Black boys: the social aesthetics of British urban film
"Black Boys: The Social Aesthetics of British Urban Film produces the first dedicated analysis, drawing on film studies, sociological and media studies perspectives, and through historicization and contextualisation, that seeks to understand the emergence and allure of the black urban film genr...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2023
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 DE-703 Volltext |
| Zusammenfassung: | "Black Boys: The Social Aesthetics of British Urban Film produces the first dedicated analysis, drawing on film studies, sociological and media studies perspectives, and through historicization and contextualisation, that seeks to understand the emergence and allure of the black urban film genre for filmmakers, broadcasters and audiences in the contemporary British mediascape. It locates the genre at the intersection of complex filmic, socio-political and media relations and modes of production that are themselves intertwined with political, legislative and cultural agendas tied to post-multiculturalist and neoliberalist tendencies within film industry and public service broadcasting frameworks. Further, the book relates the contextual with the textual through a range of case studies of key films from the urban genre such as Attack the Block and Bullet Boy through a reliance on film and cultural studies approaches. Particularly, the book provides a strong textual analysis of the films in question, moving beyond the often sociologically-dominated frameworks for such interpretations and approaches the case studies of films through alternative analytical optics including architecture and space, allegory, crime discourses and popular music. Black Boys poses empirical questions not only of what constitutes British Urban Cinema, but whether inherited understandings of the genre, however defined, can present an authentic analysis of the social, cultural and political realities of Britain's urban youth within film culture." |
| Beschreibung: | 1 Online-Ressource (336 Seiten) Illustrationen |
| ISBN: | 9781501352850 9781501352836 9781501352843 |
| DOI: | 10.5040/9781501352850 |
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| 505 | 8 | |a Acknowledgements -- Introduction: On A Reals: The Aesthetics of British Urban Cinema -- 1: British Urban Cinema in Context: Origins, Policy, Representation and Realism -- 2: Getting Something Black Made: Diversity, Bullet Boy and BBC Films -- 3: Understanding the Adulthood/Kidulthood/Brotherhood Trilogy -- 4: Defensible Spaces: Race, Allegory and Architecture in Attack the Block -- 5: The Allure of Criminality in Top Boy -- 6: Conclusion -- Bibliography -- Filmography -- Index | |
| 520 | 3 | |a "Black Boys: The Social Aesthetics of British Urban Film produces the first dedicated analysis, drawing on film studies, sociological and media studies perspectives, and through historicization and contextualisation, that seeks to understand the emergence and allure of the black urban film genre for filmmakers, broadcasters and audiences in the contemporary British mediascape. It locates the genre at the intersection of complex filmic, socio-political and media relations and modes of production that are themselves intertwined with political, legislative and cultural agendas tied to post-multiculturalist and neoliberalist tendencies within film industry and public service broadcasting frameworks. Further, the book relates the contextual with the textual through a range of case studies of key films from the urban genre such as Attack the Block and Bullet Boy through a reliance on film and cultural studies approaches. Particularly, the book provides a strong textual analysis of the films in question, moving beyond the often sociologically-dominated frameworks for such interpretations and approaches the case studies of films through alternative analytical optics including architecture and space, allegory, crime discourses and popular music. Black Boys poses empirical questions not only of what constitutes British Urban Cinema, but whether inherited understandings of the genre, however defined, can present an authentic analysis of the social, cultural and political realities of Britain's urban youth within film culture." | |
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| author | Nwonka, Clive |
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| contents | Acknowledgements -- Introduction: On A Reals: The Aesthetics of British Urban Cinema -- 1: British Urban Cinema in Context: Origins, Policy, Representation and Realism -- 2: Getting Something Black Made: Diversity, Bullet Boy and BBC Films -- 3: Understanding the Adulthood/Kidulthood/Brotherhood Trilogy -- 4: Defensible Spaces: Race, Allegory and Architecture in Attack the Block -- 5: The Allure of Criminality in Top Boy -- 6: Conclusion -- Bibliography -- Filmography -- Index |
