Art's master-piece: or, A companion for the ingenious of either sex: In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Printed for G. Conyers at the Golden Ring, and J. Sprine at the Blue Bell in Little-Britain
[1701?]
|
Schlagworte: | |
Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
Beschreibung: | English Short Title Catalog, N16286 Reproduction of original from Bodleian Library (Oxford) |
Beschreibung: | Online-Ressource (166,[2]Seiten) ill 12° |
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author | C. K |
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id | DE-604.BV049246697 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:36:56Z |
indexdate | 2024-07-10T09:59:29Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034508053 |
oclc_num | 1422450064 |
open_access_boolean | |
owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
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physical | Online-Ressource (166,[2]Seiten) ill 12° |
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publishDate | 1701 |
publishDateSearch | 1701 |
publishDateSort | 1701 |
publisher | Printed for G. Conyers at the Golden Ring, and J. Sprine at the Blue Bell in Little-Britain |
record_format | marc |
spelling | C. K Verfasser aut Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K London Printed for G. Conyers at the Golden Ring, and J. Sprine at the Blue Bell in Little-Britain [1701?] Online-Ressource (166,[2]Seiten) ill 12° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, N16286 Reproduction of original from Bodleian Library (Oxford) Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Drawing Great Britain Early works to 1800 Painting Great Britain Early works to 1800 http://nl.sub.uni-goettingen.de/id/1508500600?origin=/collection/nlh-ecc Verlag Volltext |
spellingShingle | C. K Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K Drawing Great Britain Early works to 1800 Painting Great Britain Early works to 1800 |
title | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_auth | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_exact_search | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_exact_search_txtP | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_full | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_fullStr | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_full_unstemmed | Art's master-piece: or, A companion for the ingenious of either sex In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
title_short | Art's master-piece: or, A companion for the ingenious of either sex |
title_sort | art s master piece or a companion for the ingenious of either sex in two parts i the art of l mning and painting in oil c in all particulars viz drawing and painting faces bodies garments landskip preparing and laying on colours also colcuring m o zzo tinto prints gilding on wood metals and leather the newest experiment in lapaning to imitate the indian way plain and in speakles rock work figures c receipts for making the several forts of varnishes colours c to make artificial tortoisesuell to dye or stain ivory horn bone bristles feathers and sundry sorts of woods for cabinets the mystery of dying silks stuffs woollen and linen cloth to make spots stains pitch tar and iron moulds out of silks stuffs linen and woollen and to recover faded silks linen c the art of perfuming and beautifying divers physical and chirurgical receipts to make london powder ink other powder inks and the f a ining japan ink with many other notable things ii the art of making glass of chrystal of all sorts and colours and to prepare the materials to make glass of lead of many beautiful colours to make enamel of divers colours for gold silver or other metals to make chalcedony like jaspar and other lucid stones c and to prepare materials for the work to make artificial precious stones in equal beauty to the true and to colour globes of glass on the inside the art of painting glass in oil and a n caling and burning on the colour the art of gilding divers forts of metals instructions to cast figures in wax plaister p st metals c leaves flowers medals and other matters worthy of note to which are added many curitsuies and rare secrets nt and highly roftable and pleasant the second edition by c k |
title_sub | In two parts. I. The art of l[']mning and painting in oil, &c. in all particulars, viz. drawing and painting faces, bodies, garments, landskip, preparing and laying on colours, also colcuring m[o]zzo-tinto prints, gilding on, wood. Metals and leather. The newest experiment in lapaning, to imitate the Indian way, plain and in speakles, rock-work, figures, &c. Receipts for making the several forts of varnishes, colours, &c. To make artificial tortoisesuell, to dye or stain ivory, horn, bone, bristles, feathers, and sundry sorts of woods for cabinets. The mystery of dying silks, stuffs, woollen and linen cloth. To make spots, stains, pitch, tar and iron-moulds out of silks stuffs, linen and woollen, and to recover faded silks linen, &c. The art of perfuming and beautifying. Divers physical and chirurgical receipts. To make London powder-ink, other powder-inks, and the f[a]ining Japan-ink. With many other notable things. II. The art of making glass of chrystal, of all sorts and colours, and to prepare the materials. To make glass of lead of many beautiful colours. To make enamel of divers colours, for gold, silver, or other metals. To make chalcedony, like jaspar and other lucid stones, &c. and to prepare materials for the work. To make artificial precious stones in equal beauty to the true; and to colour globes of glass on the inside. The art of painting glass in oil and a[n]caling and burning on the colour. The art of gilding divers forts of metals. Instructions to cast figures in wax, plaister, p...st metals, &c. leaves, flowers, medals, and other matters worthy of note. To which are added many curitsuies and rare secrets, ...nt ... and highly ...roftable and pleasant. The second edition. By C.K |
topic | Drawing Great Britain Early works to 1800 Painting Great Britain Early works to 1800 |
topic_facet | Drawing Great Britain Early works to 1800 Painting Great Britain Early works to 1800 |
url | http://nl.sub.uni-goettingen.de/id/1508500600?origin=/collection/nlh-ecc |
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