Romantic fiction and literary excess in the Minerva Press era:
Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, review...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2023
|
Schriftenreihe: | Cambridge studies in Romanticism
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for det |
Beschreibung: | Title from publisher's bibliographic system (viewed on 04 May 2023) Introduction: The Minerva Press Era -- Minerva's Writers and Reviewers -- Godwin, Bage, Parsons, and Novels As They Are -- Imitating Ann Radcliffe -- Hannah More's Clebs and the Novel of the Moment -- Fiction as Fashion from Belinda to Miss Byron -- Walter Scott's Industrial Antiques -- Epilogue: Remainders |
Beschreibung: | 1 Online-Ressource (xiv, 284 Seiten) |
ISBN: | 9781009321921 |
DOI: | 10.1017/9781009321921 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049088860 | ||
003 | DE-604 | ||
005 | 20240118 | ||
007 | cr|uuu---uuuuu | ||
008 | 230803s2023 |||| o||u| ||||||eng d | ||
020 | |a 9781009321921 |c Online |9 978-1-00-932192-1 | ||
024 | 7 | |a 10.1017/9781009321921 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781009321921 | ||
035 | |a (OCoLC)1392139052 | ||
035 | |a (DE-599)BVBBV049088860 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 823/.709 | |
100 | 1 | |a Doherty Hudson, Hannah |0 (DE-588)1235031802 |4 aut | |
245 | 1 | 0 | |a Romantic fiction and literary excess in the Minerva Press era |c Hannah Doherty Hudson |
264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c 2023 | |
300 | |a 1 Online-Ressource (xiv, 284 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Cambridge studies in Romanticism | |
500 | |a Title from publisher's bibliographic system (viewed on 04 May 2023) | ||
500 | |a Introduction: The Minerva Press Era -- Minerva's Writers and Reviewers -- Godwin, Bage, Parsons, and Novels As They Are -- Imitating Ann Radcliffe -- Hannah More's Clebs and the Novel of the Moment -- Fiction as Fashion from Belinda to Miss Byron -- Walter Scott's Industrial Antiques -- Epilogue: Remainders | ||
520 | |a Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for det | ||
610 | 2 | 4 | |a Minerva Press / History |
650 | 4 | |a English fiction / 18th century / History and criticism | |
650 | 4 | |a Fiction / Publishing / Great Britain / History / 18th century | |
650 | 4 | |a English fiction / 19th century / History and criticism | |
650 | 4 | |a Fiction / Publishing / Great Britain / History / 19th century | |
650 | 4 | |a Fiction / Appreciation / Great Britain / History / 18th century | |
650 | 4 | |a Fiction / Appreciation / Great Britain / History / 19th century | |
650 | 4 | |a Books and reading / Great Britain / History / 18th century | |
650 | 4 | |a Books and reading / Great Britain / History / 19th century | |
650 | 4 | |a Gothic fiction (Literary genre), English / History and criticism | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardback |z 978-1-009-32196-9 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-009-32193-8 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781009321921 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034350629 | ||
966 | e | |u https://doi.org/10.1017/9781009321921 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO_Kauf |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781009321921 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804185423841329152 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Doherty Hudson, Hannah |
author_GND | (DE-588)1235031802 |
author_facet | Doherty Hudson, Hannah |
author_role | aut |
author_sort | Doherty Hudson, Hannah |
author_variant | h h d hh hhd |
building | Verbundindex |
bvnumber | BV049088860 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781009321921 (OCoLC)1392139052 (DE-599)BVBBV049088860 |
dewey-full | 823/.709 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction |
dewey-raw | 823/.709 |
dewey-search | 823/.709 |
dewey-sort | 3823 3709 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/9781009321921 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03849nmm a2200529zc 4500</leader><controlfield tag="001">BV049088860</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240118 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230803s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009321921</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-00-932192-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009321921</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009321921</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1392139052</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049088860</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">823/.709</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Doherty Hudson, Hannah</subfield><subfield code="0">(DE-588)1235031802</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Romantic fiction and literary excess in the Minerva Press era</subfield><subfield code="c">Hannah Doherty Hudson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiv, 284 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge studies in Romanticism</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 04 May 2023)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction: The Minerva Press Era -- Minerva's Writers and Reviewers -- Godwin, Bage, Parsons, and Novels As They Are -- Imitating Ann Radcliffe -- Hannah More's Clebs and the Novel of the Moment -- Fiction as Fashion from Belinda to Miss Byron -- Walter Scott's Industrial Antiques -- Epilogue: Remainders</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for det</subfield></datafield><datafield