Managing Copyright: Emerging Business Models in the Individual and Collective Management of Rights
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Alphen aan den Rijn
Wolters Kluwer Law International
2023
|
| Ausgabe: | 1st ed |
| Online-Zugang: | DE-2070s |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (290 Seiten) |
| ISBN: | 9789403509372 |
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| 505 | 8 | |a Cover -- Half Title -- Title -- Copyright -- OBSAH -- A WORD FROM THE EDITOR -- PART I INTRODUCTION -- WELCOME ADDRESS DELIVERED AT THE OPENING OF THE 2019 ALAI CONGRESS IN PRAGUE -- RECONSIDERING THE ROLE OF NATIONAL COLLECTING SOCIETIES -- EU IPO AND THE ENFORCEMENT OF COPYRIGHT -- SECTEUR DU DROIT D'AUTEUR ET DES INDUSTRIES DE LA CRÉATION -- COLLECTIVE MANAGEMENT OF RIGHTS IN A TRANSFORMING MARKET -- OPENING SPEECH -- PART II STUDIES -- IS COMPETITION AMONG COLLECTIVES LEADING TO POSITIVE CHANGES IN COLLECTIVE MANAGEMENT? -- The United States -- The European Union -- Lessons -- THE CONTRIBUTIONS AND LIMITATIONS OF COMPETITION LAW TO REGULATE COLLECTIVE RIGHTS MANAGEMENT IN THE EU -- 1 Introduction -- 2 The economics of collective rights management -- 2.1 The relevance of direct network effects -- 2.2 The relevance of indirect network effects - CMOs as platforms in two-sided markets? -- 2.3 Different competitive situation in the different markets -- 3 The competition law framework for collective rights management -- 3.1 CMOs are not considered as illegal price cartels -- 3.2 The function of CMOs to protect rightholders against big exploiters -- 3.3 Control of dominance to protect rightholders -- 3.4 Control of dominance to protect users -- 3.5 Limitations of competition law -- 4 Need for competition law in the future -- 4.1 Competition law as one of three available control mechanisms -- 4.2 Application to different fields of enforcement -- 4.3 Additional insights from merger control law -- 5 Conclusion -- COMPETITION AND COLLECTIVE MANAGEMENT OF COPYRIGHT IN THE 2019 EU COPYRIGHT DIRECTIVES: AN OVERVIEW -- ARGENTINIAN EXPERIENCE WITH COMPETITION AND TARIFF SETTING -- History -- Paradigms of Collective Management -- The Argentine Experience -- Conclusion -- GEOBLOCKING IN EU COPYRIGHT LAW -- 1 Introduction | |
| 505 | 8 | |a 2 Territotiality in EU Copyright Law: a Retrospective -- 2.1 The Foundations of the Principle of Territoriality and its Consequences on European Copyright Law -- 2.2 The Principle of Exhaustion - Offline and Online -- 3 The Steps Towards an Overcoming of the Principle of Territoriality -- 3.1 Geoblocking and Competition Law -- 3.2 The Legislative Initiatives for Less Copyright Territoriality -- 4 The Geoblocking Regulation: a Failure or an Opportunity? -- 4.1 The Need for New Solutions in Light of the EU's Evolution -- 4.2 Some de lege ferenda Thoughts: Compulsory License as a Means for an Effective Overcoming of Geoblocking in the EU? -- 5 Conclusion -- DIGITAL CONTENT PORTABILITY AND ITS RELATION TO CONFORMITY WITH THE CONTRACT -- Introduction -- The Material Scope of the Digital Content Directive -- Portability of Digital Content as a Consumer-Law Issue -- Portability as a Subcategory of Conformity with the Contract -- Specific Issues Related to the Breach of Cross-Border Portability -- Portability and Unenforceability -- Portability as a Serious Breach of the Contract -- Portability and Quality -- Conclusions -- VOLUNTARY, MANDATORY AND EXTENDED COLLECTIVE MANAGEMENT IN THE LIGHT OF INTERNATIONAL AND EU NORMS -- Introductory Remarks -- Voluntary Collective Management -- Mandatory Collective Management as a Limitation of Exclusive Rights -- Mandatory Collective Management of Rights to Remuneration -- EU Directives on Mandatory Collective Management -- Extended (and Presumption-based) Collective Management from the Viewpoint of the International Treaties -- Extended Collective Management, a Nordic-origin System Applied Also in Other Countries -- Provisions in EU Directives on Extended Collective Management Before the Digital Single Market Directive -- The Soulier and Doke Case | |
| 505 | 8 | |a General Regulation of the Requirements of Extended Collective Management -- EXTENDED AND MANDATORY COLLECTIVE MANAGEMENT IN THEORY AND PRACTICE -- 1 Introduction -- 2 Legal bases for use of copyright protected content -- 3 EU Directive on collective management of copyright and related rights -- 4 The Soulier and Doke case -- 5 Provisions on collective licensing with an extended effect in the DSM Directive -- 5.1 Article 8 on use of out-of-commerce works and other subject matter by cultural heritage institutions -- 5.2 Article 12 -- 6 Collective licensing - a potential solution to article 17 of the DSM Directive? -- 7 Conclusions -- PART III REPORTS -- IMPACT OF EU POLICY ON CULTURAL DIVERSITY AND SMALL COUNTRIES -- CHALLENGES OF THE EU REGULATORY FRAMEWORK OF EXTENDED COLLECTIVE MANAGEMENT FOR THE SMALL CMOS -- Collective Management in the EU Substantive Copyright Law -- The Collective Management Directive -- CM in the Digital Single Market and the Broadcasting Directives -- INDEPENDENT MANAGEMENT ENTITY ON THE EXAMPLE OF SOUNDREEF -- SPÉCIFICITÉS DES ARTS VISUELS DANS LA GESTION COLLECTIVE DES DROITS D'AUTEUR -- 1 Les missions de l'ADAGP -- 1.1 Présence dans les instances internationales -- 2 Spécificités des arts visuel -- 2.1 Spécificité lié à la nature des oeuvres des arts visuels -- 2.2 Spécificité des usages -- 2.3 Spécificité des droits -- 3 Points communs avec les autres secteurs -- 4 Les «Règles de Rio»: un très haut niveau d'individualisation de la gestion des droits -- 5 Parmi les défis de l'ADAGP : Focus sur la directive européenne sur le droit d'auteur et son application en France (2019-2021) -- VOLUNTARY LICENSING OF TEXT BASED WORKS IN THE UNITED STATES: COPYRIGHT CLEARANCE CENTER -- 1 Introduction - Making Copyright Work -- 2 Voluntary Collective Licensing Requires a Commercial Approach | |
