory attributes of the consecutive auditory units is discussed. The melodies of musical streams and the intonation contours of spoken utterances emerge from this process. In music, the beats of parallel streams generally fit into a metric pattern, and, depending on harmony, simultaneous tones can be perceived as consonant or dissonant.Finally, the book contains many sound examples including the MATLAB scripts with which they are generated |
Beschreibung: | Introduction.- The Ear.- The Tonotopic Array.- Auditory-Unit Formation.- Beat Detection.- Timbre Perception.- Loudness Perception.- Pitch Perception.- Perceived Location.- Auditory Stream Formation.- Interpretative Summary |
Beschreibung: | xix, 827 Seiten Illustrationen, Diagramme 1656 grams |
ISBN: | 9783031255656 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV049306462 | ||
003 | DE-604 | ||
005 | 20230927 | ||
007 | t | ||
008 | 230830s2023 a||| |||| 00||| eng d | ||
020 | |a 9783031255656 |c hbk |9 978-3-031-25565-6 | ||
024 | 3 | |a 9783031255656 | |
035 | |a (OCoLC)1398590469 | ||
035 | |a (DE-599)BVBBV049306462 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-29T | ||
100 | 1 | |a Hermes, Dik J. |e Verfasser |4 aut | |
245 | 1 | 0 | |a The perceptual structure of sound |c Dik J. Hermes |
264 | 1 | |a Cham, Switzerland |b Springer |c [2023] | |
300 | |a xix, 827 Seiten |b Illustrationen, Diagramme |c 1656 grams | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Current research in systematic musicology |v volume 11 | |
500 | |a Introduction.- The Ear.- The Tonotopic Array.- Auditory-Unit Formation.- Beat Detection.- Timbre Perception.- Loudness Perception.- Pitch Perception.- Perceived Location.- Auditory Stream Formation.- Interpretative Summary | ||
520 | |a This book presents a comprehensive review of how acoustic waves are processed by the auditory system into structured sounds such as musical melodies, speech utterances, or environmental sounds. After an introduction, an overview is given of how the ears distribute acoustic information over a large array of frequency channels that contain the auditory information used by the central nervous system to generate a mental image of what is happening around the listener. This process, called auditory scene analysis, consists of two stages. In the first stage, auditory units are formed such as musical tones and speech syllables. Each auditory unit is perceived at a well-defined moment in time, the beat location of that auditory unit. Moreover, from this process of auditory-unit formation, the auditory attributes of these auditory units emerge, such as their timbre, their pitch, their loudness, and their perceived location. Each of these attributes is discussed in the corresponding chapter. In the second stage of auditory scene analysis, auditory-stream formation, the successive auditory units are integrated into auditory streams, i.e., temporally structured sequences of auditory units that are perceived as emanating from one and the same sound source. Examples of such auditory streams are musical melodies and the utterances of one speaker. The temporal structure of an auditory stream, its rhythm, is determined by the beat locations of its auditory units. The role played by the auditory attributes of the consecutive auditory units is discussed. The melodies of musical streams and the intonation contours of spoken utterances emerge from this process. In music, the beats of parallel streams generally fit into a metric pattern, and, depending on harmony, simultaneous tones can be perceived as consonant or dissonant.Finally, the book contains many sound examples including the MATLAB scripts with which they are generated | ||
650 | 4 | |a Music | |
650 | 4 | |a Acoustics | |
650 | 4 | |a Acoustical engineering | |
653 | |a Hardcover, Softcover / Technik/Maschinenbau, Fertigungstechnik | ||
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-3-031-25566-3 |
830 | 0 | |a Current research in systematic musicology |v volume 11 |w (DE-604)BV041131824 |9 11 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034567642 |
Datensatz im Suchindex
_version_ | 1804185806739341312 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Hermes, Dik J. |
author_facet | Hermes, Dik J. |
author_role | aut |
author_sort | Hermes, Dik J. |
author_variant | d j h dj djh |
building | Verbundindex |
bvnumber | BV049306462 |
ctrlnum | (OCoLC)1398590469 (DE-599)BVBBV049306462 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03376nam a2200373 cb4500</leader><controlfield tag="001">BV049306462</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230927 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230830s2023 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783031255656</subfield><subfield code="c">hbk</subfield><subfield code="9">978-3-031-25565-6</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783031255656</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1398590469</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049306462</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29T</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hermes, Dik J.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The perceptual structure of sound</subfield><subfield code="c">Dik J. Hermes</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cham, Switzerland</subfield><subfield code="b">Springer</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xix, 827 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield><subfield code="c">1656 grams</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Current research in systematic musicology</subfield><subfield code="v">volume 11</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction.- The Ear.- The Tonotopic Array.- Auditory-Unit Formation.- Beat Detection.- Timbre Perception.- Loudness Perception.- Pitch Perception.- Perceived Location.- Auditory Stream Formation.