A compendium: or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
printed by W. Pearson, for John Cullen at the Buck between the two Temple-Gates, Fleet-Street
[1706]
|
Ausgabe: | The fourth edition with additions: much more correct |
Schlagworte: | |
Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
Beschreibung: | English Short Title Catalog, T77981 First published in 1667 as 'A compendium of practical musick' Price from imprint: Price 2 s Reproduction of original from British Library |
Beschreibung: | Online-Ressource ([14],144Seiten,plate) port 8° |
Internformat
MARC
LEADER | 00000nmm a22000001c 4500 | ||
---|---|---|---|
001 | BV049221711 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230822s1706 xxk|||| o||u| ||||||eng d | ||
035 | |a (ZDB-1-ECC)NLM006624669 | ||
035 | |a (OCoLC)1422371395 | ||
035 | |a (DE-599)GBVNLM006624669 | ||
040 | |a DE-604 |b ger | ||
041 | 0 | |a eng | |
044 | |a xxk |c XA-GB | ||
049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
100 | 1 | |a Simpson, Christopher |d d. 1669 |e Verfasser |4 aut | |
240 | 1 | 0 | |a Compendium of practical musick |
245 | 1 | 0 | |a A compendium |b or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
250 | |a The fourth edition with additions: much more correct | ||
264 | 1 | |a London |b printed by W. Pearson, for John Cullen at the Buck between the two Temple-Gates, Fleet-Street |c [1706] | |
300 | |a Online-Ressource ([14],144Seiten,plate) |b port |c 8° | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a English Short Title Catalog, T77981 | ||
500 | |a First published in 1667 as 'A compendium of practical musick' | ||
500 | |a Price from imprint: Price 2 s | ||
500 | |a Reproduction of original from British Library | ||
533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
650 | 4 | |a Composition (Music) |x Instruction and study |v Early works to 1800 | |
650 | 4 | |a Music theory |x Instruction and study |v Early works to 1800 | |
856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
912 | |a ZDB-1-ECC | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034483067 | ||
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804185662302191616 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Simpson, Christopher d. 1669 |
author_facet | Simpson, Christopher d. 1669 |
author_role | aut |
author_sort | Simpson, Christopher d. 1669 |
author_variant | c s cs |
building | Verbundindex |
bvnumber | BV049221711 |
collection | ZDB-1-ECC |
ctrlnum | (ZDB-1-ECC)NLM006624669 (OCoLC)1422371395 (DE-599)GBVNLM006624669 |
edition | The fourth edition with additions: much more correct |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03234nmm a22005171c 4500</leader><controlfield tag="001">BV049221711</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1706 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM006624669</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422371395</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM006624669</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Simpson, Christopher</subfield><subfield code="d">d. 1669</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Compendium of practical musick</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A compendium</subfield><subfield code="b">or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">The fourth edition with additions: much more correct</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">printed by W. Pearson, for John Cullen at the Buck between the two Temple-Gates, Fleet-Street</subfield><subfield code="c">[1706]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource ([14],144Seiten,plate)</subfield><subfield code="b">port</subfield><subfield code="c">8°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, T77981</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">First published in 1667 as 'A compendium of practical musick'</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Price from imprint: Price 2 s</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from British Library</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composition (Music)</subfield><subfield code="x">Instruction and study</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music theory</subfield><subfield code="x">Instruction and study</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034483067</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049221711 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:36:29Z |
indexdate | 2024-07-10T09:58:48Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034483067 |
oclc_num | 1422371395 |
open_access_boolean | |
owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
physical | Online-Ressource ([14],144Seiten,plate) port 8° |
psigel | ZDB-1-ECC |
publishDate | 1706 |
publishDateSearch | 1706 |
publishDateSort | 1706 |
publisher | printed by W. Pearson, for John Cullen at the Buck between the two Temple-Gates, Fleet-Street |
record_format | marc |
spelling | Simpson, Christopher d. 1669 Verfasser aut Compendium of practical musick A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson The fourth edition with additions: much more correct London printed by W. Pearson, for John Cullen at the Buck between the two Temple-Gates, Fleet-Street [1706] Online-Ressource ([14],144Seiten,plate) port 8° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T77981 First published in 1667 as 'A compendium of practical musick' Price from imprint: Price 2 s Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Composition (Music) Instruction and study Early works to 1800 Music theory Instruction and study Early works to 1800 http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc Verlag Volltext |
spellingShingle | Simpson, Christopher d. 1669 A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson Composition (Music) Instruction and study Early works to 1800 Music theory Instruction and study Early works to 1800 |
title | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_alt | Compendium of practical musick |
title_auth | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_exact_search | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_exact_search_txtP | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_full | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_fullStr | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_full_unstemmed | A compendium or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
title_short | A compendium |
title_sort | a compendium or introduction to practical musick in five parts teaching by a new and easie method 1 the rudiments of song 2 the principles of composition 3 the use of discords 4 the form of figurate descant 5 the contrivance of canon by christopher simpson |
title_sub | or, introduction to practical musick in five parts. Teaching, by a New, and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Simpson |
topic | Composition (Music) Instruction and study Early works to 1800 Music theory Instruction and study Early works to 1800 |
topic_facet | Composition (Music) Instruction and study Early works to 1800 Music theory Instruction and study Early works to 1800 |
url | http://nl.sub.uni-goettingen.de/id/0664900400?origin=/collection/nlh-ecc |
work_keys_str_mv | AT simpsonchristopher compendiumofpracticalmusick AT simpsonchristopher acompendiumorintroductiontopracticalmusickinfivepartsteachingbyanewandeasiemethod1therudimentsofsong2theprinciplesofcomposition3theuseofdiscords4theformoffiguratedescant5thecontrivanceofcanonbychristophersimpson |