An essay on the mechanic of oil colours: considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bath
printed by S. Hazard. To be had only of the author, W. Williams, History, Portrait, and Lanscape Painter, No. 2, Wellgate-Buildings, Bath
1787
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| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | An artist = W. Williams English Short Title Catalog, T9548 Reproduction of original from British Library With a half-title |
| Beschreibung: | Online-Ressource ([2],58Seiten) 8° |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:36:42Z |
| indexdate | 2024-07-10T09:59:08Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034495614 |
| oclc_num | 1422356752 |
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| publishDate | 1787 |
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| publisher | printed by S. Hazard. To be had only of the author, W. Williams, History, Portrait, and Lanscape Painter, No. 2, Wellgate-Buildings, Bath |
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| spelling | Williams, William of Bath Verfasser aut An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice Bath printed by S. Hazard. To be had only of the author, W. Williams, History, Portrait, and Lanscape Painter, No. 2, Wellgate-Buildings, Bath 1787 Online-Ressource ([2],58Seiten) 8° txt rdacontent c rdamedia cr rdacarrier An artist = W. Williams English Short Title Catalog, T9548 Reproduction of original from British Library With a half-title Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Colors Early works to 1800 Painting Technique Early works to 1800 http://nl.sub.uni-goettingen.de/id/0562700600?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Williams, William of Bath An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice Colors Early works to 1800 Painting Technique Early works to 1800 |
| title | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_auth | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_exact_search | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_exact_search_txtP | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_full | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_fullStr | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_full_unstemmed | An essay on the mechanic of oil colours considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| title_short | An essay on the mechanic of oil colours |
| title_sort | an essay on the mechanic of oil colours considered under these heads oils varnishes and pigments with respect to their durability transparency and force in which is communicated some valuable secrets particularly a method of preparing the oils so as to give them a strong drying quality perfectly limpid and colourless a finishing oil varnish and other useful vehicles for every branch of the noble and liberal art of painting pointing out the valuable and pernicious qualities of certain colours with a recommendation of such as are known by long experience to stand well by an artist who has been thirty years in incessant observation and practice |
| title_sub | considered under these heads, Oils, Varnishes, and Pigments, with respect to their Durability, Transparency, and Force, In which is communicated some valuable Secrets, particularly, A Method of preparing the Oils, So as to give them a strong drying Quality, perfectly limpid and colourless; A finishing Oil Varnish, And other useful Vehicles for every Branch of the noble and liberal Art of Painting, pointing out The valuable and pernicious Qualities of certain Colours, with a Recommendation of such as are known by long Experience to stand well. By an Artist, Who has been Thirty Years in incessant Observation and Practice |
| topic | Colors Early works to 1800 Painting Technique Early works to 1800 |
| topic_facet | Colors Early works to 1800 Painting Technique Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/0562700600?origin=/collection/nlh-ecc |
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