Spanish meta-art and contemporary cinema: mirrors to the unconscious
"Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It exam...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Bloomsbury Academic
2023
|
Schriftenreihe: | Bloomsbury collections
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-355 DE-703 Volltext |
Zusammenfassung: | "Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain - a doppelgänger to human thought." |
Beschreibung: | 1 Online-Ressource (208 Seiten) Illustrationen |
ISBN: | 9798765101384 9798765101360 9798765101377 |
DOI: | 10.5040/9798765101384 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV049088874 | ||
003 | DE-604 | ||
005 | 20240402 | ||
007 | cr|uuu---uuuuu | ||
008 | 230803s2023 |||| o||u| ||||||eng d | ||
020 | |a 9798765101384 |c Online |9 979-8-7651-0138-4 | ||
020 | |a 9798765101360 |c EPUB |9 979-8-7651-0136-0 | ||
020 | |a 9798765101377 |c PDF |9 979-8-7651-0137-7 | ||
024 | 7 | |a 10.5040/9798765101384 |2 doi | |
035 | |a (OCoLC)1375564519 | ||
035 | |a (DE-599)BVBBV049088874 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-703 |a DE-12 |a DE-355 | ||
100 | 1 | |a Rodríguez-Romaguera, Guillermo |e Verfasser |0 (DE-588)1302516418 |4 aut | |
245 | 1 | 0 | |a Spanish meta-art and contemporary cinema |b mirrors to the unconscious |c Guillermo Rodríguez-Romaguera |
264 | 1 | |a New York |b Bloomsbury Academic |c 2023 | |
300 | |a 1 Online-Ressource (208 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Bloomsbury collections | |
505 | 8 | |a Introduction. The veiled screen -- The blinded spectator : the defiance of reconstituted sight -- The conscious spectator : an intermedial contemplation of Las meninas -- The spectral spectator : the visor effect in film -- The crystallized spectator : the spectator's double in the cinematic abyss -- The self-reflexive spectator : the Quixotic in horror -- The delusional spectator : meta-film as virtual oneiric simulation -- Conclusion. The screen unveiled | |
520 | 3 | |a "Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain - a doppelgänger to human thought." | |
650 | 0 | 7 | |a Zuschauer |0 (DE-588)4127324-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
651 | 7 | |a Spanien |0 (DE-588)4055964-6 |2 gnd |9 rswk-swf | |
653 | 0 | |a Motion pictures / Spain / History | |
653 | 0 | |a Motion picture audiences / Spain | |
653 | 0 | |a Motion pictures / Philosophy | |
653 | 0 | |a Film theory & criticism | |
653 | 0 | |a History of art / art & design styles | |
653 | 0 | |a Spain | |
653 | 0 | |a Motion picture audiences | |
653 | 0 | |a Motion pictures | |
653 | 0 | |a Motion pictures / Philosophy | |
653 | 2 | |a Spain | |
653 | 6 | |a History | |
689 | 0 | 0 | |a Spanien |0 (DE-588)4055964-6 |D g |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 2 | |a Zuschauer |0 (DE-588)4127324-2 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Festeinband |z 979-8-7651-0139-1 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Broschur |z 979-8-7651-0135-3 |
856 | 4 | 0 | |u https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-162-BFM | ||
940 | 1 | |q ZDB-162-BFM23 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034350641 | |
966 | e | |u https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections |l DE-12 |p ZDB-162-BFM |q ZDB-162-BFM23 |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections |l DE-355 |p ZDB-162-BFM |q UBR Paketkauf 2023 |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections |l DE-703 |p ZDB-162-BFM |q ZDB-162-BFM23 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1808866164001996800 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Rodríguez-Romaguera, Guillermo |
author_GND | (DE-588)1302516418 |
author_facet | Rodríguez-Romaguera, Guillermo |
author_role | aut |
author_sort | Rodríguez-Romaguera, Guillermo |
author_variant | g r r grr |
building | Verbundindex |
bvnumber | BV049088874 |
collection | ZDB-162-BFM |
contents | Introduction. The veiled screen -- The blinded spectator : the defiance of reconstituted sight -- The conscious spectator : an intermedial contemplation of Las meninas -- The spectral spectator : the visor effect in film -- The crystallized spectator : the spectator's double in the cinematic abyss -- The self-reflexive spectator : the Quixotic in horror -- The delusional spectator : meta-film as virtual oneiric simulation -- Conclusion. The screen unveiled |
ctrlnum | (OCoLC)1375564519 (DE-599)BVBBV049088874 |
doi_str_mv | 10.5040/9798765101384 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 c 4500</leader><controlfield tag="001">BV049088874</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240402</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230803s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765101384</subfield><subfield code="c">Online</subfield><subfield code="9">979-8-7651-0138-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765101360</subfield><subfield code="c">EPUB</subfield><subfield code="9">979-8-7651-0136-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765101377</subfield><subfield code="c">PDF</subfield><subfield code="9">979-8-7651-0137-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9798765101384</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1375564519</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049088874</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rodríguez-Romaguera, Guillermo</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1302516418</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Spanish meta-art and contemporary cinema</subfield><subfield code="b">mirrors to the unconscious</subfield><subfield code="c">Guillermo Rodríguez-Romaguera</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (208 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Bloomsbury collections</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction. The veiled screen -- The blinded spectator : the defiance of reconstituted sight -- The conscious spectator : an intermedial contemplation of Las meninas -- The spectral spectator : the visor effect in film -- The crystallized spectator : the spectator's double in the cinematic abyss -- The self-reflexive spectator : the Quixotic in horror -- The delusional spectator : meta-film as virtual oneiric simulation -- Conclusion. The screen unveiled</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain - a doppelgänger to human thought."