Performing Norwegian American: the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970
"This comparative study examines the music culture of the Norwegian-American communities in five states of the American Upper Midwest (Iowa, Minnesota, North Dakota, South Dakota, and Wisconsin) between 1900 and 1970, investigating the shifting ways in which performances of the two music genres...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oslo
Norwegian Academy of Music
2023
|
| Schriftenreihe: | NMH publications
2023:3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This comparative study examines the music culture of the Norwegian-American communities in five states of the American Upper Midwest (Iowa, Minnesota, North Dakota, South Dakota, and Wisconsin) between 1900 and 1970, investigating the shifting ways in which performances of the two music genres of bygdedans and Norwegian-American old-time music functioned to construct heterogeneous Norwegian-American identities during a period of major social, cultural, technological, political, and economic change in the United States. Through case studies of two historical performers, Dagny Andrea Veum Quisling and Daniel Aakhus, the study examines a selection of performance contexts for each genre, analyzing the musical expression of diverse layers of identity through these contexts. The study also investigates how a combination of global and local flows and forces contributed to processes of musical change and exchange in the Norwegian-American music culture, and furthermore, how these processes reflect diverse processes of identity construction. This qualitative, interdisciplinary study draws on theory and methodology from a range of humanities and social science disciplines, including ethnomusicology, anthropology, sociology, migration studies, cultural studies, performance studies, folklore studies, and media studies. The approach towards the study of the musical performance of Norwegian-American identity is grounded on an interdisciplinary theoretical framework centred on concepts of social identity (particularly ethnic and diasporic identity), performance, and globalization theories as connected to ethnomusicologist Mark Slobin’s framework for the study of subcultural musics (Slobin, 1993). The strategy of inquiry combines historical research and case study research [...]." |
| Beschreibung: | xix, 310 Seiten Illustrationen, Diagramme, Notenbeispiel |
| ISBN: | 9788278533192 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgements iii Abstract v Sammendrag A Note on Translation and Use of the Norwegian Language vii ix 1 Introduction 1 1.1 Background and Rationale for the Study Purpose of the Study and Research Questions Definitions of Terms 2 4 6 1.2 1.3 1.3.1 1.3.2 1.3.3 1.4 1.4.1 Bygdedans Music Norwegian-American Old-Time Music Genre 6 7 9 A Brief History of Norwegian Migration to the American Upper Midwest 10 Traditional Music in Early Norwegian-American Settlements in the Upper Midwest 14 1.5 Organization of the Dissertation 15 2 Theoretical Perspectives 17 2.1 2.2 Introduction Social Identity Constructs: Ethnic and Diasporic Identities 17 18 2.2.1 2.2.2 Ethnic Identity Diasporic Identity 21 23 Music as Cultural Performance Music Subcultures and Global Cultural Flows 2.5 Conclusion 26 31 36 3 Literature Review 37 3.1 3.2 Introduction Norwegian-American Identities in the Upper Midwest 37 38 39 2.3 2.4 3.2.1 Ethnocentricity xiii