- Interpretative Summary</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book presents a comprehensive review of how acoustic waves are processed by the auditory system into structured sounds such as musical melodies, speech utterances, or environmental sounds. After an introduction, an overview is given of how the ears distribute acoustic information over a large array of frequency channels that contain the auditory information used by the central nervous system to generate a mental image of what is happening around the listener. This process, called auditory scene analysis, consists of two stages. In the first stage, auditory units are formed such as musical tones and speech syllables. Each auditory unit is perceived at a well-defined moment in time, the beat location of that auditory unit. Moreover, from this process of auditory-unit formation, the auditory attributes of these auditory units emerge, such as their timbre, their pitch, their loudness, and their perceived location. Each of these attributes is discussed in the corresponding chapter. In the second stage of auditory scene analysis, auditory-stream formation, the successive auditory units are integrated into auditory streams, i.e., temporally structured sequences of auditory units that are perceived as emanating from one and the same sound source. Examples of such auditory streams are musical melodies and the utterances of one speaker. The temporal structure of an auditory stream, its rhythm, is determined by the beat locations of its auditory units. The role played by the auditory attributes of the consecutive auditory units is discussed. The melodies of musical streams and the intonation contours of spoken utterances emerge from this process. In music, the beats of parallel streams generally fit into a metric pattern, and, depending on harmony, simultaneous tones can be perceived as consonant or dissonant.Finally, the book contains many sound examples including the MATLAB scripts with which they are generated</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Acoustics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Acoustical engineering</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hardcover, Softcover / Technik/Maschinenbau, Fertigungstechnik</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-3-031-25566-3</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Current research in systematic musicology</subfield><subfield code="v">volume 11</subfield><subfield code="w">(DE-604)BV041131824</subfield><subfield code="9">11</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034567642</subfield></datafield></record></collection> |
id | DE-604.BV049306462 |
illustrated | Illustrated |
index_date | 2024-07-03T22:39:58Z |
indexdate | 2024-07-10T10:01:05Z |
institution | BVB |
isbn | 9783031255656 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034567642 |
oclc_num | 1398590469 |
open_access_boolean | |
owner | DE-29T |
owner_facet | DE-29T |
physical | xix, 827 Seiten Illustrationen, Diagramme 1656 grams |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Springer |
record_format | marc |
series | Current research in systematic musicology |
series2 | Current research in systematic musicology |
spelling | Hermes, Dik J. Verfasser aut The perceptual structure of sound Dik J. Hermes Cham, Switzerland Springer [2023] xix, 827 Seiten Illustrationen, Diagramme 1656 grams txt rdacontent n rdamedia nc rdacarrier Current research in systematic musicology volume 11 Introduction.- The Ear.- The Tonotopic Array.- Auditory-Unit Formation.- Beat Detection.- Timbre Perception.- Loudness Perception.- Pitch Perception.- Perceived Location.- Auditory Stream Formation.- Interpretative Summary This book presents a comprehensive review of how acoustic waves are processed by the auditory system into structured sounds such as musical melodies, speech utterances, or environmental sounds. After an introduction, an overview is given of how the ears distribute acoustic information over a large array of frequency channels that contain the auditory information used by the central nervous system to generate a mental image of what is happening around the listener. This process, called auditory scene analysis, consists of two stages. In the first stage, auditory units are formed such as musical tones and speech syllables. Each auditory unit is perceived at a well-defined moment in time, the beat location of that auditory unit. Moreover, from this process of auditory-unit formation, the auditory attributes of these auditory units emerge, such as their timbre, their pitch, their loudness, and their perceived location. Each of these attributes is discussed in the corresponding chapter. In the second stage of auditory scene analysis, auditory-stream formation, the successive auditory units are integrated into auditory streams, i.e., temporally structured sequences of auditory units that are perceived as emanating from one and the same sound source. Examples of such auditory streams are musical melodies and the utterances of one speaker. The temporal structure of an auditory stream, its rhythm, is determined by the beat locations of its auditory units. The role played by the auditory attributes of the consecutive auditory units is discussed. The melodies of musical streams and the intonation contours of spoken utterances emerge from this process. In music, the beats of parallel streams generally fit into a metric pattern, and, depending on harmony, simultaneous tones can be perceived as consonant or dissonant.Finally, the book contains many sound examples including the MATLAB scripts with which they are generated Music Acoustics Acoustical engineering Hardcover, Softcover / Technik/Maschinenbau, Fertigungstechnik Erscheint auch als Online-Ausgabe 978-3-031-25566-3 Current research in systematic musicology volume 11 (DE-604)BV041131824 11 |
spellingShingle | Hermes, Dik J. The perceptual structure of sound Current research in systematic musicology Music Acoustics Acoustical engineering |
title | The perceptual structure of sound |
title_auth | The perceptual structure of sound |
title_exact_search | The perceptual structure of sound |
title_exact_search_txtP | The perceptual structure of sound |
title_full | The perceptual structure of sound Dik J. Hermes |
title_fullStr | The perceptual structure of sound Dik J. Hermes |
title_full_unstemmed | The perceptual structure of sound Dik J. Hermes |
title_short | The perceptual structure of sound |
title_sort | the perceptual structure of sound |
topic | Music Acoustics Acoustical engineering |
topic_facet | Music Acoustics Acoustical engineering |
volume_link | (DE-604)BV041131824 |
work_keys_str_mv | AT hermesdikj theperceptualstructureofsound |