| 505 | 8 | |a 3 Unique Issues Facing Collective Licensing of Text in the U.S. -- 4 Practical Responses to Those Unique Issues -- 5 Recent Developments Support Voluntary Collective Licensing in New Ways -- 6 Conclusion -- DEVELOPING THE COPYRIGHT INFRASTRUCTURE - METADATA AND BEYOND -- 1 Why Am I Here? -- 2 What Do We Mean When We Talk About the Copyright Infrastructure? -- 3 What is the Issue That We Attempt to Address? -- 3.1 The Challenge -- 3.2 The Benefit -- 3.3 Some Questions to be Addressed in the Discussions -- 4 How Does This Theme Relate to the Data Economy? -- INTRODUCING AMRA AND ITS BUSINESS MODEL -- TECHNOLOGY DRIVEN CMOS: THE IMPORTANCE OF CMOS IN THE DIGITAL ERA -- 1 Introduction -- 2 The Reciprocity Management Challenge -- 3 Artists' Remuneration in the Digital Era -- 3.1 Digital Music Business Models -- 3.2 The Effects of the New Business Models for Performers -- 4 The Role of the CMOs in Digital Music Business -- 5 The Spanish Model Exclusive and Remuneration Rights -- DEALING WITH TERRITORIALITY IN EU COPYRIGHT -- 1 EU-wide Exhaustion -- 2 The 'SatCab' Approach -- 3 Collective Rights Management Directive -- 4 EU Competition Law -- 5 Conclusion -- COLLECTIVE MANAGEMENT IN CYBERSPACE -- 1 Nuestra idea de transposición en Gral -- 2 Triangulo de transparencia. Arts. 18-20. Transponer con literalidad, no problemas específicos. -- 2.1 En qué punto estamos en law reunions, tendencias de los países, sobre la directive mud -- 3 Recurso Polonia -- 4 Sobre la directive sat/cab -- ASIAN IP OFFICES' POLICIES ON COLLECTIVE MANAGEMENT -- 1 Introduction -- 2 Direct licensing of digital services -- 3 Asian IP Offices' Policies -- 3.1 China -- 3.2 Chinese Taipei -- 3.3 Indonesia -- 3.4 Korea -- 3.5 Malaysia -- 3.6 Philippines -- 4 Conclusion | |
| 505 | 8 | |a THE EQUITABLE REMUNERATION OF AUDIOVISUAL AUTHORS: A PROPOSAL OF UNWAIVABLE REMUNERATION RIGHTS UNDER COLLECTIVE MANAGEMENT -- PART IV CONCLUSION -- RAPPORT GÉNÉRAL: GESTION COLLECTIVE DES DROITS -- 1 Aperçu général de la gestion collective -- 1.1 Organismes de gestion collective : monopoles naturels ou légaux -- 1.2 Gestion collective volontaire, étendue et obligatoire -- 1.3 La concurrence entre CMO -- 1.4 Forme des organismes de gestion collective -- 1.5 Contribution des organisations de gestion collective au développement culturel et social de la société -- 2 Relations entre les organismes de gestion collective et les titulaires de droits -- 2.1 Les titulaires de droits ont-ils le droit d'être représentés ? -- 2.2 Résolution des conflits entre titulaires de droits pour «double revendication» -- 2.3 Participation des auteurs aux conseils d'administration des organismes de gestion collective -- 2.4 Répartition des revenus -- 2.5 Autonomie de la volonté d'accorder des licences individuelles directes -- 2.6 Possibilité de licences non commerciales -- 3 Relations entre les organismes de gestion collective et les utilisateurs -- 3.1 Rémunération pour copie privée -- 3.2 Procédures de fixation des tarifs -- 3.3 Critères de fixation des tarifs -- 3.4 Transparence des tarifs -- 3.5 Questions de concurrence -- GENERAL REPORT: COLLECTIVE MANAGEMENT OF RIGHTS -- 1 General overview of collective management -- 1.1 Collective management organisations: natural or legal monopolies -- 1.2 Voluntary, extended and mandatory collective management -- 1.3 Competition among CMOs -- 1.4 Form of collective management organisations -- 1.5 Contribution of collective management organisations to the cultural and social development of the society -- 2 Relations between collective management organisations and right owners | |
| 505 | 8 | |a 2.1 Do right holders have a right to be represented? | |
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Datensatz im Suchindex
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| contents | Cover -- Half Title -- Title -- Copyright -- OBSAH -- A WORD FROM THE EDITOR -- PART I INTRODUCTION -- WELCOME ADDRESS DELIVERED AT THE OPENING OF THE 2019 ALAI CONGRESS IN PRAGUE -- RECONSIDERING THE ROLE OF NATIONAL COLLECTING SOCIETIES -- EU IPO AND THE ENFORCEMENT OF COPYRIGHT -- SECTEUR DU DROIT D'AUTEUR ET DES INDUSTRIES DE LA CRÉATION -- COLLECTIVE MANAGEMENT OF RIGHTS IN A TRANSFORMING MARKET -- OPENING SPEECH -- PART II STUDIES -- IS COMPETITION AMONG COLLECTIVES LEADING TO POSITIVE CHANGES IN COLLECTIVE MANAGEMENT? -- The United States -- The European Union -- Lessons -- THE CONTRIBUTIONS AND LIMITATIONS OF COMPETITION LAW TO REGULATE COLLECTIVE RIGHTS MANAGEMENT IN THE EU -- 1 Introduction -- 2 The economics of collective rights management -- 2.1 The relevance of direct network effects -- 2.2 The relevance of indirect network effects - CMOs as platforms in two-sided markets? -- 2.3 Different competitive situation in the different markets -- 3 The competition law framework for collective rights management -- 3.1 CMOs are not considered as illegal price cartels -- 3.2 The function of CMOs to protect rightholders against big exploiters -- 3.3 Control of dominance to protect rightholders -- 3.4 Control of dominance to protect users -- 3.5 Limitations of competition law -- 4 Need for competition law in the future -- 4.1 Competition law as one of three available control mechanisms -- 4.2 Application to different fields of enforcement -- 4.3 Additional insights from merger control law -- 5 Conclusion -- COMPETITION AND COLLECTIVE MANAGEMENT OF COPYRIGHT IN THE 2019 EU COPYRIGHT DIRECTIVES: AN OVERVIEW -- ARGENTINIAN EXPERIENCE WITH COMPETITION AND TARIFF SETTING -- History -- Paradigms of Collective Management -- The Argentine Experience -- Conclusion -- GEOBLOCKING IN EU COPYRIGHT LAW -- 1 Introduction 2 Territotiality in EU Copyright Law: a Retrospective -- 2.1 The Foundations of the Principle of Territoriality and its Consequences on European Copyright Law -- 2.2 The Principle of Exhaustion - Offline and Online -- 3 The Steps Towards an Overcoming of the Principle of Territoriality -- 3.1 Geoblocking and Competition Law -- 3.2 The Legislative Initiatives for Less Copyright Territoriality -- 4 The Geoblocking Regulation: a Failure or an Opportunity? -- 4.1 The Need for New Solutions in Light of the EU's Evolution -- 4.2 Some de lege ferenda Thoughts: Compulsory License as a Means for an Effective Overcoming of Geoblocking in the EU? -- 5 Conclusion -- DIGITAL CONTENT PORTABILITY AND ITS RELATION TO CONFORMITY WITH THE CONTRACT -- Introduction -- The Material Scope of the Digital Content Directive -- Portability of Digital Content as a Consumer-Law Issue -- Portability as a Subcategory of Conformity with the Contract -- Specific Issues Related to the Breach of Cross-Border Portability -- Portability and Unenforceability -- Portability as a Serious Breach of the Contract -- Portability and Quality -- Conclusions -- VOLUNTARY, MANDATORY AND EXTENDED COLLECTIVE MANAGEMENT IN THE LIGHT OF INTERNATIONAL AND EU NORMS -- Introductory Remarks -- Voluntary Collective Management -- Mandatory Collective Management as a Limitation of Exclusive Rights -- Mandatory Collective Management of Rights to Remuneration -- EU Directives on Mandatory Collective Management -- Extended (and Presumption-based) Collective Management from the Viewpoint of the International Treaties -- Extended Collective Management, a Nordic-origin System Applied Also in Other Countries -- Provisions in EU Directives on Extended Collective Management Before the Digital Single Market Directive -- The Soulier and Doke Case General Regulation of the Requirements of Extended Collective Management -- EXTENDED AND MANDATORY COLLECTIVE MANAGEMENT IN THEORY AND PRACTICE -- 1 Introduction -- 2 Legal bases for use of copyright protected content -- 3 EU Directive on collective management of copyright and related rights -- 4 The Soulier and Doke case -- 5 Provisions on collective licensing with an extended effect in the DSM Directive -- 5.1 Article 8 on use of out-of-commerce works and other subject matter by cultural heritage institutions -- 5.2 Article 12 -- 6 Collective licensing - a potential solution to article 17 of the DSM Directive? -- 7 Conclusions -- PART III REPORTS -- IMPACT OF EU POLICY ON CULTURAL DIVERSITY AND SMALL COUNTRIES -- CHALLENGES OF THE EU REGULATORY FRAMEWORK OF EXTENDED COLLECTIVE MANAGEMENT FOR THE SMALL CMOS -- Collective Management in the EU Substantive Copyright Law -- The Collective Management Directive -- CM in the Digital Single Market and the Broadcasting Directives -- INDEPENDENT MANAGEMENT ENTITY ON THE EXAMPLE OF SOUNDREEF -- SPÉCIFICITÉS DES ARTS VISUELS DANS LA GESTION COLLECTIVE DES DROITS D'AUTEUR -- 1 Les missions de l'ADAGP -- 1.1 Présence dans les instances internationales -- 2 Spécificités des arts visuel -- 2.1 Spécificité lié à la nature des oeuvres des arts visuels -- 2.2 Spécificité des usages -- 2.3 Spécificité des droits -- 3 Points communs avec les autres secteurs -- 4 Les «Règles de Rio»: un très haut niveau d'individualisation de la gestion des droits -- 5 Parmi les défis de l'ADAGP : Focus sur la directive européenne sur le droit d'auteur et son application en France (2019-2021) -- VOLUNTARY LICENSING OF TEXT BASED WORKS IN THE UNITED STATES: COPYRIGHT CLEARANCE CENTER -- 1 Introduction - Making Copyright Work -- 2 Voluntary Collective Licensing Requires a Commercial Approach 3 Unique Issues Facing Collective Licensing of Text in the U.S. -- 4 Practical Responses to Those Unique Issues -- 5 Recent Developments Support Voluntary Collective Licensing in New Ways -- 6 Conclusion -- DEVELOPING THE COPYRIGHT INFRASTRUCTURE - METADATA AND BEYOND -- 1 Why Am I Here? -- 2 What Do We Mean When We Talk About the Copyright Infrastructure? -- 3 What is the Issue That We Attempt to Address? -- 3.1 The Challenge -- 3.2 The Benefit -- 3.3 Some Questions to be Addressed in the Discussions -- 4 How Does This Theme Relate to the Data Economy? -- INTRODUCING AMRA AND ITS BUSINESS MODEL -- TECHNOLOGY DRIVEN CMOS: THE IMPORTANCE OF CMOS IN THE DIGITAL ERA -- 1 Introduction -- 2 The Reciprocity Management Challenge -- 3 Artists' Remuneration in the Digital Era -- 3.1 Digital Music Business Models -- 3.2 The Effects of the New Business Models for Performers -- 4 The Role of the CMOs in Digital Music Business -- 5 The Spanish Model Exclusive and Remuneration Rights -- DEALING WITH TERRITORIALITY IN EU COPYRIGHT -- 1 EU-wide Exhaustion -- 2 The 'SatCab' Approach -- 3 Collective Rights Management Directive -- 4 EU Competition Law -- 5 Conclusion -- COLLECTIVE MANAGEMENT IN CYBERSPACE -- 1 Nuestra idea de transposición en Gral -- 2 Triangulo de transparencia. Arts. 18-20. Transponer con literalidad, no problemas específicos. -- 2.1 En qué punto estamos en law reunions, tendencias de los países, sobre la directive mud -- 3 Recurso Polonia -- 4 Sobre la directive sat/cab -- ASIAN IP OFFICES' POLICIES ON COLLECTIVE MANAGEMENT -- 1 Introduction -- 2 Direct licensing of digital services -- 3 Asian IP Offices' Policies -- 3.1 China -- 3.2 Chinese Taipei -- 3.3 Indonesia -- 3.4 Korea -- 3.5 Malaysia -- 3.6 Philippines -- 4 Conclusion THE EQUITABLE REMUNERATION OF AUDIOVISUAL AUTHORS: A PROPOSAL OF UNWAIVABLE REMUNERATION RIGHTS UNDER COLLECTIVE MANAGEMENT -- PART IV CONCLUSION -- RAPPORT GÉNÉRAL: GESTION COLLECTIVE DES DROITS -- 1 Aperçu général de la gestion collective -- 1.1 Organismes de gestion collective : monopoles naturels ou légaux -- 1.2 Gestion collective volontaire, étendue et obligatoire -- 1.3 La concurrence entre CMO -- 1.4 Forme des organismes de gestion collective -- 1.5 Contribution des organisations de gestion collective au développement culturel et social de la société -- 2 Relations entre les organismes de gestion collective et les titulaires de droits -- 2.1 Les titulaires de droits ont-ils le droit d'être représentés ? -- 2.2 Résolution des conflits entre titulaires de droits pour «double revendication» -- 2.3 Participation des auteurs aux conseils d'administration des organismes de gestion collective -- 2.4 Répartition des revenus -- 2.5 Autonomie de la volonté d'accorder des licences individuelles directes -- 2.6 Possibilité de licences non commerciales -- 3 Relations entre les organismes de gestion collective et les utilisateurs -- 3.1 Rémunération pour copie privée -- 3.2 Procédures de fixation des tarifs -- 3.3 Critères de fixation des tarifs -- 3.4 Transparence des tarifs -- 3.5 Questions de concurrence -- GENERAL REPORT: COLLECTIVE MANAGEMENT OF RIGHTS -- 1 General overview of collective management -- 1.1 Collective management organisations: natural or legal monopolies -- 1.2 Voluntary, extended and mandatory collective management -- 1.3 Competition among CMOs -- 1.4 Form of collective management organisations -- 1.5 Contribution of collective management organisations to the cultural and social development of the society -- 2 Relations between collective management organisations and right owners 2.1 Do right holders have a right to be represented? |