3.2.2 3.2.3 Shifting Identities Conclusion 41 50 3.3 Previous Research on Bygdedans and Norwegian-American Old- Time Music in the Upper Midwest 3.3.1 3.3.2 3.3.3 Norwegian-American Identity Construction through Musical Performance Retention and Decline Norwegian-American Old-Time as a Creolized Music 3.4 Conclusion 4 Materials and Methods 4.1 Introduction 4.2 Research Design 4.2.1 Historical Research 4.2.2 Qualitative Case Study Research 4.3 Data Collection 4.3.1 Documents 4.3.2 Qualitative Interviews 4.3.3 Audiovisual Materials 4.4 Data Management 4.4.1 A Norwegian-American Music Database 4.4.2 Spreadsheets 4.4.3 NVivo 4.5 Data Analysis 4.6 4.7 4.8 Ethical Considerations Positionality Conclusion 5 Norwegian-American Musical Interplay with the “-Cultures” 5.1 5.2 5.3 Introduction Intersubcultural Interplay: Neighbouring Ethnic Musicians Interplay with Supercultural Musical Materials 5.3.1 5.3.2 5.3.3 5.3.4 5.4 5.5 xiv Travelling Entertainment Sheet Music Commercial “Foreign-Language” Recordings Radio Interplay via the Diasporic Interculture Analyses of Musical Examples 51 56 68 75 78 80 80 81 82 84 87 90 92 95 97 97 99 101 101 102 103 104 105 105 106 115 119 129 145 164 172 181
Anniversary Waltz / Danube Waves 5.5.1 Emigrantvalsen / Farvel mitt fedreland 5.5.2 5.5.3 Home, Sweet Home 5.6 Conclusion 182 188 193 198 6 Case Studies 201 6.1 Introduction Dagny Andrea Veum Quisling (1869-1952) Andreas A. Quisling (1859-1911) A Late-Blooming Fiddler “Americas Only Woman Hardanger Artist” A Fiddling Singer Performances for Norwegian-American Bygdelag Norwegian-American Kappleiker The National Folk Festival Stratman-Thomas Recordings Conclusion 201 202 204 208 209 212 214 220 228 232 233 233 234 241 245 250 252 255 259 6.2 6.2.1 6.2.2 6.2.3 6.2.4 6.2.5 6.2.6 6.2.7 6.2.8 6.2.9 6.3 Daniel Aakhus (1881-1969) 6.3.1 Eivind D. Aakhus (1854-1937) 6.3.2 “Son of the Noted Norwegian Violinist” 6.3.3 The Aakhus Concert Company 6.3.4 Vår trofaste spelemann·. Performances for Setesdalslaget 6.3.5 The Aakhus Collection 6.3.6 The Aakhus Recordings: A Closer Look Conclusion 6.3.7 6.4 Conclusion 260 7 Concluding Remarks 262 7.1 7.1.1 7.1.2 Contributions Interplay with the “-Cultures” and Identity Construction Performance Contexts and Identity Construction 262 262 265 7.2 Future Research 268 XV
8 Bibliography Appendices 269 293 Appendix 1: Consent Form 295 Appendix 2: Overview of Repertoire Found in Database and Surveyed “Scandinavian” Sheet Music Collections xvi 299 Appendix 3: “Farvel mitt fedreland” 303 Appendix 4: Overview of Norwegian-American Kappleiker Appendix 5: Glossary of Terms 305 309
|
| adam_txt |
Contents Acknowledgements iii Abstract v Sammendrag A Note on Translation and Use of the Norwegian Language vii ix 1 Introduction 1 1.1 Background and Rationale for the Study Purpose of the Study and Research Questions Definitions of Terms 2 4 6 1.2 1.3 1.3.1 1.3.2 1.3.3 1.4 1.4.1 Bygdedans Music Norwegian-American Old-Time Music Genre 6 7 9 A Brief History of Norwegian Migration to the American Upper Midwest 10 Traditional Music in Early Norwegian-American Settlements in the Upper Midwest 14 1.5 Organization of the Dissertation 15 2 Theoretical Perspectives 17 2.1 2.2 Introduction Social Identity Constructs: Ethnic and Diasporic Identities 17 18 2.2.1 2.2.2 Ethnic Identity Diasporic Identity 21 23 Music as Cultural Performance Music Subcultures and Global Cultural Flows 2.5 Conclusion 26 31 36 3 Literature Review 37 3.1 3.2 Introduction Norwegian-American Identities in the Upper Midwest 37 38 39 2.3 2.4 3.2.1 Ethnocentricity xiii
