The art of painting in oyl: Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for Samuel Crouch, at the Corner of Popes-Head-Ally in Cornhill
1705
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | English Short Title Catalog, T98430 Reproduction of original from British Library With two final advertisement leaves |
| Beschreibung: | Online-Ressource ([8],108,[4]Seiten) 8° |
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| id | DE-604.BV049236619 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:36:45Z |
| indexdate | 2024-07-10T09:59:13Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034497975 |
| oclc_num | 1422388360 |
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| physical | Online-Ressource ([8],108,[4]Seiten) 8° |
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| publishDate | 1705 |
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| publisher | printed for Samuel Crouch, at the Corner of Popes-Head-Ally in Cornhill |
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| spelling | Smith, John fl. 1673-1680 Verfasser aut The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely London printed for Samuel Crouch, at the Corner of Popes-Head-Ally in Cornhill 1705 Online-Ressource ([8],108,[4]Seiten) 8° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T98430 Reproduction of original from British Library With two final advertisement leaves Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting Early works to 1800 Painting, Industrial Early works to 1800 http://nl.sub.uni-goettingen.de/id/0667000100?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Smith, John fl. 1673-1680 The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely Painting Early works to 1800 Painting, Industrial Early works to 1800 |
| title | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_auth | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_exact_search | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_exact_search_txtP | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_full | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_fullStr | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_full_unstemmed | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| title_short | The art of painting in oyl |
| title_sort | the art of painting in oyl wherein is included each particular circumstance relating to the best and most approved rules for preparing mixing and working of oyl colours the whole treatise being so full compleat and so exactly fitted to the meanest capacity that all persons whatsoever may be able by these directions to paint in oyl colours all manner of timber work that require either use beauty or preservation from the violence or injury of the weather in which is also laid down all the several circumstances required in painting of sun dials printed pictures shash windows c in oily colours the fourth impression with some alterations and many matters added which are not to be found in the three former editions to which is now added the whole art and mystery of colouring maps and other prints with water colours by john smith c m licensed rob midgely |
| title_sub | Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation from the violence or Injury of the Weather. In which is also laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. in Oily-Colours. The fourth impression with some alterations and many Matters added, which are not to be found in the Three former Editions. To which is now added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M. Licensed, Rob. Midgely |
| topic | Painting Early works to 1800 Painting, Industrial Early works to 1800 |
| topic_facet | Painting Early works to 1800 Painting, Industrial Early works to 1800 |
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