The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for J. Hodges, at the Looking-Glass on London-Bridge, J. James at Horace's Head, under the Royal-Exchange, and T. Cooper, at the Globe in Pater-Noster Row
MDCCXXXIX. [1739]
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | A translation of Claude Boutet's 'Traité de la peinture en mignature' Braces in imprint English Short Title Catalog, T116985 Reproduction of original from British Library |
| Beschreibung: | Online-Ressource ([12],150,[6]Seiten) ill 12° |
Internformat
MARC
| LEADER | 00000nmm a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV049142553 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230822s1739 xxk|||| o||u| ||||||eng d | ||
| 035 | |a (ZDB-1-ECC)NLM00583368X | ||
| 035 | |a (OCoLC)1422410344 | ||
| 035 | |a (DE-599)GBVNLM00583368X | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
| 100 | 1 | |a Boutet, Claude |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a Traité de la peinture en mignature. <engl.> |
| 245 | 1 | 0 | |a The art of painting in miniature |b teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| 264 | 1 | |a London |b printed for J. Hodges, at the Looking-Glass on London-Bridge, J. James at Horace's Head, under the Royal-Exchange, and T. Cooper, at the Globe in Pater-Noster Row |c MDCCXXXIX. [1739] | |
| 300 | |a Online-Ressource ([12],150,[6]Seiten) |b ill |c 12° | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a A translation of Claude Boutet's 'Traité de la peinture en mignature' | ||
| 500 | |a Braces in imprint | ||
| 500 | |a English Short Title Catalog, T116985 | ||
| 500 | |a Reproduction of original from British Library | ||
| 533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
| 650 | 4 | |a Intaglio printing |x History |v Early works to 1800 | |
| 650 | 4 | |a Miniature painting |v Early works to 1800 | |
| 650 | 4 | |a Paint |v Handbooks, manuals, etc |v Early works to 1800 | |
| 856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
| 912 | |a ZDB-1-ECC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034403911 | ||
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185516259672064 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Boutet, Claude |
| author_facet | Boutet, Claude |
| author_role | aut |
| author_sort | Boutet, Claude |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV049142553 |
| collection | ZDB-1-ECC |
| ctrlnum | (ZDB-1-ECC)NLM00583368X (OCoLC)1422410344 (DE-599)GBVNLM00583368X |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04015nmm a22005171c 4500</leader><controlfield tag="001">BV049142553</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1739 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM00583368X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422410344</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM00583368X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Boutet, Claude</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Traité de la peinture en mignature. <engl.></subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The art of painting in miniature</subfield><subfield code="b">teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">printed for J. Hodges, at the Looking-Glass on London-Bridge, J. James at Horace's Head, under the Royal-Exchange, and T. Cooper, at the Globe in Pater-Noster Row</subfield><subfield code="c">MDCCXXXIX. [1739]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource ([12],150,[6]Seiten)</subfield><subfield code="b">ill</subfield><subfield code="c">12°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">A translation of Claude Boutet's 'Traité de la peinture en mignature'</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Braces in imprint</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, T116985</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from British Library</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Intaglio printing</subfield><subfield code="x">History</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Miniature painting</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Paint</subfield><subfield code="v">Handbooks, manuals, etc</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034403911</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049142553 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:35:03Z |
| indexdate | 2024-07-10T09:56:28Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034403911 |
| oclc_num | 1422410344 |
| open_access_boolean | |
| owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| physical | Online-Ressource ([12],150,[6]Seiten) ill 12° |
| psigel | ZDB-1-ECC |
| publishDate | 1739 |
| publishDateSearch | 1739 |
| publishDateSort | 1739 |
| publisher | printed for J. Hodges, at the Looking-Glass on London-Bridge, J. James at Horace's Head, under the Royal-Exchange, and T. Cooper, at the Globe in Pater-Noster Row |
| record_format | marc |
| spelling | Boutet, Claude Verfasser aut Traité de la peinture en mignature. <engl.> The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints London printed for J. Hodges, at the Looking-Glass on London-Bridge, J. James at Horace's Head, under the Royal-Exchange, and T. Cooper, at the Globe in Pater-Noster Row MDCCXXXIX. [1739] Online-Ressource ([12],150,[6]Seiten) ill 12° txt rdacontent c rdamedia cr rdacarrier A translation of Claude Boutet's 'Traité de la peinture en mignature' Braces in imprint English Short Title Catalog, T116985 Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Intaglio printing History Early works to 1800 Miniature painting Early works to 1800 Paint Handbooks, manuals, etc Early works to 1800 http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Boutet, Claude The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints Intaglio printing History Early works to 1800 Miniature painting Early works to 1800 Paint Handbooks, manuals, etc Early works to 1800 |
| title | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_alt | Traité de la peinture en mignature. <engl.> |
| title_auth | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_exact_search | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_exact_search_txtP | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_full | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_fullStr | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_full_unstemmed | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_short | The art of painting in miniature |
| title_sort | the art of painting in miniature teaching the speedy and perfect acquisition of that art without a master by rules so easy and in a method so natural as to render this charming accomplishment universally attainable containing i the difference between painting in miniature and other kinds of painting ii the management of colours in draperies linnen lace furrs c iii the method of mixing colours for carnations for painting of architecture or any building of stone or wood for landskips terrasses water ruins rocks c iv the art of painting all sorts of flowers with the proper colours required to represent nature to the highest perfection v the various methods of painting translated from the original french the fourth edition to which are now added i certain secrets of one of the greatest italian painters for making the finest colours burnished gold shell gold c ii some general instructive lessons for the art of drawing and iii the usefulness and benefit of prints |
| title_sub | teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| topic | Intaglio printing History Early works to 1800 Miniature painting Early works to 1800 Paint Handbooks, manuals, etc Early works to 1800 |
| topic_facet | Intaglio printing History Early works to 1800 Miniature painting Early works to 1800 Paint Handbooks, manuals, etc Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/1112600800?origin=/collection/nlh-ecc |
| work_keys_str_mv | AT boutetclaude traitedelapeintureenmignatureengl AT boutetclaude theartofpaintinginminiatureteachingthespeedyandperfectacquisitionofthatartwithoutamasterbyrulessoeasyandinamethodsonaturalastorenderthischarmingaccomplishmentuniversallyattainablecontainingithedifferencebetweenpaintinginminiatureandotherkindsofpaintingiit |