3.2.2 3.2.3 Shifting Identities Conclusion 41 50 3.3 Previous Research on Bygdedans and Norwegian-American Old- Time Music in the Upper Midwest 3.3.1 3.3.2 3.3.3 Norwegian-American Identity Construction through Musical Performance Retention and Decline Norwegian-American Old-Time as a Creolized Music 3.4 Conclusion 4 Materials and Methods 4.1 Introduction 4.2 Research Design 4.2.1 Historical Research 4.2.2 Qualitative Case Study Research 4.3 Data Collection 4.3.1 Documents 4.3.2 Qualitative Interviews 4.3.3 Audiovisual Materials 4.4 Data Management 4.4.1 A Norwegian-American Music Database 4.4.2 Spreadsheets 4.4.3 NVivo 4.5 Data Analysis 4.6 4.7 4.8 Ethical Considerations Positionality Conclusion 5 Norwegian-American Musical Interplay with the “-Cultures” 5.1 5.2 5.3 Introduction Intersubcultural Interplay: Neighbouring Ethnic Musicians Interplay with Supercultural Musical Materials 5.3.1 5.3.2 5.3.3 5.3.4 5.4 5.5 xiv Travelling Entertainment Sheet Music Commercial “Foreign-Language” Recordings Radio Interplay via the Diasporic Interculture Analyses of Musical Examples 51 56 68 75 78 80 80 81 82 84 87 90 92 95 97 97 99 101 101 102 103 104 105 105 106 115 119 129 145 164 172 181
Anniversary Waltz / Danube Waves 5.5.1 Emigrantvalsen / Farvel mitt fedreland 5.5.2 5.5.3 Home, Sweet Home 5.6 Conclusion 182 188 193 198 6 Case Studies 201 6.1 Introduction Dagny Andrea Veum Quisling (1869-1952) Andreas A. Quisling (1859-1911) A Late-Blooming Fiddler “Americas Only Woman Hardanger Artist” A Fiddling Singer Performances for Norwegian-American Bygdelag Norwegian-American Kappleiker The National Folk Festival Stratman-Thomas Recordings Conclusion 201 202 204 208 209 212 214 220 228 232 233 233 234 241 245 250 252 255 259 6.2 6.2.1 6.2.2 6.2.3 6.2.4 6.2.5 6.2.6 6.2.7 6.2.8 6.2.9 6.3 Daniel Aakhus (1881-1969) 6.3.1 Eivind D. Aakhus (1854-1937) 6.3.2 “Son of the Noted Norwegian Violinist” 6.3.3 The Aakhus Concert Company 6.3.4 Vår trofaste spelemann·. Performances for Setesdalslaget 6.3.5 The Aakhus Collection 6.3.6 The Aakhus Recordings: A Closer Look Conclusion 6.3.7 6.4 Conclusion 260 7 Concluding Remarks 262 7.1 7.1.1 7.1.2 Contributions Interplay with the “-Cultures” and Identity Construction Performance Contexts and Identity Construction 262 262 265 7.2 Future Research 268 XV
8 Bibliography Appendices 269 293 Appendix 1: Consent Form 295 Appendix 2: Overview of Repertoire Found in Database and Surveyed “Scandinavian” Sheet Music Collections xvi 299 Appendix 3: “Farvel mitt fedreland” 303 Appendix 4: Overview of Norwegian-American Kappleiker Appendix 5: Glossary of Terms 305 309 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T22:38:10Z |
| indexdate | 2024-07-10T10:00:49Z |
| institution | BVB |
| institution_GND | (DE-588)1089124-9 |
| isbn | 9788278533192 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034557681 |
| oclc_num | 1401187049 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xix, 310 Seiten Illustrationen, Diagramme, Notenbeispiel |
| psigel | BSB_NED_20231009 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Norwegian Academy of Music |
| record_format | marc |
| series | NMH publications |
| series2 | NMH publications |
| spelling | Ellestad, Laura 1982- Verfasser (DE-588)1299974171 aut Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 Laura Ellestad Oslo Norwegian Academy of Music 2023 xix, 310 Seiten Illustrationen, Diagramme, Notenbeispiel txt rdacontent n rdamedia nc rdacarrier NMH publications 2023:3 Dissertation Norwegian Academy of Music 2023 "This comparative study examines the music culture of the Norwegian-American communities in five states of the American Upper Midwest (Iowa, Minnesota, North Dakota, South Dakota, and Wisconsin) between 1900 and 1970, investigating the shifting ways in which performances of the two music genres of bygdedans and Norwegian-American old-time music functioned to construct heterogeneous Norwegian-American identities during a period of major social, cultural, technological, political, and economic change in the United States. Through case studies of two historical performers, Dagny Andrea Veum Quisling and Daniel Aakhus, the study examines a selection of performance contexts for each genre, analyzing the musical expression of diverse layers of identity through