A critical guide to the present exhibition at the Royal Academy, for 1797: Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for H. D. Symonds, Paternoster-Row, P. Mcqueen, Exeter-Change, and T. Bellamy, King-Street, Covent-Garden
M.DCC.XCVII. [1797]
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| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | Anthony Pasquin = John Williams English Short Title Catalog, T72493 Reproduction of original from British Library With two final advertisement leaves |
| Beschreibung: | Online-Ressource (24,[4]Seiten) 8° |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:36:25Z |
| indexdate | 2024-07-10T09:58:42Z |
| institution | BVB |
| language | English |
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| publishDate | 1797 |
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| publisher | printed for H. D. Symonds, Paternoster-Row, P. Mcqueen, Exeter-Change, and T. Bellamy, King-Street, Covent-Garden |
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| spelling | Pasquin, Anthony 1761-1818 Verfasser aut A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin London printed for H. D. Symonds, Paternoster-Row, P. Mcqueen, Exeter-Change, and T. Bellamy, King-Street, Covent-Garden M.DCC.XCVII. [1797] Online-Ressource (24,[4]Seiten) 8° txt rdacontent c rdamedia cr rdacarrier Anthony Pasquin = John Williams English Short Title Catalog, T72493 Reproduction of original from British Library With two final advertisement leaves Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Art Exhibitions Early works to 1800 Royal Academy of Arts (Great Britain) http://nl.sub.uni-goettingen.de/id/0729300300?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Pasquin, Anthony 1761-1818 A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin Art Exhibitions Early works to 1800 |
| title | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_auth | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_exact_search | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_exact_search_txtP | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_full | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_fullStr | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_full_unstemmed | A critical guide to the present exhibition at the Royal Academy, for 1797 Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| title_short | A critical guide to the present exhibition at the Royal Academy, for 1797 |
| title_sort | a critical guide to the present exhibition at the royal academy for 1797 containing admonitions to the artists on their misconception of theological subjects and a complete development of the venetian art of colouring as is now so much the rage of imitation by john williams whose public appellation is anthony pasquin |
| title_sub | Containing Admonitions to the Artists on their Misconception of Theological Subjects, and a complete Development of the Venetian Art of Colouring, as is now so much the Rage of Imitation. By John Williams, whose public appellation is Anthony Pasquin |
| topic | Art Exhibitions Early works to 1800 |
| topic_facet | Art Exhibitions Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/0729300300?origin=/collection/nlh-ecc |
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