Screening the posthuman:
"This introduction identifies a body of cinematic texts that, spanning a range of generic, national and industrial contexts, proposes new models of the relationship between human and non-human worlds. It situates this body of film texts against the backdrop of technological, ecological and soci...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY, United States of America
Oxford University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This introduction identifies a body of cinematic texts that, spanning a range of generic, national and industrial contexts, proposes new models of the relationship between human and non-human worlds. It situates this body of film texts against the backdrop of technological, ecological and social changes that have recently brought established assumptions about the human into question. It further introduces critical posthuman theory, the corpus of scholarship that the book as a whole deploys to analyze what it dubs the "posthuman on screen." In doing so, it disintricates cultural, deconstructive, and materialist strands of critical posthumanism; rehearses the conversations most relevant to interpreting posthuman cinema; and emphasizes the critical gaps that the volume aims to fill"-- |
| Beschreibung: | vii, 307 Seiten Illustrationen |
| ISBN: | 9780197538579 9780197538562 |
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| 520 | 3 | |a "This introduction identifies a body of cinematic texts that, spanning a range of generic, national and industrial contexts, proposes new models of the relationship between human and non-human worlds. It situates this body of film texts against the backdrop of technological, ecological and social changes that have recently brought established assumptions about the human into question. It further introduces critical posthuman theory, the corpus of scholarship that the book as a whole deploys to analyze what it dubs the "posthuman on screen." In doing so, it disintricates cultural, deconstructive, and materialist strands of critical posthumanism; rehearses the conversations most relevant to interpreting posthuman cinema; and emphasizes the critical gaps that the volume aims to fill"-- | |
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Datensatz im Suchindex
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Contents Acknowledgments vii Introduction Pansy Duncan, Claire Henry, and Missy Molloy 1 1. Posthuman as Genre Pansy Duncan, Claire Henry, and Missy Molloy 27 2. Envisioning Posthuman Apocalypse Missy Molloy 64 3. From Cyborg Theory to Posthuman Mothers Missy Molloy 107 4. Queer Posthumanism: Figures, Fluidity, and Fluids Claire Henry 149 5. The Cinematic Convergence of Posthuman and Crip Perspectives Pansy Duncan and Missy Molloy 182 6. Post-anthropocentrism: Rejecting Human Exceptionalism Claire Henry 210 7. The Eco-material Posthuman in the Age of the Anthropocene Pansy Duncan 244 8. Conclusion Pansy Duncan, Claire Henry, and Missy Molloy 276 Bibliography Index • 285 301
FROM Al TO CLIMATE CHANGE, recent technological, ecological, and cultural transformations have unsettled established assumptions about the relationship between the human and the more-than-human world. Screening the Posthuman addresses a heterogenous body of twenty-first century films that turn to the figure of the “posthuman” as a means of exploring this development. Through close analyses of films as diverse as Air Doll, On Body and Soul and Nomadland, this wide-ranging volume shows that, while often identified as the remit of science fiction, the posthuman on screen crosses filmic genres, national contexts, and industrial settings. In the process, posthuman cinema emphasizes humanity’s entanglement in broader biological, technological, and social worlds and exposes new models of subjectivity, community, and desire. In advancing these arguments, Screening the Posthuman draws on scholarship associated with critical posthumanist theory—an ongoing project unified by a decentering of the human. As the first systematic, full-length application of this scholarship to cinema, Screening the Posthuman advocates for a rigorous posthumanist critique that avoids both humanist nostalgia and transhumanist fantasy in its attention to the excitements and anxieties of posthuman experience. ABOUT THE AUTHORS MISSY MOLLOY is Senior Lecturer in Film at Victoria University of Wellington in Aotearoa New Zealand. PANSY DUNCAN is Senior Lecturer in Media Studies at Massey University in Auckland, Aotearoa New Zealand. CLAIRE HENRY is Lecturer in Screen at Flinders University in Adelaide,
Australia. |
| adam_txt |
Contents Acknowledgments vii Introduction Pansy Duncan, Claire Henry, and Missy Molloy 1 1. Posthuman as Genre Pansy Duncan, Claire Henry, and Missy Molloy 27 2. Envisioning Posthuman Apocalypse Missy Molloy 64 3. From Cyborg Theory to Posthuman Mothers Missy Molloy 107 4. Queer Posthumanism: Figures, Fluidity, and Fluids Claire Henry 149 5. The Cinematic Convergence of Posthuman and Crip Perspectives Pansy Duncan and Missy Molloy 182 6. Post-anthropocentrism: Rejecting Human Exceptionalism Claire Henry 210 7. The Eco-material Posthuman in the Age of the Anthropocene Pansy Duncan 244 8. Conclusion Pansy Duncan, Claire Henry, and Missy Molloy 276 Bibliography Index • 285 301
FROM Al TO CLIMATE CHANGE, recent technological, ecological, and cultural transformations have unsettled established assumptions about the relationship between the human and the more-than-human world. Screening the Posthuman addresses a heterogenous body of twenty-first century films that turn to the figure of the “posthuman” as a means of exploring this development. Through close analyses of films as diverse as Air Doll, On Body and Soul and Nomadland, this wide-ranging volume shows that, while often identified as the remit of science fiction, the posthuman on screen crosses filmic genres, national contexts, and industrial settings. In the process, posthuman cinema emphasizes humanity’s entanglement in broader biological, technological, and social worlds and exposes new models of subjectivity, community, and desire. In advancing these arguments, Screening the Posthuman draws on scholarship associated with critical posthumanist theory—an ongoing project unified by a decentering of the human. As the first systematic, full-length application of this scholarship to cinema, Screening the Posthuman advocates for a rigorous posthumanist critique that avoids both humanist nostalgia and transhumanist fantasy in its attention to the excitements and anxieties of posthuman experience. ABOUT THE AUTHORS MISSY MOLLOY is Senior Lecturer in Film at Victoria University of Wellington in Aotearoa New Zealand. PANSY DUNCAN is Senior Lecturer in Media Studies at Massey University in Auckland, Aotearoa New Zealand. CLAIRE HENRY is Lecturer in Screen at Flinders University in Adelaide,
Australia. |
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| author | Molloy, Missy ca. 20./21. Jh Duncan, Pansy Henry, Claire 1982- |
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| author_facet | Molloy, Missy ca. 20./21. Jh Duncan, Pansy Henry, Claire 1982- |
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| spelling | Molloy, Missy ca. 20./21. Jh. Verfasser (DE-588)1203411030 aut Screening the posthuman Missy Molloy, Pansy Duncan, and Claire Henry New York, NY, United States of America Oxford University Press [2023] © 2023 vii, 307 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "This introduction identifies a body of cinematic texts that, spanning a range of generic, national and industrial contexts, proposes new models of the relationship between human and non-human worlds. It situates this body of film texts against the backdrop of technological, ecological and social changes that have recently brought established assumptions about the human into question. It further introduces critical posthuman theory, the corpus of scholarship that the book as a whole deploys to analyze what it dubs the "posthuman on screen." In doing so, it disintricates cultural, deconstructive, and materialist strands of critical posthumanism; rehearses the conversations most relevant to interpreting posthuman cinema; and emphasizes the critical gaps that the volume aims to fill"-- Posthumanismus (DE-588)4801863-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Posthumanism in motion pictures Film (DE-588)4017102-4 s Posthumanismus (DE-588)4801863-6 s DE-604 Duncan, Pansy Verfasser (DE-588)1095516116 aut Henry, Claire 1982- Verfasser (DE-588)1290589089 aut Erscheint auch als Online-Ausgabe 978-0-19-753859-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034349162&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034349162&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Screening the posthuman |
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