Author of The Art of drawing in Perspective. (1800). The art of painting in oil: Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective (The third edition.). printed by J. Wright, No. 20, Denmark-Court, Strand, for Robert Laurie and James Whittle, map, chart, and print-sellers No. 53, Fleet-Street.
Chicago Style (17th ed.) CitationAuthor of The Art of drawing in Perspective. The Art of Painting in Oil: Rendered Familiar to Every Capacity. Extracted from the Works of the Most Eminent Masters of the Italian, Flemish, and English Schools. To Which Is Prefixed, the Method of Mixing the Colours to the Various Teints Used Both for Portraits, Landscapes, &c. &c. &c. By the Author of The Art of Drawing in Perspective. The third edition. London: printed by J. Wright, No. 20, Denmark-Court, Strand, for Robert Laurie and James Whittle, map, chart, and print-sellers No. 53, Fleet-Street, 1800.
MLA (9th ed.) CitationAuthor of The Art of drawing in Perspective. The Art of Painting in Oil: Rendered Familiar to Every Capacity. Extracted from the Works of the Most Eminent Masters of the Italian, Flemish, and English Schools. To Which Is Prefixed, the Method of Mixing the Colours to the Various Teints Used Both for Portraits, Landscapes, &c. &c. &c. By the Author of The Art of Drawing in Perspective. The third edition. printed by J. Wright, No. 20, Denmark-Court, Strand, for Robert Laurie and James Whittle, map, chart, and print-sellers No. 53, Fleet-Street, 1800.