Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London
printed for W. Churchill at the Black Swan in Pater-Noster-Row
1719
|
| Subjects: | |
| Online Access: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Item Description: | English Short Title Catalog, T135918 In two parts, each with a separate titlepage, register and pagination. The text of the first part is continuous despite pagination Maslen & Lancaster. Bowyer ledgers, 489 Part printed by William Bowyer Reissued in 1725 Reproduction of original from British Library The first part is entitled: 'The connoisseur: an essay on the whole art of criticism as it relates to painting', the second: 'A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur' With a final advertisement leaf |
| Physical Description: | Online-Ressource ([16],153,174-220;234,[2]Seiten) 8° |
Staff View
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Record in the Search Index
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| author | Richardson, Jonathan 1665-1745 |
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| building | Verbundindex |
| bvnumber | BV049157227 |
| collection | ZDB-1-ECC |
| ctrlnum | (ZDB-1-ECC)NLM005980313 (OCoLC)1422500678 (DE-599)GBVNLM005980313 |
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| id | DE-604.BV049157227 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:35:20Z |
| indexdate | 2024-07-10T09:56:52Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034418584 |
| oclc_num | 1422500678 |
| open_access_boolean | |
| owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
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| physical | Online-Ressource ([16],153,174-220;234,[2]Seiten) 8° |
| psigel | ZDB-1-ECC |
| publishDate | 1719 |
| publishDateSearch | 1719 |
| publishDateSort | 1719 |
| publisher | printed for W. Churchill at the Black Swan in Pater-Noster-Row |
| record_format | marc |
| spelling | Richardson, Jonathan 1665-1745 Verfasser aut Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson London printed for W. Churchill at the Black Swan in Pater-Noster-Row 1719 Online-Ressource ([16],153,174-220;234,[2]Seiten) 8° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T135918 In two parts, each with a separate titlepage, register and pagination. The text of the first part is continuous despite pagination Maslen & Lancaster. Bowyer ledgers, 489 Part printed by William Bowyer Reissued in 1725 Reproduction of original from British Library The first part is entitled: 'The connoisseur: an essay on the whole art of criticism as it relates to painting', the second: 'A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur' With a final advertisement leaf Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting Early works to 1800 http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Richardson, Jonathan 1665-1745 Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson Painting Early works to 1800 |
| title | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_auth | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_exact_search | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_exact_search_txtP | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_full | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_fullStr | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_full_unstemmed | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_short | Two discourses |
| title_sort | two discourses i an essay on the whole art of criticism as it relates to painting shewing how to judge i of the goodness of a picture ii of the hand of the master and iii whether tis an original or a copy ii an argument in behalf of the science of a connoisseur wherein is shewn the dignity certainty pleasure and advantage of it both by mr richardson |
| title_sub | I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| topic | Painting Early works to 1800 |
| topic_facet | Painting Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |
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