these contexts. The study also investigates how a combination of global and local flows and forces contributed to processes of musical change and exchange in the Norwegian-American music culture, and furthermore, how these processes reflect diverse processes of identity construction. This qualitative, interdisciplinary study draws on theory and methodology from a range of humanities and social science disciplines, including ethnomusicology, anthropology, sociology, migration studies, cultural studies, performance studies, folklore studies, and media studies. The approach towards the study of the musical performance of Norwegian-American identity is grounded on an interdisciplinary theoretical framework centred on concepts of social identity (particularly ethnic and diasporic identity), performance, and globalization theories as connected to ethnomusicologist Mark Slobin’s framework for the study of subcultural musics (Slobin, 1993). The strategy of inquiry combines historical research and case study research [...]." Geschichte 1900-1970 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Norwegischer Einwanderer (DE-588)4491904-9 gnd rswk-swf Volksmusikpflege (DE-588)4188542-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA Mittlerer Westen (DE-588)4074909-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g USA Mittlerer Westen (DE-588)4074909-5 g Norwegischer Einwanderer (DE-588)4491904-9 s Volksmusikpflege (DE-588)4188542-9 s Kulturkontakt (DE-588)4033569-0 s Identität (DE-588)4026482-8 s Sozialer Wandel (DE-588)4077587-2 s Geschichte 1900-1970 z DE-604 Norges Musikkhøgskole (DE-588)1089124-9 isb Erscheint auch als Online-Ausgabe 978-82-7853-320-8 NMH publications 2023:3 (DE-604)BV000010710 2023,3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034557681&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ellestad, Laura 1982- Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 NMH publications Kulturkontakt (DE-588)4033569-0 gnd Identität (DE-588)4026482-8 gnd Sozialer Wandel (DE-588)4077587-2 gnd Norwegischer Einwanderer (DE-588)4491904-9 gnd Volksmusikpflege (DE-588)4188542-9 gnd |
| subject_GND | (DE-588)4033569-0 (DE-588)4026482-8 (DE-588)4077587-2 (DE-588)4491904-9 (DE-588)4188542-9 (DE-588)4078704-7 (DE-588)4074909-5 (DE-588)4113937-9 |
| title | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 |
| title_auth | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 |
| title_exact_search | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 |
| title_exact_search_txtP | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 |
| title_full | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 Laura Ellestad |
| title_fullStr | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 Laura Ellestad |
| title_full_unstemmed | Performing Norwegian American the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 Laura Ellestad |
| title_short | Performing Norwegian American |
| title_sort | performing norwegian american the construction of identity through performances of bygdedans and norwegian american old time music in the upper midwest 1900 1970 |
| title_sub | the construction of identity through performances of bygdedans and Norwegian-American old-time music in the Upper Midwest, 1900-1970 |
| topic | Kulturkontakt (DE-588)4033569-0 gnd Identität (DE-588)4026482-8 gnd Sozialer Wandel (DE-588)4077587-2 gnd Norwegischer Einwanderer (DE-588)4491904-9 gnd Volksmusikpflege (DE-588)4188542-9 gnd |
| topic_facet | Kulturkontakt Identität Sozialer Wandel Norwegischer Einwanderer Volksmusikpflege USA USA Mittlerer Westen Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034557681&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000010710 |
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