Perspectives on contemporary music theory: essays in honor of Kevin Korsyn
"Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, m...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
| Schriftenreihe: | Routledge research in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and uncompromising caliber of his published work, and also of his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory"-- |
| Beschreibung: | x, 350 Seiten Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9781032413723 9781032413730 |
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| 505 | 8 | |a Introduction / Bryan Parkhurst and Jeffrey Swinkin -- An Interview with Kevin Korsyn -- I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS. Extraordinary Measuresv: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' / Harald Krebs ; Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) / René Rusch ; The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions / Jeffrey Swinkin and Hayley Grigg -- II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS. Take It Away : How Shortened and Missing Sections Energize Rondo Forms / Alan Gosman ; Beyond Constraints : Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier / Eric Wen -- III. MUSIC AND INTERDISCIPLINARITY. Chopin's Preludes, Creatures of Prometheus, and the Posthuman / Michael Klein ; Walter Riezler on the Unity of the Arts : Unsiloing Art and Music in the Weimar Era / Elizabeth Sears ; Completing the Triad : Schenker and Kantian Practical Philosophy / Bryan Parkhurst ; Leni Riefenstahl's 'Ballet' Olympia / Patricia Hall | |
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Datensatz im Suchindex
| _version_ | 1804185429922021376 |
|---|---|
| adam_text | Contents vii xi List of Examples List of Contributors Introduction 1 BRYAN PARKHURST AND JEFFREY SWINKIN An Interview with Kevin Korsyn 7 PARTI Close Reading and the Problematics of Analysis 1 Extraordinary Measures: Disability and Metrical Conflict in Schubert’s “Der blinde Knabe” 25 27 HARALD KREBS 2 Rethinking Self-Referentiality in Schubert’s Setting of Platen’s “Die Liebe hat gelogen,” D. 751 (op. 23, no. 1) 52 RENÉ RUSCH 3 The E-flat/B Complex in Nineteenth-Century Music and Its Hermeneutic Dimensions 81 JEFFREY SWINKIN AND HAYLEY GRIGG PART II Compositional Constraints and Compositional Process 4 Take It Away: How Shortened and Missing Sections Energize Rondo Forms ALAN GOSMAN 145 147
vi Contents 5 “All-Comprehending” Invertible Counterpoint: Bach’s Fugue in G minor from Book 2 of The Well-Tempered Clavier 162 ERIC WEN PART III Music and Interdisciplinarity 203 6 205 Chopin’s Preludes, Creatures of Prometheus, and the Posthuman MICHAEL L. KLEIN 7 Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era 231 ELIZABETH SEARS 8 Completing the Triad: Schenker and Kantian Practical Philosophy 260 BRYAN PARKHURST 9 Leni Riefenstahl’s “Ballet” Olympia 330 PATRICIA HALL Index 342
|
| adam_txt |
Contents vii xi List of Examples List of Contributors Introduction 1 BRYAN PARKHURST AND JEFFREY SWINKIN An Interview with Kevin Korsyn 7 PARTI Close Reading and the Problematics of Analysis 1 Extraordinary Measures: Disability and Metrical Conflict in Schubert’s “Der blinde Knabe” 25 27 HARALD KREBS 2 Rethinking Self-Referentiality in Schubert’s Setting of Platen’s “Die Liebe hat gelogen,” D. 751 (op. 23, no. 1) 52 RENÉ RUSCH 3 The E-flat/B Complex in Nineteenth-Century Music and Its Hermeneutic Dimensions 81 JEFFREY SWINKIN AND HAYLEY GRIGG PART II Compositional Constraints and Compositional Process 4 Take It Away: How Shortened and Missing Sections Energize Rondo Forms ALAN GOSMAN 145 147
vi Contents 5 “All-Comprehending” Invertible Counterpoint: Bach’s Fugue in G minor from Book 2 of The Well-Tempered Clavier 162 ERIC WEN PART III Music and Interdisciplinarity 203 6 205 Chopin’s Preludes, Creatures of Prometheus, and the Posthuman MICHAEL L. KLEIN 7 Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era 231 ELIZABETH SEARS 8 Completing the Triad: Schenker and Kantian Practical Philosophy 260 BRYAN PARKHURST 9 Leni Riefenstahl’s “Ballet” Olympia 330 PATRICIA HALL Index 342 |
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| contents | Introduction / Bryan Parkhurst and Jeffrey Swinkin -- An Interview with Kevin Korsyn -- I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS. Extraordinary Measuresv: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' / Harald Krebs ; Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) / René Rusch ; The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions / Jeffrey Swinkin and Hayley Grigg -- II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS. Take It Away : How Shortened and Missing Sections Energize Rondo Forms / Alan Gosman ; Beyond Constraints : Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier / Eric Wen -- III. MUSIC AND INTERDISCIPLINARITY. Chopin's Preludes, Creatures of Prometheus, and the Posthuman / Michael Klein ; Walter Riezler on the Unity of the Arts : Unsiloing Art and Music in the Weimar Era / Elizabeth Sears ; Completing the Triad : Schenker and Kantian Practical Philosophy / Bryan Parkhurst ; Leni Riefenstahl's 'Ballet' Olympia / Patricia Hall |
| ctrlnum | (OCoLC)1401026640 (DE-599)BVBBV049092270 |
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| format | Book |
