Entranced earth: art, extractivism, and the end of landscape

Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated "insurgent nature"—organic and inorganic matter, human and n...

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Bibliographische Detailangaben
1. Verfasser: Andermann, Jens 1968- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Evanston, Illinois Northwestern University Press [2023]
Schriftenreihe:Flashpoints 45
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Zusammenfassung:Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated "insurgent nature"—organic and inorganic matter, human and nonhuman life, thrown into turmoil. In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.
Beschreibung:Translation of: Tierras en trance
"A previous version was published in Spanish in 2018 under the title Tierras en trance: Arte y naturaleza después del paisaje. Copyright © 2018 by Ediciones Metales Pesados.
Beschreibung:xiii, 315 Seiten 40 Illustrationen 23 cm
ISBN:9780810145924
9780810145931

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