</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zuschauer</subfield><subfield code="0">(DE-588)4127324-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Spain / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture audiences / Spain</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film theory & criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">History of art / art & design styles</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Spain</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture audiences</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Spain</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Zuschauer</subfield><subfield code="0">(DE-588)4127324-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Festeinband</subfield><subfield code="z">979-8-7651-0139-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Broschur</subfield><subfield code="z">979-8-7651-0135-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM23</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034350641</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-355</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">UBR Paketkauf 2023</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-703</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Spanien (DE-588)4055964-6 gnd |
geographic_facet | Spanien |
id | DE-604.BV049088874 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:29:20Z |
indexdate | 2024-08-31T01:53:21Z |
institution | BVB |
isbn | 9798765101384 9798765101360 9798765101377 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034350641 |
oclc_num | 1375564519 |
open_access_boolean | |
owner | DE-703 DE-12 DE-355 DE-BY-UBR |
owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR |
physical | 1 Online-Ressource (208 Seiten) Illustrationen |
psigel | ZDB-162-BFM ZDB-162-BFM23 ZDB-162-BFM ZDB-162-BFM23 ZDB-162-BFM UBR Paketkauf 2023 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Bloomsbury collections |
spelling | Rodríguez-Romaguera, Guillermo Verfasser (DE-588)1302516418 aut Spanish meta-art and contemporary cinema mirrors to the unconscious Guillermo Rodríguez-Romaguera New York Bloomsbury Academic 2023 1 Online-Ressource (208 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections Introduction. The veiled screen -- The blinded spectator : the defiance of reconstituted sight -- The conscious spectator : an intermedial contemplation of Las meninas -- The spectral spectator : the visor effect in film -- The crystallized spectator : the spectator's double in the cinematic abyss -- The self-reflexive spectator : the Quixotic in horror -- The delusional spectator : meta-film as virtual oneiric simulation -- Conclusion. The screen unveiled "Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain - a doppelgänger to human thought." Zuschauer (DE-588)4127324-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Motion pictures / Spain / History Motion picture audiences / Spain Motion pictures / Philosophy Film theory & criticism History of art / art & design styles Spain Motion picture audiences Motion pictures History Spanien (DE-588)4055964-6 g Film (DE-588)4017102-4 s Zuschauer (DE-588)4127324-2 s DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 979-8-7651-0139-1 Erscheint auch als Druck-Ausgabe, Broschur 979-8-7651-0135-3 https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Rodríguez-Romaguera, Guillermo Spanish meta-art and contemporary cinema mirrors to the unconscious Introduction. The veiled screen -- The blinded spectator : the defiance of reconstituted sight -- The conscious spectator : an intermedial contemplation of Las meninas -- The spectral spectator : the visor effect in film -- The crystallized spectator : the spectator's double in the cinematic abyss -- The self-reflexive spectator : the Quixotic in horror -- The delusional spectator : meta-film as virtual oneiric simulation -- Conclusion. The screen unveiled Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4127324-2 (DE-588)4017102-4 (DE-588)4055964-6 |
title | Spanish meta-art and contemporary cinema mirrors to the unconscious |
title_auth | Spanish meta-art and contemporary cinema mirrors to the unconscious |
title_exact_search | Spanish meta-art and contemporary cinema mirrors to the unconscious |
title_exact_search_txtP | Spanish meta-art and contemporary cinema mirrors to the unconscious |
title_full | Spanish meta-art and contemporary cinema mirrors to the unconscious Guillermo Rodríguez-Romaguera |
title_fullStr | Spanish meta-art and contemporary cinema mirrors to the unconscious Guillermo Rodríguez-Romaguera |
title_full_unstemmed | Spanish meta-art and contemporary cinema mirrors to the unconscious Guillermo Rodríguez-Romaguera |
title_short | Spanish meta-art and contemporary cinema |
title_sort | spanish meta art and contemporary cinema mirrors to the unconscious |
title_sub | mirrors to the unconscious |
topic | Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Zuschauer Film Spanien |
url | https://doi.org/10.5040/9798765101384?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT rodriguezromagueraguillermo spanishmetaartandcontemporarycinemamirrorstotheunconscious |