The realism of Piero della Francesca:
The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero's paintings depict a world that is distant. The subjects of his p...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge
2019
|
Ausgabe: | First issued in paperback |
Schriftenreihe: | Visual culture in early modernity
An Ashgate book |
Schlagworte: | |
Zusammenfassung: | The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero's paintings depict a world that is distant. The subjects of his pictures are often Christian and that means that their setting is the Holy Land, a place Piero had never visited. 'The Realism of Piero della Francesca' studies this paradoxical aspect of Piero's art. It tells the story of an artist who could think of the local churches, palaces, and landscapes in and around his hometown of Sansepolcro as miraculously built replicas of the monuments of Jerusalem. Piero's application of perspective, to which he devoted a long treatise, was meant to convince his contemporaries that his paintings report on things that Piero actually observed. Piero's methodical way of painting seems to have offered no room for his own fantasy. His art looks deliberately style-less. This book uncovers a world in which painting needed to validate itself by cultivating the illusion that it reported on things observed instead of things imagined by the artist |
Beschreibung: | ix, 145 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
ISBN: | 9780367359737 |
Internformat
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490 | 0 | |a Visual culture in early modernity | |
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520 | 3 | |a The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero's paintings depict a world that is distant. The subjects of his pictures are often Christian and that means that their setting is the Holy Land, a place Piero had never visited. 'The Realism of Piero della Francesca' studies this paradoxical aspect of Piero's art. It tells the story of an artist who could think of the local churches, palaces, and landscapes in and around his hometown of Sansepolcro as miraculously built replicas of the monuments of Jerusalem. Piero's application of perspective, to which he devoted a long treatise, was meant to convince his contemporaries that his paintings report on things that Piero actually observed. Piero's methodical way of painting seems to have offered no room for his own fantasy. His art looks deliberately style-less. This book uncovers a world in which painting needed to validate itself by cultivating the illusion that it reported on things observed instead of things imagined by the artist | |
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653 | |a Piero, 1416?-1492 | ||
653 | |a Criticism and interpretation | ||
653 | |a Piero, 1416?-1492 | ||
653 | |a Flagellation | ||
653 | |a Piero, 1416?-1492 | ||
653 | |a Criticism and interpretation | ||
653 | |a Piero, 1416?-1492 | ||
653 | |a Flagellation | ||
653 | 1 | |a Piero / della Francesca / 1416?-1492 / Criticism and interpretation | |
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776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-315-55364-1 |
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Datensatz im Suchindex
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author | Keizer, Joost 1978- |
author2 | Piero della Francesca 1416-1492 |
author2_role | ill |
author2_variant | p |
author_GND | (DE-588)1117479188 (DE-588)118524577 |
author_facet | Keizer, Joost 1978- Piero della Francesca 1416-1492 |
author_role | aut |
author_sort | Keizer, Joost 1978- |
author_variant | j k jk |
building | Verbundindex |
bvnumber | BV049084777 |
classification_rvk | LI 67150 |
ctrlnum | (OCoLC)1392140156 (DE-599)BVBBV049084777 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
edition | First issued in paperback |
format | Book |
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id | DE-604.BV049084777 |
illustrated | Illustrated |
index_date | 2024-07-03T22:28:19Z |
indexdate | 2024-07-10T09:54:53Z |
institution | BVB |
isbn | 9780367359737 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034346645 |
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owner_facet | DE-188 |
physical | ix, 145 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
publishDate | 2019 |
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publisher | Routledge |
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series2 | Visual culture in early modernity An Ashgate book |
spelling | Keizer, Joost 1978- Verfasser (DE-588)1117479188 aut The realism of Piero della Francesca Joost Keizer First issued in paperback London ; New York Routledge 2019 ix, 145 Seiten, 8 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Visual culture in early modernity An Ashgate book The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero's paintings depict a world that is distant. The subjects of his pictures are often Christian and that means that their setting is the Holy Land, a place Piero had never visited. 'The Realism of Piero della Francesca' studies this paradoxical aspect of Piero's art. It tells the story of an artist who could think of the local churches, palaces, and landscapes in and around his hometown of Sansepolcro as miraculously built replicas of the monuments of Jerusalem. Piero's application of perspective, to which he devoted a long treatise, was meant to convince his contemporaries that his paintings report on things that Piero actually observed. Piero's methodical way of painting seems to have offered no room for his own fantasy. His art looks deliberately style-less. This book uncovers a world in which painting needed to validate itself by cultivating the illusion that it reported on things observed instead of things imagined by the artist Piero della Francesca 1416-1492 (DE-588)118524577 gnd rswk-swf Piero, 1416?-1492 Criticism and interpretation Flagellation Piero / della Francesca / 1416?-1492 / Criticism and interpretation Piero / della Francesca / 1416?-1492 Art, Renaissance / Italy Art, Italian / 15th century Art, Italian Art, Renaissance Italy 1400-1499 Criticism, interpretation, etc Piero della Francesca 1416-1492 (DE-588)118524577 p DE-604 Piero della Francesca 1416-1492 (DE-588)118524577 ill Äquivalent Druck-Ausgabe, Hardcover Keizer, Joost, 1978- The realism of Piero della Francesca London : Routledge, 2018 978-1-4724-6131-5 (DE-604)BV044426862 Erscheint auch als Online-Ausgabe 978-1-315-55364-1 |
spellingShingle | Keizer, Joost 1978- The realism of Piero della Francesca Piero della Francesca 1416-1492 (DE-588)118524577 gnd |
subject_GND | (DE-588)118524577 |
title | The realism of Piero della Francesca |
title_auth | The realism of Piero della Francesca |
title_exact_search | The realism of Piero della Francesca |
title_exact_search_txtP | The realism of Piero della Francesca |
title_full | The realism of Piero della Francesca Joost Keizer |
title_fullStr | The realism of Piero della Francesca Joost Keizer |
title_full_unstemmed | The realism of Piero della Francesca Joost Keizer |
title_short | The realism of Piero della Francesca |
title_sort | the realism of piero della francesca |
topic | Piero della Francesca 1416-1492 (DE-588)118524577 gnd |
topic_facet | Piero della Francesca 1416-1492 |
work_keys_str_mv | AT keizerjoost therealismofpierodellafrancesca AT piero therealismofpierodellafrancesca |