The handmaid to the arts: ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
printed for J. Nourse, Bookseller in Ordinary to his Majesty
MDCCLXIV. [1764]
|
Ausgabe: | The second edition, with considerable additions and improvements |
Schlagworte: | |
Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
Beschreibung: | Anonymous. By Robert Dossie Braces in imprint English Short Title Catalog, T125950 In this second edition in vol. 1 the eighth line of the title reads: "teria pictoria, or, the nature,", the second line of imprint reads: "printed for J. Nourse, bookseller in ordinary to his" and on p.[1] sig. B is under the "e" of "tenacity Reproduction of original from British Library |
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id | DE-604.BV049149778 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:35:12Z |
indexdate | 2024-07-10T09:56:40Z |
institution | BVB |
language | English |
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spelling | Dossie, Robert d. 1777 Verfasser aut The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c The second edition, with considerable additions and improvements London printed for J. Nourse, Bookseller in Ordinary to his Majesty MDCCLXIV. [1764] Online-Ressource (2v) 8° txt rdacontent c rdamedia cr rdacarrier Anonymous. By Robert Dossie Braces in imprint English Short Title Catalog, T125950 In this second edition in vol. 1 the eighth line of the title reads: "teria pictoria, or, the nature,", the second line of imprint reads: "printed for J. Nourse, bookseller in ordinary to his" and on p.[1] sig. B is under the "e" of "tenacity Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Art Early works to 1800 Chemistry, Technical Engraving Glass Painting Porcelain http://nl.sub.uni-goettingen.de/id/0545900301?origin=/collection/nlh-ecc Verlag Volltext |
spellingShingle | Dossie, Robert d. 1777 The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c Art Early works to 1800 Chemistry, Technical Engraving Glass Painting Porcelain |
title | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_auth | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_exact_search | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_exact_search_txtP | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_full | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_fullStr | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_full_unstemmed | The handmaid to the arts ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
title_short | The handmaid to the arts |
title_sort | the handmaid to the arts teaching i a perfect knowledge of the materia pictoria r the nature use preparation and composition of all the various substances employed in painting as well vehicles dryers c as colours including those peculiar to enamel and painting on glass ii the means of delineation or the several devices employed for the more easily and accurately making designs from nature or depicted representations either by offtracing calking reduction or other means with the methods of taking casts or impressions from figures busis medals leaves c iii the various manners of gilding silvering bronzing with the preparation of the genuine gold and silver powders and imitations of them as also of the fat oil gold fixes and other necessary compositions the art of japanning as applicable not only to the former purposes but to coaches snuffboxes c in the manner lately introduced and the method of staining different kinds of atsubstances with all the several colours the whole being calculated as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists as to initiate those who are defirous to attempt these arts into the method of preparing and using all the colours and other substances employed in painting in oil miniature crayons encaustic enamel varnish distemper and fresco as also in gilding c |
title_sub | ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c |
topic | Art Early works to 1800 Chemistry, Technical Engraving Glass Painting Porcelain |
topic_facet | Art Early works to 1800 Chemistry, Technical Engraving Glass Painting Porcelain |
url | http://nl.sub.uni-goettingen.de/id/0545900301?origin=/collection/nlh-ecc |
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