The universal psalmodist: Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
London
printed for Joseph Johnson, at Mead's Head, opposite the Monument
1765
|
Ausgabe: | The third edition, corrected |
Schlagworte: | |
Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
Beschreibung: | English Short Title Catalog, T155461 Letterpress titlepage and preliminaries; engraved text Reproduction of original from British Library |
Beschreibung: | Online-Ressource (viii,152Seiten) ill.,engr.music Obl.4° |
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language | English |
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spelling | Bible. O.T. Psalms. <engl.> The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London The third edition, corrected London printed for Joseph Johnson, at Mead's Head, opposite the Monument 1765 Online-Ressource (viii,152Seiten) ill.,engr.music Obl.4° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T155461 Letterpress titlepage and preliminaries; engraved text Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Psalmody Early works to 1800 Psalms (Music) Early works to 1800 Universal psalmodist http://nl.sub.uni-goettingen.de/id/0720700400?origin=/collection/nlh-ecc Verlag Volltext |
spellingShingle | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London Psalmody Early works to 1800 Psalms (Music) Early works to 1800 |
title | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_alt | Bible. O.T. Psalms. <engl.> Universal psalmodist |
title_auth | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_exact_search | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_exact_search_txtP | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_full | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_fullStr | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_full_unstemmed | The universal psalmodist Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
title_short | The universal psalmodist |
title_sort | the universal psalmodist containing i a compleat introduction to psalmody or the art of singing psalms c interspersed with many useful scales and examples carefully laid down and explained in a familiar dialogue between master and scholar ii a choice and valuable collection of psalm and hymn tunes canons and anthems many of which were never before published also the tunes anthems c sung at the magdalene and foundling chapels and other public places in and about london with words adapted to each tune the whole composed in a new and easy taste for two three and four but generally for four voices in the most familiar keys and cliffs according to the advice and direction of the most eminent masters in london calculated to promote and improve this most excellent part of social worship and thereby render it both useful and delightful in all country choirs as well as in the congregations and other religious societies in london and westminster by a williams teacher of psalmody in london |
title_sub | Containing, I. A compleat introduction to psalmody; or, The Art of Singing Psalms, &c. Interspersed with many useful Scales and Examples, carefully laid down and explained, in a familiar Dialogue between Master and Scholar. II. A choice and valuable collection of psalm and hymn tunes, canons and anthems, many of which were never before published; also the Tunes, Anthems, &c. sung at the Magdalene and Foundling Chapels, and other public Places in and about London, with Words adapted to each Tune. The Whole composed in a New and Easy Taste, For Two, Three, and Four, but generally for Four Voices, in the most familiar Keys and Cliffs, according to the Advice and Direction of the most eminent Masters in London. Calculated to promote and improve this most excellent Part of Social Worship, and thereby render it both useful and delightful in all Country Choirs, as well as in the Congregations and other Religious Societies in London and Westminster. By A. Williams, Teacher of Psalmody in London |
topic | Psalmody Early works to 1800 Psalms (Music) Early works to 1800 |
topic_facet | Psalmody Early works to 1800 Psalms (Music) Early works to 1800 |
url | http://nl.sub.uni-goettingen.de/id/0720700400?origin=/collection/nlh-ecc |
work_keys_str_mv | UT bibleotpsalmsengl UT universalpsalmodist |