Art's master-piece: or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Dublin
printed by R. Jackson, in Meath-Street
1784
|
Schlagworte: | |
Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
Beschreibung: | English Short Title Catalog, T163728 Reproduction of original from British Library |
Beschreibung: | Online-Ressource (144Seiten) ill 18° |
Internformat
MARC
LEADER | 00000nmm a22000001c 4500 | ||
---|---|---|---|
001 | BV049168695 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230822s1784 ie |||| o||u| ||||||eng d | ||
035 | |a (ZDB-1-ECC)NLM006094902 | ||
035 | |a (OCoLC)1422462435 | ||
035 | |a (DE-599)GBVNLM006094902 | ||
040 | |a DE-604 |b ger | ||
041 | 0 | |a eng | |
044 | |a ie |c XA-IE | ||
049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
100 | 0 | |a C. K |e Verfasser |4 aut | |
245 | 1 | 0 | |a Art's master-piece |b or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
264 | 1 | |a Dublin |b printed by R. Jackson, in Meath-Street |c 1784 | |
300 | |a Online-Ressource (144Seiten) |b ill |c 18° | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a English Short Title Catalog, T163728 | ||
500 | |a Reproduction of original from British Library | ||
533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
650 | 4 | |a Glass manufacture |v Early works to 1800 | |
650 | 4 | |a Painting |x Technique |v Early works to 1800 | |
856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
912 | |a ZDB-1-ECC | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034430053 | ||
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
966 | e | |u http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804185568449396736 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | C. K |
author_facet | C. K |
author_role | aut |
author_sort | C. K |
author_variant | c k ck |
building | Verbundindex |
bvnumber | BV049168695 |
collection | ZDB-1-ECC |
ctrlnum | (ZDB-1-ECC)NLM006094902 (OCoLC)1422462435 (DE-599)GBVNLM006094902 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04287nmm a22004691c 4500</leader><controlfield tag="001">BV049168695</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1784 ie |||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM006094902</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422462435</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM006094902</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">ie</subfield><subfield code="c">XA-IE</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">C. K</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art's master-piece</subfield><subfield code="b">or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Dublin</subfield><subfield code="b">printed by R. Jackson, in Meath-Street</subfield><subfield code="c">1784</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource (144Seiten)</subfield><subfield code="b">ill</subfield><subfield code="c">18°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, T163728</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from British Library</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Glass manufacture</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting</subfield><subfield code="x">Technique</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034430053</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049168695 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:35:33Z |
indexdate | 2024-07-10T09:57:18Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034430053 |
oclc_num | 1422462435 |
open_access_boolean | |
owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
physical | Online-Ressource (144Seiten) ill 18° |
psigel | ZDB-1-ECC |
publishDate | 1784 |
publishDateSearch | 1784 |
publishDateSort | 1784 |
publisher | printed by R. Jackson, in Meath-Street |
record_format | marc |
spelling | C. K Verfasser aut Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K Dublin printed by R. Jackson, in Meath-Street 1784 Online-Ressource (144Seiten) ill 18° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T163728 Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Glass manufacture Early works to 1800 Painting Technique Early works to 1800 http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc Verlag Volltext |
spellingShingle | C. K Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K Glass manufacture Early works to 1800 Painting Technique Early works to 1800 |
title | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_auth | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_exact_search | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_exact_search_txtP | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_full | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_fullStr | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_full_unstemmed | Art's master-piece or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
title_short | Art's master-piece |
title_sort | art s master piece or a companion for the ingenious of either sex in two parts i the art of limning and painting in oil c in all particulars viz drawing and painting faces bodies garments landskips preparing and laying on colours colouring metzotinto prints gilding on wood metals or leather the newest experiments in japanning to imitate the indian way plain and in speckles rock work figures c receipts for making the several varnishes colours c to make artificial tortoise shell to die or stain ivory horn bone bristles feathers and sundry sorts of wood for cabinets the mystery of dying silks scuffs woollen and linen cloth to take spots stains pitch tar and iron moulds out of silks stuffs linen or woollen and recover faded silks the art of perfuming and beautifying divers receipts in physick and surgery to make london powder ink other inks and the shining japan ink with many other useful things ii the art of making glass of chrystal of all sorts and colours and to prepare the materials to make glass of lead of many beautiful colours to make enamel of divers colours for gold silver or other metals to make chalcedony like jasper or other lucid stones and prepare materials for the work to make artificial precious stones equal in beauty to the true and to colour globes of glass on the inside the art of painting glass in oil and annealing and burning on the colour instructions to cast figures in wax plaister purest metals c leaves flowers medals and other matters worthy of note to which are added many curiosities and rare secrets known to few but very profitable and pleasant the eighth edition by c k |
title_sub | or, a companion for the ingenious of either sex. In two parts. I. The art of limning and painting in oil, &c. in all Particulars, viz. Drawing and painting Faces, Bodies, Garments. Landskips; preparing and laying on Colours; colouring Metzotinto Prints; gilding on Wood, Metals, or Leather. The newest Experiments in Japanning, to imitate the Indian way, plain and in speckles, Rock-Work, Figures, &c. Receipts for making the several varnishes, colours, &c. To make artificial Tortoise shell. To die or stain Ivory, Horn, Bone, Bristles, Feathers, and sundry sorts of Wood for cabinets. The Mystery of dying Silks, Scuffs, woollen and linen Cloth. To take Spots, Stains, Pitch, Tar, and Iron-Moulds out of Silks, Stuffs, Linen or Woollen, and recover faded Silks. The Art of Perfuming and Beautifying. Divers Receipts in Physick and Surgery. To make London Powder Ink, other Inks, and the shining Japan-Ink: With many other useful Things. II. The art of making glass of chrystal of all Sorts and Colours, and to prepare the Materials. To make Glass of Lead of many beautiful Colours. To make Enamel of divers Colours for Gold, Silver, or other Metals. To make Chalcedony like Jasper or other lucid Stones, and prepare Materials for the Work. To make artificial precious Stones, equal in Beauty to the true; and to colour Globes of Glass on the Inside. The Art of Painting Glass in Oil, and annealing and burning on the Colour. Instructions to cast Figures in Wax, Plaister, purest Metals, &c. Leaves, Flowers, Medals; And other Matters worthy of Note. To which are added, Many Curiosities, and rare Secrets, known to few, but very profitable and pleasant. The eighth edition, by C. K |
topic | Glass manufacture Early works to 1800 Painting Technique Early works to 1800 |
topic_facet | Glass manufacture Early works to 1800 Painting Technique Early works to 1800 |
url | http://nl.sub.uni-goettingen.de/id/0992400900?origin=/collection/nlh-ecc |
work_keys_str_mv | AT ck artsmasterpieceoracompanionfortheingeniousofeithersexintwopartsitheartoflimningandpaintinginoilcinallparticularsvizdrawingandpaintingfacesbodiesgarmentslandskipspreparingandlayingoncolourscolouringmetzotintoprintsgildingonwoodmetalsorleatherthenewestexper |