The compleat psalmodist: The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
printed by Robert Brown, in Windmill-Court, near West-Smithfield: and sold by C. Hitch and L. Hawes, at the Red-Lion, J. Buckland, at the Buck, and S. Crowder and Co. at the Looking-Glass, all in Pater-Noster-Row
[1761]
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | Braces in title English Short Title Catalog, T161247 First published as 'The compleat psalmodist. In four books' Price from imprint: price Bound Three Shillings and Six Pence Reproduction of original from British Library With an index |
| Beschreibung: | Online-Ressource (x,xxviii,[6],388,[2]Seiten) music 8° |
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| index_date | 2024-07-03T22:35:33Z |
| indexdate | 2024-07-10T09:57:17Z |
| institution | BVB |
| language | English |
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| physical | Online-Ressource (x,xxviii,[6],388,[2]Seiten) music 8° |
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| publishDate | 1761 |
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| publisher | printed by Robert Brown, in Windmill-Court, near West-Smithfield: and sold by C. Hitch and L. Hawes, at the Red-Lion, J. Buckland, at the Buck, and S. Crowder and Co. at the Looking-Glass, all in Pater-Noster-Row |
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| spelling | Bible. O.T. Psalms. <engl.> Selections The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony London printed by Robert Brown, in Windmill-Court, near West-Smithfield: and sold by C. Hitch and L. Hawes, at the Red-Lion, J. Buckland, at the Buck, and S. Crowder and Co. at the Looking-Glass, all in Pater-Noster-Row [1761] Online-Ressource (x,xxviii,[6],388,[2]Seiten) music 8° txt rdacontent c rdamedia cr rdacarrier Braces in title English Short Title Catalog, T161247 First published as 'The compleat psalmodist. In four books' Price from imprint: price Bound Three Shillings and Six Pence Reproduction of original from British Library With an index Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Anthems Early works to 1800 Psalmody Early works to 1800 Compleat psalmodist http://nl.sub.uni-goettingen.de/id/1137100100?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony Anthems Early works to 1800 Psalmody Early works to 1800 |
| title | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_alt | Bible. O.T. Psalms. <engl.> Selections Compleat psalmodist |
| title_auth | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_exact_search | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_exact_search_txtP | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_full | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_fullStr | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_full_unstemmed | The compleat psalmodist The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| title_short | The compleat psalmodist |
| title_sort | the compleat psalmodist the whole composed according to the most authentic rules for one two three four and five voices and set in score in their proper cliffs and concert keys with the trillo s marked and the basses figured for the organ principally published for the use of all churches and chapels in cities and towns corporate as well as in country villages and parishes throughout his majesty s dominions of great britain ireland and plantations abroad the fifth edition corrected with large additions by john arnold philo musicae author of the essex harmony and leicestershire harmony |
| title_sub | The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony |
| topic | Anthems Early works to 1800 Psalmody Early works to 1800 |
| topic_facet | Anthems Early works to 1800 Psalmody Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/1137100100?origin=/collection/nlh-ecc |
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