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| edition | 1st ed |
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-- The United States -- The European Union -- Lessons -- THE CONTRIBUTIONS AND LIMITATIONS OF COMPETITION LAW TO REGULATE COLLECTIVE RIGHTS MANAGEMENT IN THE EU -- 1 Introduction -- 2 The economics of collective rights management -- 2.1 The relevance of direct network effects -- 2.2 The relevance of indirect network effects - CMOs as platforms in two-sided markets? -- 2.3 Different competitive situation in the different markets -- 3 The competition law framework for collective rights management -- 3.1 CMOs are not considered as illegal price cartels -- 3.2 The function of CMOs to protect rightholders against big exploiters -- 3.3 Control of dominance to protect rightholders -- 3.4 Control of dominance to protect users -- 3.5 Limitations of competition law -- 4 Need for competition law in the future -- 4.1 Competition law as one of three available control mechanisms -- 4.2 Application to different fields of enforcement -- 4.3 Additional insights from merger control law -- 5 Conclusion -- COMPETITION AND COLLECTIVE MANAGEMENT OF COPYRIGHT IN THE 2019 EU COPYRIGHT DIRECTIVES: AN OVERVIEW -- ARGENTINIAN EXPERIENCE WITH COMPETITION AND TARIFF SETTING -- History -- Paradigms of Collective Management -- The Argentine Experience -- Conclusion -- GEOBLOCKING IN EU COPYRIGHT LAW -- 1 Introduction</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2 Territotiality in EU Copyright Law: a Retrospective -- 2.1 The Foundations of the Principle of Territoriality and its Consequences on European Copyright Law -- 2.2 The Principle of Exhaustion - Offline and Online -- 3 The Steps Towards an Overcoming of the Principle of Territoriality -- 3.1 Geoblocking and Competition Law -- 3.2 The Legislative Initiatives for Less Copyright Territoriality -- 4 The Geoblocking Regulation: a Failure or an Opportunity? -- 4.1 The Need for New Solutions in Light of the EU's Evolution -- 4.2 Some de lege ferenda Thoughts: Compulsory License as a Means for an Effective Overcoming of Geoblocking in the EU? -- 5 Conclusion -- DIGITAL CONTENT PORTABILITY AND ITS RELATION TO CONFORMITY WITH THE CONTRACT -- Introduction -- The Material Scope of the Digital Content Directive -- Portability of Digital Content as a Consumer-Law Issue -- Portability as a Subcategory of Conformity with the Contract -- Specific Issues Related to the Breach of Cross-Border Portability -- Portability and Unenforceability -- Portability as a Serious Breach of the Contract -- Portability and Quality -- Conclusions -- VOLUNTARY, MANDATORY AND EXTENDED COLLECTIVE MANAGEMENT IN THE LIGHT OF INTERNATIONAL AND EU NORMS -- Introductory Remarks -- Voluntary Collective Management -- Mandatory Collective Management as a Limitation of Exclusive Rights -- Mandatory Collective Management of Rights to Remuneration -- EU Directives on Mandatory Collective Management -- Extended (and Presumption-based) Collective Management from the Viewpoint of the International Treaties -- Extended Collective Management, a Nordic-origin System Applied Also in Other Countries -- Provisions in EU Directives on Extended Collective Management Before the Digital Single Market Directive -- The Soulier and Doke Case</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">General Regulation of the Requirements of Extended Collective Management -- EXTENDED AND MANDATORY COLLECTIVE MANAGEMENT IN THEORY AND PRACTICE -- 1 Introduction -- 2 Legal bases for use of copyright protected content -- 3 EU Directive on collective management of copyright and related rights -- 4 The Soulier and Doke case -- 5 Provisions on collective licensing with an extended effect in the DSM Directive -- 5.1 Article 8 on use of out-of-commerce works and other subject matter by cultural heritage institutions -- 5.2 Article 12 -- 6 Collective licensing - a potential solution to article 17 of the DSM Directive? -- 7 Conclusions -- PART III REPORTS -- IMPACT OF EU POLICY ON CULTURAL DIVERSITY AND SMALL COUNTRIES -- CHALLENGES OF THE EU REGULATORY FRAMEWORK OF EXTENDED COLLECTIVE MANAGEMENT FOR THE SMALL CMOS -- Collective Management in the EU Substantive Copyright Law -- The Collective Management Directive -- CM in the Digital Single Market and the Broadcasting Directives -- INDEPENDENT MANAGEMENT ENTITY ON THE EXAMPLE OF SOUNDREEF -- SPÉCIFICITÉS DES ARTS VISUELS DANS LA GESTION COLLECTIVE DES DROITS D'AUTEUR -- 1 Les missions de l'ADAGP -- 1.1 Présence dans les instances internationales -- 2 Spécificités des arts visuel -- 2.1 Spécificité lié à la nature des oeuvres des arts visuels -- 2.2 Spécificité des usages -- 2.3 Spécificité des droits -- 3 Points communs avec les autres secteurs -- 4 Les «Règles de Rio»: un très haut niveau d'individualisation de la gestion des droits -- 5 Parmi les défis de l'ADAGP : Focus sur la directive européenne sur le droit d'auteur et son application en France (2019-2021) -- VOLUNTARY LICENSING OF TEXT BASED WORKS IN THE UNITED STATES: COPYRIGHT CLEARANCE CENTER -- 1 Introduction - Making Copyright Work -- 2 Voluntary Collective Licensing Requires a Commercial Approach</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3 Unique Issues Facing Collective Licensing of Text in the U.S. -- 4 Practical Responses to Those Unique Issues -- 5 Recent Developments