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| index_date | 2024-07-03T22:30:10Z |
| indexdate | 2024-07-10T09:55:06Z |
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| isbn | 9781032413723 9781032413730 |
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| record_format | marc |
| series2 | Routledge research in music |
| spelling | Perspectives on contemporary music theory essays in honor of Kevin Korsyn edited by Bryan Parkhurst and Jeffrey Swinkin London ; New York Routledge, Taylor & Francis Group 2024 x, 350 Seiten Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in music Introduction / Bryan Parkhurst and Jeffrey Swinkin -- An Interview with Kevin Korsyn -- I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS. Extraordinary Measuresv: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' / Harald Krebs ; Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) / René Rusch ; The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions / Jeffrey Swinkin and Hayley Grigg -- II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS. Take It Away : How Shortened and Missing Sections Energize Rondo Forms / Alan Gosman ; Beyond Constraints : Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier / Eric Wen -- III. MUSIC AND INTERDISCIPLINARITY. Chopin's Preludes, Creatures of Prometheus, and the Posthuman / Michael Klein ; Walter Riezler on the Unity of the Arts : Unsiloing Art and Music in the Weimar Era / Elizabeth Sears ; Completing the Triad : Schenker and Kantian Practical Philosophy / Bryan Parkhurst ; Leni Riefenstahl's 'Ballet' Olympia / Patricia Hall "Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and uncompromising caliber of his published work, and also of his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory"-- Korsyn, Kevin Ernest ca. 20. Jh. (DE-588)128352213 gnd rswk-swf Geschichte gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Musical analysis Music theory Festschriften (DE-588)4016928-5 Festschrift gnd-content Musik (DE-588)4040802-4 s Musiktheorie (DE-588)4040876-0 s Musikalische Analyse (DE-588)4040814-0 s Geschichte z DE-604 Korsyn, Kevin Ernest ca. 20. Jh. (DE-588)128352213 p Parkhurst, Bryan J. (DE-588)1066273170 edt Swinkin, Jeffrey ca. 20./21. Jh. (DE-588)1037771834 edt Korsyn, Kevin Ernest ca. 20. Jh. (DE-588)128352213 hnr Erscheint auch als Online-Ausgabe 978-1-003-35779-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034353968&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Perspectives on contemporary music theory essays in honor of Kevin Korsyn Introduction / Bryan Parkhurst and Jeffrey Swinkin -- An Interview with Kevin Korsyn -- I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS. Extraordinary Measuresv: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' / Harald Krebs ; Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) / René Rusch ; The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions / Jeffrey Swinkin and Hayley Grigg -- II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS. Take It Away : How Shortened and Missing Sections Energize Rondo Forms / Alan Gosman ; Beyond Constraints : Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier / Eric Wen -- III. MUSIC AND INTERDISCIPLINARITY. Chopin's Preludes, Creatures of Prometheus, and the Posthuman / Michael Klein ; Walter Riezler on the Unity of the Arts : Unsiloing Art and Music in the Weimar Era / Elizabeth Sears ; Completing the Triad : Schenker and Kantian Practical Philosophy / Bryan Parkhurst ; Leni Riefenstahl's 'Ballet' Olympia / Patricia Hall Korsyn, Kevin Ernest ca. 20. Jh. (DE-588)128352213 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musik (DE-588)4040802-4 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)128352213 (DE-588)4040814-0 (DE-588)4040802-4 (DE-588)4040876-0 (DE-588)4016928-5 |
| title | Perspectives on contemporary music theory essays in honor of Kevin Korsyn |
| title_auth | Perspectives on contemporary music theory essays in honor of Kevin Korsyn |
| title_exact_search | Perspectives on contemporary music theory essays in honor of Kevin Korsyn |
| title_exact_search_txtP | Perspectives on contemporary music theory essays in honor of Kevin Korsyn |
| title_full | Perspectives on contemporary music theory essays in honor of Kevin Korsyn edited by Bryan Parkhurst and Jeffrey Swinkin |
| title_fullStr | Perspectives on contemporary music theory essays in honor of Kevin Korsyn edited by Bryan Parkhurst and Jeffrey Swinkin |
| title_full_unstemmed | Perspectives on contemporary music theory essays in honor of Kevin Korsyn edited by Bryan Parkhurst and Jeffrey Swinkin |
| title_short | Perspectives on contemporary music theory |
| title_sort | perspectives on contemporary music theory essays in honor of kevin korsyn |
| title_sub | essays in honor of Kevin Korsyn |
| topic | Korsyn, Kevin Ernest ca. 20. Jh. (DE-588)128352213 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musik (DE-588)4040802-4 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Korsyn, Kevin Ernest ca. 20. Jh. Musikalische Analyse Musik Musiktheorie Festschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034353968&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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