tag="610" ind1="2" ind2="4"><subfield code="a">Minerva Press / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction / 18th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fiction / Publishing / Great Britain / History / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction / 19th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fiction / Publishing / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fiction / Appreciation / Great Britain / History / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fiction / Appreciation / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Books and reading / Great Britain / History / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Books and reading / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gothic fiction (Literary genre), English / History and criticism</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardback</subfield><subfield code="z">978-1-009-32196-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-009-32193-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009321921</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034350629</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009321921</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009321921</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049088860 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:29:19Z |
indexdate | 2024-07-10T09:55:00Z |
institution | BVB |
isbn | 9781009321921 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034350629 |
oclc_num | 1392139052 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xiv, 284 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO_Kauf ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge studies in Romanticism |
spelling | Doherty Hudson, Hannah (DE-588)1235031802 aut Romantic fiction and literary excess in the Minerva Press era Hannah Doherty Hudson Cambridge, United Kingdom Cambridge University Press 2023 1 Online-Ressource (xiv, 284 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in Romanticism Title from publisher's bibliographic system (viewed on 04 May 2023) Introduction: The Minerva Press Era -- Minerva's Writers and Reviewers -- Godwin, Bage, Parsons, and Novels As They Are -- Imitating Ann Radcliffe -- Hannah More's Clebs and the Novel of the Moment -- Fiction as Fashion from Belinda to Miss Byron -- Walter Scott's Industrial Antiques -- Epilogue: Remainders Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for det Minerva Press / History English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century English fiction / 19th century / History and criticism Fiction / Publishing / Great Britain / History / 19th century Fiction / Appreciation / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 19th century Books and reading / Great Britain / History / 18th century Books and reading / Great Britain / History / 19th century Gothic fiction (Literary genre), English / History and criticism Erscheint auch als Druck-Ausgabe, Hardback 978-1-009-32196-9 Erscheint auch als Druck-Ausgabe, Paperback 978-1-009-32193-8 https://doi.org/10.1017/9781009321921 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Doherty Hudson, Hannah Romantic fiction and literary excess in the Minerva Press era Minerva Press / History English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century English fiction / 19th century / History and criticism Fiction / Publishing / Great Britain / History / 19th century Fiction / Appreciation / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 19th century Books and reading / Great Britain / History / 18th century Books and reading / Great Britain / History / 19th century Gothic fiction (Literary genre), English / History and criticism |
title | Romantic fiction and literary excess in the Minerva Press era |
title_auth | Romantic fiction and literary excess in the Minerva Press era |
title_exact_search | Romantic fiction and literary excess in the Minerva Press era |
title_exact_search_txtP | Romantic fiction and literary excess in the Minerva Press era |
title_full | Romantic fiction and literary excess in the Minerva Press era Hannah Doherty Hudson |
title_fullStr | Romantic fiction and literary excess in the Minerva Press era Hannah Doherty Hudson |
title_full_unstemmed | Romantic fiction and literary excess in the Minerva Press era Hannah Doherty Hudson |
title_short | Romantic fiction and literary excess in the Minerva Press era |
title_sort | romantic fiction and literary excess in the minerva press era |
topic | Minerva Press / History English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century English fiction / 19th century / History and criticism Fiction / Publishing / Great Britain / History / 19th century Fiction / Appreciation / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 19th century Books and reading / Great Britain / History / 18th century Books and reading / Great Britain / History / 19th century Gothic fiction (Literary genre), English / History and criticism |
topic_facet | Minerva Press / History English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century English fiction / 19th century / History and criticism Fiction / Publishing / Great Britain / History / 19th century Fiction / Appreciation / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 19th century Books and reading / Great Britain / History / 18th century Books and reading / Great Britain / History / 19th century Gothic fiction (Literary genre), English / History and criticism |
url | https://doi.org/10.1017/9781009321921 |
work_keys_str_mv | AT dohertyhudsonhannah romanticfictionandliteraryexcessintheminervapressera |