Support Voluntary Collective Licensing in New Ways -- 6 Conclusion -- DEVELOPING THE COPYRIGHT INFRASTRUCTURE - METADATA AND BEYOND -- 1 Why Am I Here? -- 2 What Do We Mean When We Talk About the Copyright Infrastructure? -- 3 What is the Issue That We Attempt to Address? -- 3.1 The Challenge -- 3.2 The Benefit -- 3.3 Some Questions to be Addressed in the Discussions -- 4 How Does This Theme Relate to the Data Economy? -- INTRODUCING AMRA AND ITS BUSINESS MODEL -- TECHNOLOGY DRIVEN CMOS: THE IMPORTANCE OF CMOS IN THE DIGITAL ERA -- 1 Introduction -- 2 The Reciprocity Management Challenge -- 3 Artists' Remuneration in the Digital Era -- 3.1 Digital Music Business Models -- 3.2 The Effects of the New Business Models for Performers -- 4 The Role of the CMOs in Digital Music Business -- 5 The Spanish Model Exclusive and Remuneration Rights -- DEALING WITH TERRITORIALITY IN EU COPYRIGHT -- 1 EU-wide Exhaustion -- 2 The 'SatCab' Approach -- 3 Collective Rights Management Directive -- 4 EU Competition Law -- 5 Conclusion -- COLLECTIVE MANAGEMENT IN CYBERSPACE -- 1 Nuestra idea de transposición en Gral -- 2 Triangulo de transparencia. Arts. 18-20. Transponer con literalidad, no problemas específicos. -- 2.1 En qué punto estamos en law reunions, tendencias de los países, sobre la directive mud -- 3 Recurso Polonia -- 4 Sobre la directive sat/cab -- ASIAN IP OFFICES' POLICIES ON COLLECTIVE MANAGEMENT -- 1 Introduction -- 2 Direct licensing of digital services -- 3 Asian IP Offices' Policies -- 3.1 China -- 3.2 Chinese Taipei -- 3.3 Indonesia -- 3.4 Korea -- 3.5 Malaysia -- 3.6 Philippines -- 4 Conclusion</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">THE EQUITABLE REMUNERATION OF AUDIOVISUAL AUTHORS: A PROPOSAL OF UNWAIVABLE REMUNERATION RIGHTS UNDER COLLECTIVE MANAGEMENT -- PART IV CONCLUSION -- RAPPORT GÉNÉRAL: GESTION COLLECTIVE DES DROITS -- 1 Aperçu général de la gestion collective -- 1.1 Organismes de gestion collective : monopoles naturels ou légaux -- 1.2 Gestion collective volontaire, étendue et obligatoire -- 1.3 La concurrence entre CMO -- 1.4 Forme des organismes de gestion collective -- 1.5 Contribution des organisations de gestion collective au développement culturel et social de la société -- 2 Relations entre les organismes de gestion collective et les titulaires de droits -- 2.1 Les titulaires de droits ont-ils le droit d'être représentés ? -- 2.2 Résolution des conflits entre titulaires de droits pour «double revendication» -- 2.3 Participation des auteurs aux conseils d'administration des organismes de gestion collective -- 2.4 Répartition des revenus -- 2.5 Autonomie de la volonté d'accorder des licences individuelles directes -- 2.6 Possibilité de licences non commerciales -- 3 Relations entre les organismes de gestion collective et les utilisateurs -- 3.1 Rémunération pour copie privée -- 3.2 Procédures de fixation des tarifs -- 3.3 Critères de fixation des tarifs -- 3.4 Transparence des tarifs -- 3.5 Questions de concurrence -- GENERAL REPORT: COLLECTIVE MANAGEMENT OF RIGHTS -- 1 General overview of collective management -- 1.1 Collective management organisations: natural or legal monopolies -- 1.2 Voluntary, extended and mandatory collective management -- 1.3 Competition among CMOs -- 1.4 Form of collective management organisations -- 1.5 Contribution of collective management organisations to the cultural and social development of the society -- 2 Relations between collective management organisations and right owners</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2.1 Do right holders have a right to be represented?</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Leska, Rudolf</subfield><subfield code="t">Managing Copyright</subfield><subfield code="d">Alphen aan den Rijn : Wolters Kluwer Law International,c2023</subfield><subfield code="z">9789403507576</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034555375</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/hwr/detail.action?docID=30604834</subfield><subfield code="l">DE-2070s</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">HWR_PDA_PQE</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049294024 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:37:48Z |
| indexdate | 2024-11-12T09:00:48Z |
| institution | BVB |
| isbn | 9789403509372 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034555375 |
| oclc_num | 1385454386 |
| open_access_boolean | |
| owner | DE-2070s |
| owner_facet | DE-2070s |
| physical | 1 Online-Ressource (290 Seiten) |
| psigel | ZDB-30-PQE ZDB-30-PQE HWR_PDA_PQE |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Wolters Kluwer Law International |
| record_format | marc |
| spelling | Leska, Rudolf Verfasser aut Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights 1st ed Alphen aan den Rijn Wolters Kluwer Law International 2023 ©2023 1 Online-Ressource (290 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Half Title -- Title -- Copyright -- OBSAH -- A WORD FROM THE EDITOR -- PART I INTRODUCTION -- WELCOME ADDRESS DELIVERED AT THE OPENING OF THE 2019 ALAI CONGRESS IN PRAGUE -- RECONSIDERING THE ROLE OF NATIONAL COLLECTING SOCIETIES -- EU IPO AND THE ENFORCEMENT OF COPYRIGHT -- SECTEUR DU DROIT D'AUTEUR ET DES INDUSTRIES DE LA CRÉATION -- COLLECTIVE MANAGEMENT OF RIGHTS IN A TRANSFORMING MARKET -- OPENING SPEECH -- PART II STUDIES -- IS COMPETITION AMONG COLLECTIVES LEADING TO POSITIVE CHANGES IN COLLECTIVE MANAGEMENT? -- The United States -- The European Union -- Lessons -- THE CONTRIBUTIONS AND LIMITATIONS OF COMPETITION LAW TO REGULATE COLLECTIVE RIGHTS MANAGEMENT IN THE EU -- 1 Introduction -- 2 The economics of collective rights management -- 2.1 The relevance of direct network effects -- 2.2 The relevance of indirect network effects - CMOs as platforms in two-sided markets? -- 2.3 Different competitive situation in the different markets -- 3 The competition law framework for collective rights management -- 3.1 CMOs are not considered as illegal price cartels -- 3.2 The function of CMOs to protect rightholders