The art of painting in oil: Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for J. Bew, No. 28, in Pater-Noster Row
MDCCLXXXVIII. [1788]
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | English Short Title Catalog, T98432 Reproduction of original from Huntington Library |
| Beschreibung: | Online-Ressource ([8],112Seiten,plate) 12° |
Internformat
MARC
| LEADER | 00000nmm a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV049236621 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230822s1788 xxk|||| o||u| ||||||eng d | ||
| 035 | |a (ZDB-1-ECC)NLM006773621 | ||
| 035 | |a (OCoLC)1422383784 | ||
| 035 | |a (DE-599)GBVNLM006773621 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
| 100 | 1 | |a Smith, John |d fl. 1673-1680 |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The art of painting in oil |b Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| 246 | 1 | 3 | |a Art of painting in oyl |
| 264 | 1 | |a London |b printed for J. Bew, No. 28, in Pater-Noster Row |c MDCCLXXXVIII. [1788] | |
| 300 | |a Online-Ressource ([8],112Seiten,plate) |c 12° | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a English Short Title Catalog, T98432 | ||
| 500 | |a Reproduction of original from Huntington Library | ||
| 533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
| 650 | 4 | |a Painting, Industrial |v Early works to 1800 | |
| 856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
| 912 | |a ZDB-1-ECC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034497977 | ||
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185688476745728 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Smith, John fl. 1673-1680 |
| author_facet | Smith, John fl. 1673-1680 |
| author_role | aut |
| author_sort | Smith, John fl. 1673-1680 |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV049236621 |
| collection | ZDB-1-ECC |
| ctrlnum | (ZDB-1-ECC)NLM006773621 (OCoLC)1422383784 (DE-599)GBVNLM006773621 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03501nmm a22004691c 4500</leader><controlfield tag="001">BV049236621</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1788 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM006773621</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422383784</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM006773621</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Smith, John</subfield><subfield code="d">fl. 1673-1680</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The art of painting in oil</subfield><subfield code="b">Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Art of painting in oyl</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">printed for J. Bew, No. 28, in Pater-Noster Row</subfield><subfield code="c">MDCCLXXXVIII. [1788]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource ([8],112Seiten,plate)</subfield><subfield code="c">12°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, T98432</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from Huntington Library</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, Industrial</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034497977</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049236621 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:36:45Z |
| indexdate | 2024-07-10T09:59:13Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034497977 |
| oclc_num | 1422383784 |
| open_access_boolean | |
| owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| physical | Online-Ressource ([8],112Seiten,plate) 12° |
| psigel | ZDB-1-ECC |
| publishDate | 1788 |
| publishDateSearch | 1788 |
| publishDateSort | 1788 |
| publisher | printed for J. Bew, No. 28, in Pater-Noster Row |
| record_format | marc |
| spelling | Smith, John fl. 1673-1680 Verfasser aut The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M Art of painting in oyl London printed for J. Bew, No. 28, in Pater-Noster Row MDCCLXXXVIII. [1788] Online-Ressource ([8],112Seiten,plate) 12° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T98432 Reproduction of original from Huntington Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting, Industrial Early works to 1800 http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Smith, John fl. 1673-1680 The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M Painting, Industrial Early works to 1800 |
| title | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_alt | Art of painting in oyl |
| title_auth | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_exact_search | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_exact_search_txtP | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_full | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_fullStr | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_full_unstemmed | The art of painting in oil Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| title_short | The art of painting in oil |
| title_sort | the art of painting in oil wherein is included each particular circumstance relating to that art and mystery with the best and most approved rules for the preparing mixing and working of oil colours the whole treatise being so complete and so exactly fitted to the meanest capacity that all persons may be able by these directions to paint in oil colours all manner of timber work such as posts pales palisadoes gates doors or any thing else that requires either use beauty or preservation from the violence or injury of the weather in which are also particularly laid down all the several circumstances required in painting of sun dials printed pictures sash windows c in oil colours the ninth edition revised and corrected to which is added the whole art and mystery of colouring maps and other prints with water colours by john smith c m |
| title_sub | Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M |
| topic | Painting, Industrial Early works to 1800 |
| topic_facet | Painting, Industrial Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/1241700700?origin=/collection/nlh-ecc |
| work_keys_str_mv | AT smithjohn theartofpaintinginoilwhereinisincludedeachparticularcircumstancerelatingtothatartandmysterywiththebestandmostapprovedrulesforthepreparingmixingandworkingofoilcoloursthewholetreatisebeingsocompleteandsoexactlyfittedtothemeanestcapacitythatallpersonsmaybeab AT smithjohn artofpaintinginoyl |