The art of painting in oil: Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for A. Bettesworth and C. Hitch, in Pater-Noster-Row; E. Symon, in Cornhill; and D. Brown, without Temple-Bar
MDCCXXXVIII. [1738]
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | English Short Title Catalog, T98433 Reproduction of original from British Library With a final leaf of advertisements |
| Beschreibung: | Online-Ressource ([8],110,[2]Seiten) 12° |
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Datensatz im Suchindex
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| id | DE-604.BV049236622 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:36:45Z |
| indexdate | 2024-07-10T09:59:13Z |
| institution | BVB |
| language | English |
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| physical | Online-Ressource ([8],110,[2]Seiten) 12° |
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| publishDate | 1738 |
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| publisher | printed for A. Bettesworth and C. Hitch, in Pater-Noster-Row; E. Symon, in Cornhill; and D. Brown, without Temple-Bar |
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| spelling | Smith, John fl. 1673-1680 Verfasser aut The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M Art of painting in oyl London printed for A. Bettesworth and C. Hitch, in Pater-Noster-Row; E. Symon, in Cornhill; and D. Brown, without Temple-Bar MDCCXXXVIII. [1738] Online-Ressource ([8],110,[2]Seiten) 12° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T98433 Reproduction of original from British Library With a final leaf of advertisements Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting, Industrial Early works to 1800 Painting, Industrial Great Britain http://nl.sub.uni-goettingen.de/id/0666800300?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Smith, John fl. 1673-1680 The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M Painting, Industrial Early works to 1800 Painting, Industrial Great Britain |
| title | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_alt | Art of painting in oyl |
| title_auth | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_exact_search | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_exact_search_txtP | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_full | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_fullStr | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_full_unstemmed | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_short | The art of painting in oil |
| title_sort | the art of painting in oil wherein is included each particular circumstance relating to that art and mystery containing the best and most approved rules for preparing mixing and working of oil colours the whole treatise being so full compleat and so exactly fitted to the meanest capacity that all persons whatsoever may be able by these directions to paint in oil colours all manner of timber work such as posts pales palisadoes gates doors or any thing else that requires either use beauty or preservation from the violence or injury of the weather in which are also particularly laid down all the several circumstances required in painting of sun dials printed pictures shash windows c in oily colours the fifth impression with some alterations and many matters added which are not to be found in the former editions to which is added the whole art and mystery of colouring maps and other prints with water colours by john smith c m |
| title_sub | Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| topic | Painting, Industrial Early works to 1800 Painting, Industrial Great Britain |
| topic_facet | Painting, Industrial Early works to 1800 Painting, Industrial Great Britain |
| url | http://nl.sub.uni-goettingen.de/id/0666800300?origin=/collection/nlh-ecc |
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