against big exploiters -- 3.3 Control of dominance to protect rightholders -- 3.4 Control of dominance to protect users -- 3.5 Limitations of competition law -- 4 Need for competition law in the future -- 4.1 Competition law as one of three available control mechanisms -- 4.2 Application to different fields of enforcement -- 4.3 Additional insights from merger control law -- 5 Conclusion -- COMPETITION AND COLLECTIVE MANAGEMENT OF COPYRIGHT IN THE 2019 EU COPYRIGHT DIRECTIVES: AN OVERVIEW -- ARGENTINIAN EXPERIENCE WITH COMPETITION AND TARIFF SETTING -- History -- Paradigms of Collective Management -- The Argentine Experience -- Conclusion -- GEOBLOCKING IN EU COPYRIGHT LAW -- 1 Introduction 2 Territotiality in EU Copyright Law: a Retrospective -- 2.1 The Foundations of the Principle of Territoriality and its Consequences on European Copyright Law -- 2.2 The Principle of Exhaustion - Offline and Online -- 3 The Steps Towards an Overcoming of the Principle of Territoriality -- 3.1 Geoblocking and Competition Law -- 3.2 The Legislative Initiatives for Less Copyright Territoriality -- 4 The Geoblocking Regulation: a Failure or an Opportunity? -- 4.1 The Need for New Solutions in Light of the EU's Evolution -- 4.2 Some de lege ferenda Thoughts: Compulsory License as a Means for an Effective Overcoming of Geoblocking in the EU? -- 5 Conclusion -- DIGITAL CONTENT PORTABILITY AND ITS RELATION TO CONFORMITY WITH THE CONTRACT -- Introduction -- The Material Scope of the Digital Content Directive -- Portability of Digital Content as a Consumer-Law Issue -- Portability as a Subcategory of Conformity with the Contract -- Specific Issues Related to the Breach of Cross-Border Portability -- Portability and Unenforceability -- Portability as a Serious Breach of the Contract -- Portability and Quality -- Conclusions -- VOLUNTARY, MANDATORY AND EXTENDED COLLECTIVE MANAGEMENT IN THE LIGHT OF INTERNATIONAL AND EU NORMS -- Introductory Remarks -- Voluntary Collective Management -- Mandatory Collective Management as a Limitation of Exclusive Rights -- Mandatory Collective Management of Rights to Remuneration -- EU Directives on Mandatory Collective Management -- Extended (and Presumption-based) Collective Management from the Viewpoint of the International Treaties -- Extended Collective Management, a Nordic-origin System Applied Also in Other Countries -- Provisions in EU Directives on Extended Collective Management Before the Digital Single Market Directive -- The Soulier and Doke Case General Regulation of the Requirements of Extended Collective Management -- EXTENDED AND MANDATORY COLLECTIVE MANAGEMENT IN THEORY AND PRACTICE -- 1 Introduction -- 2 Legal bases for use of copyright protected content -- 3 EU Directive on collective management of copyright and related rights -- 4 The Soulier and Doke case -- 5 Provisions on collective licensing with an extended effect in the DSM Directive -- 5.1 Article 8 on use of out-of-commerce works and other subject matter by cultural heritage institutions -- 5.2 Article 12 -- 6 Collective licensing - a potential solution to article 17 of the DSM Directive? -- 7 Conclusions -- PART III REPORTS -- IMPACT OF EU POLICY ON CULTURAL DIVERSITY AND SMALL COUNTRIES -- CHALLENGES OF THE EU REGULATORY FRAMEWORK OF EXTENDED COLLECTIVE MANAGEMENT FOR THE SMALL CMOS -- Collective Management in the EU Substantive Copyright Law -- The Collective Management Directive -- CM in the Digital Single Market and the Broadcasting Directives -- INDEPENDENT MANAGEMENT ENTITY ON THE EXAMPLE OF SOUNDREEF -- SPÉCIFICITÉS DES ARTS VISUELS DANS LA GESTION COLLECTIVE DES DROITS D'AUTEUR -- 1 Les missions de l'ADAGP -- 1.1 Présence dans les instances internationales -- 2 Spécificités des arts visuel -- 2.1 Spécificité lié à la nature des oeuvres des arts visuels -- 2.2 Spécificité des usages -- 2.3 Spécificité des droits -- 3 Points communs avec les autres secteurs -- 4 Les «Règles de Rio»: un très haut niveau d'individualisation de la gestion des droits -- 5 Parmi les défis de l'ADAGP : Focus sur la directive européenne sur le droit d'auteur et son application en France (2019-2021) -- VOLUNTARY LICENSING OF TEXT BASED WORKS IN THE UNITED STATES: COPYRIGHT CLEARANCE CENTER -- 1 Introduction - Making Copyright Work -- 2 Voluntary Collective Licensing Requires a Commercial Approach 3 Unique Issues Facing Collective Licensing of Text in the U.S. -- 4 Practical Responses to Those Unique Issues -- 5 Recent Developments Support Voluntary Collective Licensing in New Ways -- 6 Conclusion -- DEVELOPING THE COPYRIGHT INFRASTRUCTURE - METADATA AND BEYOND -- 1 Why Am I Here? -- 2 What Do We Mean When We Talk About the Copyright Infrastructure? -- 3 What is the Issue That We Attempt to Address? -- 3.1 The Challenge -- 3.2 The Benefit -- 3.3 Some Questions to be Addressed in the Discussions -- 4 How Does This Theme Relate to the Data Economy? -- INTRODUCING AMRA AND ITS BUSINESS MODEL -- TECHNOLOGY DRIVEN CMOS: THE IMPORTANCE OF CMOS IN THE DIGITAL ERA -- 1 Introduction -- 2 The Reciprocity Management Challenge -- 3 Artists' Remuneration in the Digital Era -- 3.1 Digital Music Business Models -- 3.2 The Effects of the New Business Models for Performers -- 4 The Role of the CMOs in Digital Music Business -- 5 The Spanish Model Exclusive and Remuneration Rights -- DEALING WITH TERRITORIALITY IN EU COPYRIGHT -- 1 EU-wide Exhaustion -- 2 The 'SatCab' Approach -- 3 Collective Rights Management Directive -- 4 EU Competition Law -- 5 Conclusion -- COLLECTIVE MANAGEMENT IN CYBERSPACE -- 1 Nuestra idea de transposición en Gral -- 2 Triangulo de transparencia. Arts. 18-20. Transponer con literalidad, no problemas específicos. -- 2.1 En qué punto estamos en law reunions, tendencias de los países, sobre la directive mud -- 3 Recurso Polonia -- 4 Sobre la directive sat/cab -- ASIAN IP OFFICES' POLICIES ON COLLECTIVE MANAGEMENT -- 1 Introduction -- 2 Direct licensing of digital services -- 3 Asian IP Offices' Policies -- 3.1 China -- 3.2 Chinese Taipei -- 3.3 Indonesia -- 3.4 Korea -- 3.5 Malaysia -- 3.6 Philippines -- 4 Conclusion THE EQUITABLE REMUNERATION OF AUDIOVISUAL AUTHORS: A PROPOSAL OF UNWAIVABLE REMUNERATION RIGHTS UNDER COLLECTIVE MANAGEMENT -- PART IV CONCLUSION -- RAPPORT GÉNÉRAL: GESTION COLLECTIVE DES DROITS -- 1 Aperçu général de la gestion collective -- 1.1 Organismes de gestion collective : monopoles naturels ou légaux -- 1.2 Gestion collective volontaire, étendue et obligatoire -- 1.3 La concurrence entre CMO -- 1.4 Forme des organismes de gestion collective -- 1.5 Contribution des organisations de gestion collective au développement culturel et social de la société -- 2 Relations entre les organismes de gestion collective et les titulaires de droits -- 2.1 Les titulaires de droits ont-ils le droit d'être représentés ? -- 2.2 Résolution des conflits entre titulaires de droits pour «double revendication» -- 2.3 Participation des auteurs aux conseils d'administration des organismes de gestion collective -- 2.4 Répartition des revenus -- 2.5 Autonomie de la volonté d'accorder des licences individuelles directes -- 2.6 Possibilité de licences non commerciales -- 3 Relations entre les organismes de gestion collective et les utilisateurs -- 3.1 Rémunération pour copie privée -- 3.2 Procédures de fixation des tarifs -- 3.3 Critères de fixation des tarifs -- 3.4 Transparence des tarifs -- 3.5 Questions de concurrence -- GENERAL REPORT: COLLECTIVE MANAGEMENT OF RIGHTS -- 1 General overview of collective management -- 1.1 Collective management organisations: natural or legal monopolies -- 1.2 Voluntary, extended and mandatory collective management -- 1.3 Competition among CMOs -- 1.4 Form of collective management organisations -- 1.5 Contribution of collective management organisations to the cultural and social development of the society -- 2 Relations between collective management organisations and right owners 2.1 Do right holders have a right to be represented? Erscheint auch als Druck-Ausgabe Leska, Rudolf Managing Copyright Alphen aan den Rijn : Wolters Kluwer Law International,c2023 9789403507576 |
| spellingShingle | Leska, Rudolf Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights Cover -- Half Title -- Title -- Copyright -- OBSAH -- A WORD FROM THE EDITOR -- PART I INTRODUCTION -- WELCOME ADDRESS DELIVERED AT THE OPENING OF THE 2019 ALAI CONGRESS IN PRAGUE -- RECONSIDERING THE ROLE OF NATIONAL COLLECTING SOCIETIES -- EU IPO AND THE ENFORCEMENT OF COPYRIGHT -- SECTEUR DU DROIT D'AUTEUR ET DES INDUSTRIES DE LA CRÉATION -- COLLECTIVE MANAGEMENT OF RIGHTS IN A TRANSFORMING MARKET -- OPENING SPEECH -- PART II STUDIES -- IS COMPETITION AMONG COLLECTIVES LEADING TO POSITIVE CHANGES IN COLLECTIVE MANAGEMENT? -- The United States -- The European Union -- Lessons -- THE CONTRIBUTIONS AND LIMITATIONS OF COMPETITION LAW TO REGULATE COLLECTIVE RIGHTS MANAGEMENT IN THE EU -- 1 Introduction -- 2 The economics of collective rights management -- 2.1 The relevance of direct network effects -- 2.2 The relevance of indirect network effects - CMOs as platforms in two-sided markets? -- 2.3 Different competitive situation in the different markets -- 3 The competition law framework for collective rights management -- 3.1 CMOs are not considered as illegal price cartels -- 3.2 The function of CMOs to protect rightholders against big exploiters -- 3.3 Control of dominance to protect rightholders -- 3.4 Control of dominance to protect users -- 3.5 Limitations of competition law -- 4 Need for competition law in the future -- 4.1 Competition law as one of three available control mechanisms -- 4.2 Application to different fields of enforcement -- 4.3 Additional insights from merger control law -- 5 Conclusion -- COMPETITION AND COLLECTIVE MANAGEMENT OF COPYRIGHT IN THE 2019 EU COPYRIGHT DIRECTIVES: AN OVERVIEW -- ARGENTINIAN EXPERIENCE WITH COMPETITION AND TARIFF SETTING -- History -- Paradigms of Collective Management -- The Argentine Experience -- Conclusion -- GEOBLOCKING IN EU COPYRIGHT LAW -- 1 Introduction 2 Territotiality in EU Copyright Law: a Retrospective -- 2.1 The Foundations of the Principle of Territoriality and its Consequences on European Copyright Law -- 2.2 The Principle of Exhaustion - Offline and Online -- 3 The Steps Towards an Overcoming of the Principle of Territoriality -- 3.1 Geoblocking and Competition Law -- 3.2 The Legislative Initiatives for Less Copyright Territoriality -- 4 The Geoblocking Regulation: a Failure or an Opportunity? -- 4.1 The Need for New Solutions in Light of the EU's Evolution -- 4.2 Some de lege ferenda Thoughts: Compulsory License as a Means for an Effective Overcoming of Geoblocking in the EU? -- 5 Conclusion -- DIGITAL CONTENT PORTABILITY AND ITS RELATION TO CONFORMITY WITH THE CONTRACT -- Introduction -- The Material Scope of the Digital Content Directive -- Portability of Digital Content as a Consumer-Law Issue -- Portability as a Subcategory of Conformity with the Contract -- Specific Issues Related to the Breach of Cross-Border Portability -- Portability and Unenforceability -- Portability as a Serious Breach of the Contract -- Portability and Quality -- Conclusions -- VOLUNTARY, MANDATORY AND EXTENDED COLLECTIVE MANAGEMENT IN THE LIGHT OF INTERNATIONAL AND EU NORMS -- Introductory Remarks -- Voluntary Collective Management -- Mandatory Collective Management as a Limitation of Exclusive Rights -- Mandatory Collective Management of Rights to Remuneration -- EU Directives on Mandatory Collective Management -- Extended (and Presumption-based) Collective Management from the Viewpoint of the International Treaties -- Extended Collective Management, a Nordic-origin System Applied Also in Other Countries -- Provisions in EU Directives on Extended Collective Management Before the Digital Single Market Directive -- The Soulier and Doke Case General Regulation of the Requirements of Extended Collective Management -- EXTENDED AND MANDATORY COLLECTIVE MANAGEMENT IN THEORY AND PRACTICE -- 1 Introduction -- 2 Legal bases for use of copyright protected content -- 3 EU Directive on collective management of copyright