The art of painting in oyl: Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for A. Bettesworth, in Pater-Noster-Row; F. Clay, without Temple-Bar; and E. Syman [sic], in Cornhill
1723
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | English Short Title Catalog, T228403 Reproduction of original from British Library With two final advertisement leaves |
| Beschreibung: | Online-Ressource ([8],108,[4]Seiten) 12° |
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| id | DE-604.BV049186610 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:35:52Z |
| indexdate | 2024-07-10T09:57:50Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034447966 |
| oclc_num | 1422469860 |
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| physical | Online-Ressource ([8],108,[4]Seiten) 12° |
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| publishDate | 1723 |
| publishDateSearch | 1723 |
| publishDateSort | 1723 |
| publisher | printed for A. Bettesworth, in Pater-Noster-Row; F. Clay, without Temple-Bar; and E. Syman [sic], in Cornhill |
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| spelling | Smith, John fl. 1673-1680 Verfasser aut The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M London printed for A. Bettesworth, in Pater-Noster-Row; F. Clay, without Temple-Bar; and E. Syman [sic], in Cornhill 1723 Online-Ressource ([8],108,[4]Seiten) 12° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T228403 Reproduction of original from British Library With two final advertisement leaves Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting, Industrial Early works to 1800 http://nl.sub.uni-goettingen.de/id/1224901200?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Smith, John fl. 1673-1680 The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M Painting, Industrial Early works to 1800 |
| title | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_auth | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_exact_search | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_exact_search_txtP | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_full | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_fullStr | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_full_unstemmed | The art of painting in oyl Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| title_short | The art of painting in oyl |
| title_sort | the art of painting in oyl wherein is included each particular circumstance relating to the best and most approved rules for preparing mixing and working of oyl colours the whole treatise being so full compleat and so exactly fitted to the meanest capacity that all persons whatsoever may be able by these directions to paint in oyl colours all manner of timber work that require either use beauty or preservation from the violence or injury of the weather in which is also laid down all the several circumstances required in painting of sun dials printed pictures shash windows c in oyl colours the fifth impression with some alterations and many matters added which are not to be found in the former editions to which is added the whole art and mystery of colouring maps and other prints with water colours by john smith c m |
| title_sub | Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M |
| topic | Painting, Industrial Early works to 1800 |
| topic_facet | Painting, Industrial Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/1224901200?origin=/collection/nlh-ecc |
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