Louise Nevelson's sculpture: drag, color, join, face
"In this radical rethinking of the art of Louise Nevelson (1899-1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2023]
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| Schlagworte: | |
| Zusammenfassung: | "In this radical rethinking of the art of Louise Nevelson (1899-1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction--in which she assembled found pieces of wood into elaborate structures, usually painted black--have been little studied.Organized around a series of key operations in Nevelson's own process (dragging, coloring, joining, and facing), the book comprises four slipcased, individually bound volumes that can be read in any order. Both form and content thus echo Nevelson's own modular sculptures, the gridded boxes of which the artist herself rearranged. Exploring how Nevelson's making relates to domesticity, racialized matter, gendered labor, and the environment, Bryan-Wilson offers a sustained examination of the social and political implications of Nevelson's art. The author also approaches Nevelson's sculptures from her own embodied subjectivity as a queer feminist scholar. She forges an expansive art history that places Nevelson's assemblages in dialogue with a wide array of marginalized worldmaking and underlines the artist's proclamation of allegiance to blackness."--Publisher's website |
| Beschreibung: | Titelzusatz auf den Titelseiten der einzelnen Bände "drag, color, join, face", wobei das jeweilige Thema des Bandes fett hervorgehoben ist "Drag" - "Color" - "Join" - "Face" |
| Beschreibung: | 4 Bände |
| ISBN: | 9780300236705 |
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| 520 | 3 | |a "In this radical rethinking of the art of Louise Nevelson (1899-1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction--in which she assembled found pieces of wood into elaborate structures, usually painted black--have been little studied.Organized around a series of key operations in Nevelson's own process (dragging, coloring, joining, and facing), the book comprises four slipcased, individually bound volumes that can be read in any order. Both form and content thus echo Nevelson's own modular sculptures, the gridded boxes of which the artist herself rearranged. Exploring how Nevelson's making relates to domesticity, racialized matter, gendered labor, and the environment, Bryan-Wilson offers a sustained examination of the social and political implications of Nevelson's art. The author also approaches Nevelson's sculptures from her own embodied subjectivity as a queer feminist scholar. She forges an expansive art history that places Nevelson's assemblages in dialogue with a wide array of marginalized worldmaking and underlines the artist's proclamation of allegiance to blackness."--Publisher's website | |
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Datensatz im Suchindex
| _version_ | 1811019815511392256 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author | Bryan-Wilson, Julia 1973- |
| author2 | Nevelson, Louise 1899-1988 |
| author2_role | ill |
| author2_variant | l n ln |
| author_GND | (DE-588)140184740 (DE-588)118734695 |
| author_facet | Bryan-Wilson, Julia 1973- Nevelson, Louise 1899-1988 |
| author_role | aut |
| author_sort | Bryan-Wilson, Julia 1973- |
| author_variant | j b w jbw |
| building | Verbundindex |
| bvnumber | BV049086407 |
| classification_rvk | LI 99999 |
| ctrlnum | (DE-599)KXP1850739684 |
| dewey-full | 700.411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.411 |
| dewey-search | 700.411 |
| dewey-sort | 3700.411 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV049086407 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:28:44Z |
| indexdate | 2024-09-23T20:24:44Z |
| institution | BVB |
| isbn | 9780300236705 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034348233 |
| open_access_boolean | |
| physical | 4 Bände |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Yale University Press |
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| spelling | Bryan-Wilson, Julia 1973- Verfasser (DE-588)140184740 aut Louise Nevelson's sculpture drag, color, join, face Julia Bryan-Wilson New Haven ; London Yale University Press [2023] 4 Bände txt rdacontent n rdamedia nc rdacarrier Titelzusatz auf den Titelseiten der einzelnen Bände "drag, color, join, face", wobei das jeweilige Thema des Bandes fett hervorgehoben ist "Drag" - "Color" - "Join" - "Face" "In this radical rethinking of the art of Louise Nevelson (1899-1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction--in which she assembled found pieces of wood into elaborate structures, usually painted black--have been little studied.Organized around a series of key operations in Nevelson's own process (dragging, coloring, joining, and facing), the book comprises four slipcased, individually bound volumes that can be read in any order. Both form and content thus echo Nevelson's own modular sculptures, the gridded boxes of which the artist herself rearranged. Exploring how Nevelson's making relates to domesticity, racialized matter, gendered labor, and the environment, Bryan-Wilson offers a sustained examination of the social and political implications of Nevelson's art. The author also approaches Nevelson's sculptures from her own embodied subjectivity as a queer feminist scholar. She forges an expansive art history that places Nevelson's assemblages in dialogue with a wide array of marginalized worldmaking and underlines the artist's proclamation of allegiance to blackness."--Publisher's website Nevelson, Louise 1899-1988 (DE-588)118734695 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Nevelson, Louise / 1899-1988 / Criticism and interpretation Sculpture, American / 20th century Nevelson, Louise 1899-1988 (DE-588)118734695 p Plastik (DE-588)4046277-8 s DE-604 Nevelson, Louise 1899-1988 (DE-588)118734695 ill |
| spellingShingle | Bryan-Wilson, Julia 1973- Louise Nevelson's sculpture drag, color, join, face Nevelson, Louise 1899-1988 (DE-588)118734695 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)118734695 (DE-588)4046277-8 |
| title | Louise Nevelson's sculpture drag, color, join, face |
| title_auth | Louise Nevelson's sculpture drag, color, join, face |
| title_exact_search | Louise Nevelson's sculpture drag, color, join, face |
| title_exact_search_txtP | Louise Nevelson's sculpture drag, color, join, face |
| title_full | Louise Nevelson's sculpture drag, color, join, face Julia Bryan-Wilson |
| title_fullStr | Louise Nevelson's sculpture drag, color, join, face Julia Bryan-Wilson |
| title_full_unstemmed | Louise Nevelson's sculpture drag, color, join, face Julia Bryan-Wilson |
| title_short | Louise Nevelson's sculpture |
| title_sort | louise nevelson s sculpture drag color join face |
| title_sub | drag, color, join, face |
| topic | Nevelson, Louise 1899-1988 (DE-588)118734695 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Nevelson, Louise 1899-1988 Plastik |
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