and related rights -- 4 The Soulier and Doke case -- 5 Provisions on collective licensing with an extended effect in the DSM Directive -- 5.1 Article 8 on use of out-of-commerce works and other subject matter by cultural heritage institutions -- 5.2 Article 12 -- 6 Collective licensing - a potential solution to article 17 of the DSM Directive? -- 7 Conclusions -- PART III REPORTS -- IMPACT OF EU POLICY ON CULTURAL DIVERSITY AND SMALL COUNTRIES -- CHALLENGES OF THE EU REGULATORY FRAMEWORK OF EXTENDED COLLECTIVE MANAGEMENT FOR THE SMALL CMOS -- Collective Management in the EU Substantive Copyright Law -- The Collective Management Directive -- CM in the Digital Single Market and the Broadcasting Directives -- INDEPENDENT MANAGEMENT ENTITY ON THE EXAMPLE OF SOUNDREEF -- SPÉCIFICITÉS DES ARTS VISUELS DANS LA GESTION COLLECTIVE DES DROITS D'AUTEUR -- 1 Les missions de l'ADAGP -- 1.1 Présence dans les instances internationales -- 2 Spécificités des arts visuel -- 2.1 Spécificité lié à la nature des oeuvres des arts visuels -- 2.2 Spécificité des usages -- 2.3 Spécificité des droits -- 3 Points communs avec les autres secteurs -- 4 Les «Règles de Rio»: un très haut niveau d'individualisation de la gestion des droits -- 5 Parmi les défis de l'ADAGP : Focus sur la directive européenne sur le droit d'auteur et son application en France (2019-2021) -- VOLUNTARY LICENSING OF TEXT BASED WORKS IN THE UNITED STATES: COPYRIGHT CLEARANCE CENTER -- 1 Introduction - Making Copyright Work -- 2 Voluntary Collective Licensing Requires a Commercial Approach 3 Unique Issues Facing Collective Licensing of Text in the U.S. -- 4 Practical Responses to Those Unique Issues -- 5 Recent Developments Support Voluntary Collective Licensing in New Ways -- 6 Conclusion -- DEVELOPING THE COPYRIGHT INFRASTRUCTURE - METADATA AND BEYOND -- 1 Why Am I Here? -- 2 What Do We Mean When We Talk About the Copyright Infrastructure? -- 3 What is the Issue That We Attempt to Address? -- 3.1 The Challenge -- 3.2 The Benefit -- 3.3 Some Questions to be Addressed in the Discussions -- 4 How Does This Theme Relate to the Data Economy? -- INTRODUCING AMRA AND ITS BUSINESS MODEL -- TECHNOLOGY DRIVEN CMOS: THE IMPORTANCE OF CMOS IN THE DIGITAL ERA -- 1 Introduction -- 2 The Reciprocity Management Challenge -- 3 Artists' Remuneration in the Digital Era -- 3.1 Digital Music Business Models -- 3.2 The Effects of the New Business Models for Performers -- 4 The Role of the CMOs in Digital Music Business -- 5 The Spanish Model Exclusive and Remuneration Rights -- DEALING WITH TERRITORIALITY IN EU COPYRIGHT -- 1 EU-wide Exhaustion -- 2 The 'SatCab' Approach -- 3 Collective Rights Management Directive -- 4 EU Competition Law -- 5 Conclusion -- COLLECTIVE MANAGEMENT IN CYBERSPACE -- 1 Nuestra idea de transposición en Gral -- 2 Triangulo de transparencia. Arts. 18-20. Transponer con literalidad, no problemas específicos. -- 2.1 En qué punto estamos en law reunions, tendencias de los países, sobre la directive mud -- 3 Recurso Polonia -- 4 Sobre la directive sat/cab -- ASIAN IP OFFICES' POLICIES ON COLLECTIVE MANAGEMENT -- 1 Introduction -- 2 Direct licensing of digital services -- 3 Asian IP Offices' Policies -- 3.1 China -- 3.2 Chinese Taipei -- 3.3 Indonesia -- 3.4 Korea -- 3.5 Malaysia -- 3.6 Philippines -- 4 Conclusion THE EQUITABLE REMUNERATION OF AUDIOVISUAL AUTHORS: A PROPOSAL OF UNWAIVABLE REMUNERATION RIGHTS UNDER COLLECTIVE MANAGEMENT -- PART IV CONCLUSION -- RAPPORT GÉNÉRAL: GESTION COLLECTIVE DES DROITS -- 1 Aperçu général de la gestion collective -- 1.1 Organismes de gestion collective : monopoles naturels ou légaux -- 1.2 Gestion collective volontaire, étendue et obligatoire -- 1.3 La concurrence entre CMO -- 1.4 Forme des organismes de gestion collective -- 1.5 Contribution des organisations de gestion collective au développement culturel et social de la société -- 2 Relations entre les organismes de gestion collective et les titulaires de droits -- 2.1 Les titulaires de droits ont-ils le droit d'être représentés ? -- 2.2 Résolution des conflits entre titulaires de droits pour «double revendication» -- 2.3 Participation des auteurs aux conseils d'administration des organismes de gestion collective -- 2.4 Répartition des revenus -- 2.5 Autonomie de la volonté d'accorder des licences individuelles directes -- 2.6 Possibilité de licences non commerciales -- 3 Relations entre les organismes de gestion collective et les utilisateurs -- 3.1 Rémunération pour copie privée -- 3.2 Procédures de fixation des tarifs -- 3.3 Critères de fixation des tarifs -- 3.4 Transparence des tarifs -- 3.5 Questions de concurrence -- GENERAL REPORT: COLLECTIVE MANAGEMENT OF RIGHTS -- 1 General overview of collective management -- 1.1 Collective management organisations: natural or legal monopolies -- 1.2 Voluntary, extended and mandatory collective management -- 1.3 Competition among CMOs -- 1.4 Form of collective management organisations -- 1.5 Contribution of collective management organisations to the cultural and social development of the society -- 2 Relations between collective management organisations and right owners 2.1 Do right holders have a right to be represented? |
| title | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_auth | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_exact_search | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_exact_search_txtP | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_full | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_fullStr | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_full_unstemmed | Managing Copyright Emerging Business Models in the Individual and Collective Management of Rights |
| title_short | Managing Copyright |
| title_sort | managing copyright emerging business models in the individual and collective management of rights |
| title_sub | Emerging Business Models in the Individual and Collective Management of Rights |
| work_keys_str_mv | AT leskarudolf managingcopyrightemergingbusinessmodelsintheindividualandcollectivemanagementofrights |