A guide to classical learning: or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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London
printed for R. Horsfield, in Ludgate-Street; and J. Dodsley, in Pall-Mall
MDCCLXVIII. [1768]
|
| Schlagworte: | |
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| Beschreibung: | An abridgment by Tindal of Joseph Spence's 'Polymetis' English Short Title Catalog, T151910 Reproduction of original from British Library Sig.A6, bearing 'A list of antiques', is a cancel With an index |
| Beschreibung: | Online-Ressource ([12],xxxiv,224,[6]Seiten,XIIIplates) 12° |
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| spelling | Spence, Joseph 1699-1768 Verfasser aut Polymetis. Abridgments A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin London printed for R. Horsfield, in Ludgate-Street; and J. Dodsley, in Pall-Mall MDCCLXVIII. [1768] Online-Ressource ([12],xxxiv,224,[6]Seiten,XIIIplates) 12° txt rdacontent c rdamedia cr rdacarrier An abridgment by Tindal of Joseph Spence's 'Polymetis' English Short Title Catalog, T151910 Reproduction of original from British Library Sig.A6, bearing 'A list of antiques', is a cancel With an index Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Art, Ancient Mythology, Classical http://nl.sub.uni-goettingen.de/id/1238300500?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Spence, Joseph 1699-1768 A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin Art, Ancient Mythology, Classical |
| title | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_alt | Polymetis. Abridgments |
| title_auth | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_exact_search | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_exact_search_txtP | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_full | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_fullStr | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_full_unstemmed | A guide to classical learning or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| title_short | A guide to classical learning |
| title_sort | a guide to classical learning or polymetis abridged containing i by way of introduction the characters of the latin poets and their works the rise growth and fall of the polite arts among the romans the usefulness of antiques towards explaining the classics a true idea of the allegories of the antients and of their whole scheme of machinery or interposition of the gods with remarks on the defects of our best allegorists and artists for want of such an idea ii an inquiry concerning the the agreement between works of the roman poets and the remains of the antient artists in order to illustrate them mutually from one another being a work absolutely necessary not only for the right understanding of the classics but also for forming in young minds a true taste for the beauties of poetry sculpture and painting the third edition illustrated with twenty eight prints from original antiques and more particularly adapted to the use of schools and academies by n tindal translator of rapin |
| title_sub | or, Polymetis abridged. Containing, I. By Way of Introduction, the Characters of the Latin Poets and their Works. The Rise, Growth, and Fall of the polite Arts among the Romans. The Usefulness of Antiques towards explaining the Classics a true Idea of the Allegories of the Antients, and of their whole Scheme of Machinery, or Interposition of the Gods; with Remarks on the Defects of our best Allegorists and Artists for Want of such an Idea. II. An Inquiry concerning the the Agreement between Works of the Roman Poets and the Remains of the antient Artists, in order to illustrate them mutually from one another. Being a work absolutely necessary, not only for the right Understanding of the Classics, but also for forming in young Minds a true Taste for the Beauties of Poetry, Sculpture, and Painting. The third edition illustrated with Twenty-Eight Prints from original Antiques, and more particularly adapted to the Use of Schools and Academies. By N. Tindal, Translator of Rapin |
| topic | Art, Ancient Mythology, Classical |
| topic_facet | Art, Ancient Mythology, Classical |
| url | http://nl.sub.uni-goettingen.de/id/1238300500?origin=/collection/nlh-ecc |
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