A compendium: or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed by W. P. for John Young Musical-Instrument Seller, at the Dolphin and Crown in St. Paul's-Church-Yard: and also sold by John Walsh, at the Harp and Haut-Boy, in Catherine-Street in the Strand
1714
|
| Ausgabe: | The sixth edition with additions |
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | A reissue of the fourth edition with cancel titlepage and second preliminary leaf English Short Title Catalog, N3056 First published in 1667 as 'A compendium of practical musick' Reproduction of original from Harvard University Houghton Library |
| Beschreibung: | Online-Ressource ([14],144Seiten,plate) ill.,music,port 8° |
Internformat
MARC
| LEADER | 00000nmm a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV049120585 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230822s1714 xxk|||| o||u| ||||||eng d | ||
| 035 | |a (ZDB-1-ECC)NLM005614201 | ||
| 035 | |a (OCoLC)1422442133 | ||
| 035 | |a (DE-599)GBVNLM005614201 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
| 100 | 1 | |a Simpson, Christopher |d d. 1669 |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a Compendium of practical musick |
| 245 | 1 | 0 | |a A compendium |b or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| 250 | |a The sixth edition with additions | ||
| 264 | 1 | |a London |b printed by W. P. for John Young Musical-Instrument Seller, at the Dolphin and Crown in St. Paul's-Church-Yard: and also sold by John Walsh, at the Harp and Haut-Boy, in Catherine-Street in the Strand |c 1714 | |
| 300 | |a Online-Ressource ([14],144Seiten,plate) |b ill.,music,port |c 8° | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a A reissue of the fourth edition with cancel titlepage and second preliminary leaf | ||
| 500 | |a English Short Title Catalog, N3056 | ||
| 500 | |a First published in 1667 as 'A compendium of practical musick' | ||
| 500 | |a Reproduction of original from Harvard University Houghton Library | ||
| 533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
| 650 | 4 | |a Composition (Music) |v Early works to 1800 | |
| 856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
| 912 | |a ZDB-1-ECC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034381945 | ||
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185481710141441 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Simpson, Christopher d. 1669 |
| author_facet | Simpson, Christopher d. 1669 |
| author_role | aut |
| author_sort | Simpson, Christopher d. 1669 |
| author_variant | c s cs |
| building | Verbundindex |
| bvnumber | BV049120585 |
| collection | ZDB-1-ECC |
| ctrlnum | (ZDB-1-ECC)NLM005614201 (OCoLC)1422442133 (DE-599)GBVNLM005614201 |
| edition | The sixth edition with additions |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03387nmm a22005051c 4500</leader><controlfield tag="001">BV049120585</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1714 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM005614201</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422442133</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM005614201</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Simpson, Christopher</subfield><subfield code="d">d. 1669</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Compendium of practical musick</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A compendium</subfield><subfield code="b">or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">The sixth edition with additions</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">printed by W. P. for John Young Musical-Instrument Seller, at the Dolphin and Crown in St. Paul's-Church-Yard: and also sold by John Walsh, at the Harp and Haut-Boy, in Catherine-Street in the Strand</subfield><subfield code="c">1714</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource ([14],144Seiten,plate)</subfield><subfield code="b">ill.,music,port</subfield><subfield code="c">8°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">A reissue of the fourth edition with cancel titlepage and second preliminary leaf</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, N3056</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">First published in 1667 as 'A compendium of practical musick'</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from Harvard University Houghton Library</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composition (Music)</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034381945</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049120585 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:34:37Z |
| indexdate | 2024-07-10T09:55:52Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034381945 |
| oclc_num | 1422442133 |
| open_access_boolean | |
| owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| physical | Online-Ressource ([14],144Seiten,plate) ill.,music,port 8° |
| psigel | ZDB-1-ECC |
| publishDate | 1714 |
| publishDateSearch | 1714 |
| publishDateSort | 1714 |
| publisher | printed by W. P. for John Young Musical-Instrument Seller, at the Dolphin and Crown in St. Paul's-Church-Yard: and also sold by John Walsh, at the Harp and Haut-Boy, in Catherine-Street in the Strand |
| record_format | marc |
| spelling | Simpson, Christopher d. 1669 Verfasser aut Compendium of practical musick A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs The sixth edition with additions London printed by W. P. for John Young Musical-Instrument Seller, at the Dolphin and Crown in St. Paul's-Church-Yard: and also sold by John Walsh, at the Harp and Haut-Boy, in Catherine-Street in the Strand 1714 Online-Ressource ([14],144Seiten,plate) ill.,music,port 8° txt rdacontent c rdamedia cr rdacarrier A reissue of the fourth edition with cancel titlepage and second preliminary leaf English Short Title Catalog, N3056 First published in 1667 as 'A compendium of practical musick' Reproduction of original from Harvard University Houghton Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Composition (Music) Early works to 1800 http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Simpson, Christopher d. 1669 A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs Composition (Music) Early works to 1800 |
| title | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_alt | Compendium of practical musick |
| title_auth | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_exact_search | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_exact_search_txtP | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_full | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_fullStr | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_full_unstemmed | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| title_short | A compendium |
| title_sort | a compendium or introduction to practical music in five parts teaching by a new and easy method 1 the rudiments of song 2 the principles of composition 3 the use of discords 4 the form of figurate descant 5 the contrivance of canon by christopher sympson much more correct than any former the examples being put in the most useful cliffs |
| title_sub | or, introduction to practical music. In five parts. Teaching, by a New and Easy Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon. By Christopher Sympson. Much more Correct than any Former, the Examples being put in the most useful Cliffs |
| topic | Composition (Music) Early works to 1800 |
| topic_facet | Composition (Music) Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/0150104300?origin=/collection/nlh-ecc |
| work_keys_str_mv | AT simpsonchristopher compendiumofpracticalmusick AT simpsonchristopher acompendiumorintroductiontopracticalmusicinfivepartsteachingbyanewandeasymethod1therudimentsofsong2theprinciplesofcomposition3theuseofdiscords4theformoffiguratedescant5thecontrivanceofcanonbychristophersympsonmuchmorecorrectthananyformertheexamplesbeingpu |