The art of painting in oil: Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
printed by J. Wright, No. 20, Denmark-Court, Strand, for Robert Laurie and James Whittle, map, chart, and print-sellers No. 53, Fleet-Street
[1800]
|
Ausgabe: | The third edition |
Schlagworte: | |
Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
Beschreibung: | Apparently issued as a companion to 'The painter's companion, or a treatise on colours.' by John Hoofnail English Short Title Catalog, T112595 Price from imprint: Price One Shilling Reproduction of original from British Library |
Beschreibung: | Online-Ressource ([2],vii,[1],46Seiten,plate) 8° |
Internformat
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Datensatz im Suchindex
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id | DE-604.BV049138799 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:34:58Z |
indexdate | 2024-07-10T09:56:22Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034400157 |
oclc_num | 1422416095 |
open_access_boolean | |
owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
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physical | Online-Ressource ([2],vii,[1],46Seiten,plate) 8° |
psigel | ZDB-1-ECC |
publishDate | 1800 |
publishDateSearch | 1800 |
publishDateSort | 1800 |
publisher | printed by J. Wright, No. 20, Denmark-Court, Strand, for Robert Laurie and James Whittle, map, chart, and print-sellers No. 53, Fleet-Street |
record_format | marc |
spelling | Author of The Art of drawing in Perspective Verfasser aut The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective The third edition London printed by J. Wright, No. 20, Denmark-Court, Strand, for Robert Laurie and James Whittle, map, chart, and print-sellers No. 53, Fleet-Street [1800] Online-Ressource ([2],vii,[1],46Seiten,plate) 8° txt rdacontent c rdamedia cr rdacarrier Apparently issued as a companion to 'The painter's companion, or a treatise on colours.' by John Hoofnail English Short Title Catalog, T112595 Price from imprint: Price One Shilling Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting Painting Handbooks, manuals, etc http://nl.sub.uni-goettingen.de/id/0014001700?origin=/collection/nlh-ecc Verlag Volltext |
spellingShingle | Author of The Art of drawing in Perspective The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective Painting Painting Handbooks, manuals, etc |
title | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_auth | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_exact_search | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_exact_search_txtP | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_full | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_fullStr | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_full_unstemmed | The art of painting in oil Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
title_short | The art of painting in oil |
title_sort | the art of painting in oil rendered familiar to every capacity extracted from the works of the most eminent masters of the italian flemish and english schools to which is prefixed the method of mixing the colours to the various teints used both for portraits landscapes c c c by the author of the art of drawing in perspective |
title_sub | Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective |
topic | Painting Painting Handbooks, manuals, etc |
topic_facet | Painting Painting Handbooks, manuals, etc |
url | http://nl.sub.uni-goettingen.de/id/0014001700?origin=/collection/nlh-ecc |
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