The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed for J. Hodges, at the Looking-Glass, facing St. Magnus-Church, London-Bridge, and M. Cooper, at the Globe, Pater-Noster-Row
1750
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | A translation of Claude Boutet's 'Traité de la peinture en mignature' English Short Title Catalog, N16272 Reproduction of original from Harvard University Fine Arts Library |
| Beschreibung: | Online-Ressource ([10],150,[6]Seiten,plates) ill 12° |
Internformat
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Datensatz im Suchindex
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| id | DE-604.BV049113902 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:34:29Z |
| indexdate | 2024-07-10T09:55:42Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034375261 |
| oclc_num | 1418697515 |
| open_access_boolean | |
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| publishDate | 1750 |
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| publisher | printed for J. Hodges, at the Looking-Glass, facing St. Magnus-Church, London-Bridge, and M. Cooper, at the Globe, Pater-Noster-Row |
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| spelling | Boutet, Claude Verfasser aut Traité de la peinture en mignature. <engl.> The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints London printed for J. Hodges, at the Looking-Glass, facing St. Magnus-Church, London-Bridge, and M. Cooper, at the Globe, Pater-Noster-Row 1750 Online-Ressource ([10],150,[6]Seiten,plates) ill 12° txt rdacontent c rdamedia cr rdacarrier A translation of Claude Boutet's 'Traité de la peinture en mignature' English Short Title Catalog, N16272 Reproduction of original from Harvard University Fine Arts Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Colors Early works to 1800 Drawing Study and teaching Early works to 1800 Engraving Early works to 1800 Miniature painting Early works to 1800 http://nl.sub.uni-goettingen.de/id/1242100300?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Boutet, Claude The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints Colors Early works to 1800 Drawing Study and teaching Early works to 1800 Engraving Early works to 1800 Miniature painting Early works to 1800 |
| title | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_alt | Traité de la peinture en mignature. <engl.> |
| title_auth | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_exact_search | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_exact_search_txtP | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_full | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_fullStr | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_full_unstemmed | The art of painting in miniature teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| title_short | The art of painting in miniature |
| title_sort | the art of painting in miniature teaching the speedy and perfect acquisition of that art without a master by rules so easy and in a method so natural as to render this charming accomplishment universally attainable containing i the difference between painting in miniature and other kinds of painting ii the management of colours in draperies linnen lace furts c iii the method of mixing colours for carnations for painting of architecture or any building of stone or wood for landskips terrasses water ruins rocks c iv the art of painting all sorts of flowers with the proper colours required to represent nature to the highest perfection v the various methods of painting translated from the original french the fifth edition to which are now added i certain secrets of one of the greatest italian painters for making the finest colours burnished gold shell gold c ii some general instructive lessons for the art of drawing and iii the usefulness and benefit of prints |
| title_sub | teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints |
| topic | Colors Early works to 1800 Drawing Study and teaching Early works to 1800 Engraving Early works to 1800 Miniature painting Early works to 1800 |
| topic_facet | Colors Early works to 1800 Drawing Study and teaching Early works to 1800 Engraving Early works to 1800 Miniature painting Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/1242100300?origin=/collection/nlh-ecc |
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