APA (7th ed.) Citation

Richardson, J. (1719). Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson. printed for W. Churchill at the Black Swan in Pater-Noster-Row.

Chicago Style (17th ed.) Citation

Richardson, Jonathan. Two Discourses: I. An Essay on the Whole Art of Criticism as It Relates to Painting. Shewing How to Judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'Tis an Original, or a Copy. II. An Argument in Behalf of the Science of a Connoisseur; Wherein Is Shewn the Dignity, Certainty, Pleasure, and Advantage of It. Both by Mr. Richardson. London: printed for W. Churchill at the Black Swan in Pater-Noster-Row, 1719.

MLA (9th ed.) Citation

Richardson, Jonathan. Two Discourses: I. An Essay on the Whole Art of Criticism as It Relates to Painting. Shewing How to Judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether 'Tis an Original, or a Copy. II. An Argument in Behalf of the Science of a Connoisseur; Wherein Is Shewn the Dignity, Certainty, Pleasure, and Advantage of It. Both by Mr. Richardson. printed for W. Churchill at the Black Swan in Pater-Noster-Row, 1719.