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| spelling | Nwonka, Clive Verfasser (DE-588)1235549062 aut Black boys the social aesthetics of British urban film Clive Chijioke Nwonka London Bloomsbury Academic 2023 1 Online-Ressource (336 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Acknowledgements -- Introduction: On A Reals: The Aesthetics of British Urban Cinema -- 1: British Urban Cinema in Context: Origins, Policy, Representation and Realism -- 2: Getting Something Black Made: Diversity, Bullet Boy and BBC Films -- 3: Understanding the Adulthood/Kidulthood/Brotherhood Trilogy -- 4: Defensible Spaces: Race, Allegory and Architecture in Attack the Block -- 5: The Allure of Criminality in Top Boy -- 6: Conclusion -- Bibliography -- Filmography -- Index "Black Boys: The Social Aesthetics of British Urban Film produces the first dedicated analysis, drawing on film studies, sociological and media studies perspectives, and through historicization and contextualisation, that seeks to understand the emergence and allure of the black urban film genre for filmmakers, broadcasters and audiences in the contemporary British mediascape. It locates the genre at the intersection of complex filmic, socio-political and media relations and modes of production that are themselves intertwined with political, legislative and cultural agendas tied to post-multiculturalist and neoliberalist tendencies within film industry and public service broadcasting frameworks. Further, the book relates the contextual with the textual through a range of case studies of key films from the urban genre such as Attack the Block and Bullet Boy through a reliance on film and cultural studies approaches. Particularly, the book provides a strong textual analysis of the films in question, moving beyond the often sociologically-dominated frameworks for such interpretations and approaches the case studies of films through alternative analytical optics including architecture and space, allegory, crime discourses and popular music. Black Boys poses empirical questions not only of what constitutes British Urban Cinema, but whether inherited understandings of the genre, however defined, can present an authentic analysis of the social, cultural and political realities of Britain's urban youth within film culture." Geschichte 1980-2022 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Ethnische Identität Motiv (DE-588)4543530-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Stadt Motiv (DE-588)4126697-3 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Men, Black, in motion pictures / Great Britain Urban Black people / Great Britain / In motion pictures Urban youth / Great Britain / In motion pictures Personnes noires en milieu urbain / Grande-Bretagne / Au cinéma Jeunes en milieu urbain / Grande-Bretagne / Au cinéma Film theory & criticism,Television,TV & society Men, Black, in motion pictures Great Britain Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Ethnische Identität Motiv (DE-588)4543530-3 s Schwarze Motiv (DE-588)4116434-9 s Stadt Motiv (DE-588)4126697-3 s Geschichte 1980-2022 z DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-1-5013-5282-9 Erscheint auch als Druck-Ausgabe, Broschur 979-8-7651-0584-9 https://doi.org/10.5040/9781501352850?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Nwonka, Clive Black boys the social aesthetics of British urban film Acknowledgements -- Introduction: On A Reals: The Aesthetics of British Urban Cinema -- 1: British Urban Cinema in Context: Origins, Policy, Representation and Realism -- 2: Getting Something Black Made: Diversity, Bullet Boy and BBC Films -- 3: Understanding the Adulthood/Kidulthood/Brotherhood Trilogy -- 4: Defensible Spaces: Race, Allegory and Architecture in Attack the Block -- 5: The Allure of Criminality in Top Boy -- 6: Conclusion -- Bibliography -- Filmography -- Index Schwarze Motiv (DE-588)4116434-9 gnd Ethnische Identität Motiv (DE-588)4543530-3 gnd Film (DE-588)4017102-4 gnd Stadt Motiv (DE-588)4126697-3 gnd |
| subject_GND | (DE-588)4116434-9 (DE-588)4543530-3 (DE-588)4017102-4 (DE-588)4126697-3 (DE-588)4022153-2 |
| title | Black boys the social aesthetics of British urban film |
| title_auth | Black boys the social aesthetics of British urban film |
| title_exact_search | Black boys the social aesthetics of British urban film |
| title_exact_search_txtP | Black boys the social aesthetics of British urban film |
| title_full | Black boys the social aesthetics of British urban film Clive Chijioke Nwonka |
| title_fullStr | Black boys the social aesthetics of British urban film Clive Chijioke Nwonka |
| title_full_unstemmed | Black boys the social aesthetics of British urban film Clive Chijioke Nwonka |
| title_short | Black boys |
| title_sort | black boys the social aesthetics of british urban film |
| title_sub | the social aesthetics of British urban film |
| topic | Schwarze Motiv (DE-588)4116434-9 gnd Ethnische Identität Motiv (DE-588)4543530-3 gnd Film (DE-588)4017102-4 gnd Stadt Motiv (DE-588)4126697-3 gnd |
| topic_facet | Schwarze Motiv Ethnische Identität Motiv Film Stadt Motiv Großbritannien |
| url | https://doi.org/10.5040/9781501352850?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT nwonkaclive blackboysthesocialaestheticsofbritishurbanfilm |