Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for W. Churchill at the Black Swan in Pater-Noster-Row
1719
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | English Short Title Catalog, T135918 In two parts, each with a separate titlepage, register and pagination. The text of the first part is continuous despite pagination Maslen & Lancaster. Bowyer ledgers, 489 Part printed by William Bowyer Reissued in 1725 Reproduction of original from British Library The first part is entitled: 'The connoisseur: an essay on the whole art of criticism as it relates to painting', the second: 'A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur' With a final advertisement leaf |
| Beschreibung: | Online-Ressource ([16],153,174-220;234,[2]Seiten) 8° |
Internformat
MARC
| LEADER | 00000nmm a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV049157227 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230822s1719 xxk|||| o||u| ||||||eng d | ||
| 035 | |a (ZDB-1-ECC)NLM005980313 | ||
| 035 | |a (OCoLC)1422500678 | ||
| 035 | |a (DE-599)GBVNLM005980313 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
| 100 | 1 | |a Richardson, Jonathan |d 1665-1745 |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Two discourses |b I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| 264 | 1 | |a London |b printed for W. Churchill at the Black Swan in Pater-Noster-Row |c 1719 | |
| 300 | |a Online-Ressource ([16],153,174-220;234,[2]Seiten) |c 8° | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a English Short Title Catalog, T135918 | ||
| 500 | |a In two parts, each with a separate titlepage, register and pagination. The text of the first part is continuous despite pagination | ||
| 500 | |a Maslen & Lancaster. Bowyer ledgers, 489 | ||
| 500 | |a Part printed by William Bowyer | ||
| 500 | |a Reissued in 1725 | ||
| 500 | |a Reproduction of original from British Library | ||
| 500 | |a The first part is entitled: 'The connoisseur: an essay on the whole art of criticism as it relates to painting', the second: 'A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur' | ||
| 500 | |a With a final advertisement leaf | ||
| 533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
| 650 | 4 | |a Painting |v Early works to 1800 | |
| 856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
| 912 | |a ZDB-1-ECC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034418584 | ||
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185552398843905 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Richardson, Jonathan 1665-1745 |
| author_facet | Richardson, Jonathan 1665-1745 |
| author_role | aut |
| author_sort | Richardson, Jonathan 1665-1745 |
| author_variant | j r jr |
| building | Verbundindex |
| bvnumber | BV049157227 |
| collection | ZDB-1-ECC |
| ctrlnum | (ZDB-1-ECC)NLM005980313 (OCoLC)1422500678 (DE-599)GBVNLM005980313 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03523nmm a22005291c 4500</leader><controlfield tag="001">BV049157227</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1719 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM005980313</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422500678</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM005980313</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Richardson, Jonathan</subfield><subfield code="d">1665-1745</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Two discourses</subfield><subfield code="b">I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">printed for W. Churchill at the Black Swan in Pater-Noster-Row</subfield><subfield code="c">1719</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource ([16],153,174-220;234,[2]Seiten)</subfield><subfield code="c">8°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, T135918</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In two parts, each with a separate titlepage, register and pagination. The text of the first part is continuous despite pagination</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Maslen & Lancaster. Bowyer ledgers, 489</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part printed by William Bowyer</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reissued in 1725</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from British Library</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The first part is entitled: 'The connoisseur: an essay on the whole art of criticism as it relates to painting', the second: 'A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur'</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">With a final advertisement leaf</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034418584</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049157227 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:35:20Z |
| indexdate | 2024-07-10T09:56:52Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034418584 |
| oclc_num | 1422500678 |
| open_access_boolean | |
| owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| physical | Online-Ressource ([16],153,174-220;234,[2]Seiten) 8° |
| psigel | ZDB-1-ECC |
| publishDate | 1719 |
| publishDateSearch | 1719 |
| publishDateSort | 1719 |
| publisher | printed for W. Churchill at the Black Swan in Pater-Noster-Row |
| record_format | marc |
| spelling | Richardson, Jonathan 1665-1745 Verfasser aut Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson London printed for W. Churchill at the Black Swan in Pater-Noster-Row 1719 Online-Ressource ([16],153,174-220;234,[2]Seiten) 8° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T135918 In two parts, each with a separate titlepage, register and pagination. The text of the first part is continuous despite pagination Maslen & Lancaster. Bowyer ledgers, 489 Part printed by William Bowyer Reissued in 1725 Reproduction of original from British Library The first part is entitled: 'The connoisseur: an essay on the whole art of criticism as it relates to painting', the second: 'A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur' With a final advertisement leaf Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting Early works to 1800 http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Richardson, Jonathan 1665-1745 Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson Painting Early works to 1800 |
| title | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_auth | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_exact_search | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_exact_search_txtP | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_full | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_fullStr | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_full_unstemmed | Two discourses I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| title_short | Two discourses |
| title_sort | two discourses i an essay on the whole art of criticism as it relates to painting shewing how to judge i of the goodness of a picture ii of the hand of the master and iii whether tis an original or a copy ii an argument in behalf of the science of a connoisseur wherein is shewn the dignity certainty pleasure and advantage of it both by mr richardson |
| title_sub | I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson |
| topic | Painting Early works to 1800 |
| topic_facet | Painting Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/0625400100?origin=/collection/nlh-ecc |
| work_keys_str_mv | AT richardsonjonathan twodiscoursesianessayonthewholeartofcriticismasitrelatestopaintingshewinghowtojudgeiofthegoodnessofapictureiiofthehandofthemasterandiiiwhethertisanoriginaloracopyiianargumentinbehalfofthescienceofaconnoisseurwhereinisshewnthedignitycertaintypleasureandadv |