McLuhan: hot & cool: a primer for the understanding of and critical symposium with responses by McLuhan
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Harmondsworth
Penguin Books
1968
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Auf dem Cover: "Susan Sontag, Jonathan Miller, Raymond Williams, George Steiner, Frank Kermode, A. Alvarez", "a primer for the understanding of & critical symposium with a rebuttal by McLuhan" |
| Beschreibung: | 350 Seiten Illustrationen |
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| adam_text | Contents Gerald Emanuel Steam Introduction 15 PART ONE: THE NEW WORLD OF MARSHALL McLUHAN as people become more Involved, they know less and less. - me luhan I Howard Luck Gossage you can see why the mighty would be curious. 25 2 Tom Wolfe suppose he is what he sounds like, the most important thinker since newton, darwin, freud, einstein, and pavlov — what if he is right? 37 3 each culture develops its own sense-ratio to meet the demands of its environment 57 4 Dean Walker executives who want this man’s insights will get them only on his own terms. 67 5 Kenneth E. Boulding it is perhaps typical of very creative minds that they hit very large nails not quite on the head. 78 6 George P. Elliott me luhan’s teaching is radical, new, capable of moving people to social action, if he is wrong, it matters. 87 John Culkin, S.J. PARTTWO: THE HONEYMOON OF THE MECHANICAL BRIDE suppose crime did pay? is It an accident that the narcissistic heroes like tarzan, superman, cowboys, and sleuths are weak on social life? Is bogart america’s Shropshire iad? - me luhan
Contents 8 7 Rudolph E. Morris how refreshing to see a critique of a period and of its morals avoiding moral indignation 1 101 8 Walter Ong, S.J. in a way, the angels have a greater social problem than even industrialized man. 106 9 Ammunition (C.I.O.) the girl may be sweet and innocent and harmless, but coca-cola isn’t, the next time you get a tooth knocked out, put it in a glass of coca-cola and watch it dissolve in a day or so. 117 PARTTHREE: EXPLORATIONS IN THE NEW WORLD why have the effects of media, whether speech, writing, photography or radio, heen overlooked by social observers through the past 3500 years of the western world? - mo luhan 10 Marshall McLuhan where the hand of man never 131 set foot 11 Marshall McLuhan today we re beginning to realize that the new media aren’t just mechanical gimmicks for creating worlds of illusion, but new languages with new and unique powers of expression. 136 12 William Blissett bless explorations (careful: there’s cordite mixed with the popcorn), bless its editors and contributors, eminent products of book-culture, determined to get their notions down in print where we can square up to them. 142
Contents 13 Marshall McLuhan 14 Marshall McLuhan 9 it is strange that the popular press as an art form has often attracted the enthusiastic attention of poets and aesthetes while rousing the gloomiest apprehensions in the academic mind. 147 i wonder whether the rebellion of children today in classrooms and against the book has anything to do with the new electronic age we live in? 164 Harley Parker one of the most fascinating sides of the renaissance was the way in which it took its print culture as a system of aesthetics. Robert Shafer before gutenberg, people had relatively little incentive to become egotistically projected on to a whole civilization. 15 Marshall McLuhan is it natural that one medium should appropriate and exploit another? 172 PARTFOUR: THE GALAXY RECONSIDERED schizophrenia may be a necessary consequence of literacy. - me luhan 16 John Freund the gutenberg galaxy ... strikes us as a hybrid species, disquieting rather than beautiful. 189 17 Patrick D. Hazard the analogy between print and electronic media history means nothing when looked at closely. 197
Contents 10 18 Dell Hymes the author’s mode of reasoning is such that involvement and importance (particularly of print) is transformed Into primary characteristic and determinant. 2^1 19 Frank Kermode mc luhan substitutes the printing press for genesis and the dissociation of sensibility for the fait 203 20 A. Alvarez the effect is of a lively, ingenious, but infinitely perverse summa by some medieval logician, who has given up theology in favor of sociology and knows all about the techniques of modern advertising. 210 21 Dan Μ. Davin the style ... prefers to rape our attention rather than seduce our understanding. 213 22 Raymond Williams paradoxically, if the book works it to some extent annihilates itself. 216 PART FIVE: UNDERSTANDING Μ. the medium is the message. - me luhan. 23 Harold Rosenberg he is a belated whitman 225 singing the body electric with thomas edison as accompanist 24 Dwight Macdonald he has looted all culture, from cave painting to mad magazine, for fragments to shore up against the ruin of his system. 235
Contents 11 25 Christopher Ricks the style is a viscous fog, through which loom stumbling metaphors.. 244 26 Jack Behar he doesn’t want ideas but action. 251 Ben Lieberman the greatest defect of me luhan’s theory is the complete rejection of any role for the content of communication. 27 John Μ. Johansen the experience we derive from our buildings will be drawn from a fusion of the senses : the impact swift, instant, condensed, total; the message immediate, direct, possibly crude, unedited, unrehearsed, but real. 258 28 George Steiner as for blake, mc luhan is his successor over and over again. 268 Jonathan Miller he often opens doors to chaos. Andrew Forge in his work there is an icy undertone which strikes terror. 29 Benjamin DeMott a literary self that amounts to an amalgam of bogie and dr huer might not seem everybody’s dish : but the thing obviously meets a felt need. 275 30 Susan Sontag the basic unit of contemporary art is not the idea, but the analysis of and extension of sensations. 285
12 Contents PART SIX: A DIALOGUE even hercules had to clean the augean stable· but once! - me luhan 31 Gerald E. Steam Q. will there ever be silence? Marshall McLuhan A. objects are unobservable. only relationships among objects are observable. 301 Sources 338 A Selected Bibliography 340
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| adam_txt |
Contents Gerald Emanuel Steam Introduction 15 PART ONE: THE NEW WORLD OF MARSHALL McLUHAN as people become more Involved, they know less and less. - me luhan I Howard Luck Gossage you can see why the mighty would be curious. 25 2 Tom Wolfe suppose he is what he sounds like, the most important thinker since newton, darwin, freud, einstein, and pavlov — what if he is right? 37 3 each culture develops its own sense-ratio to meet the demands of its environment 57 4 Dean Walker executives who want this man’s insights will get them only on his own terms. 67 5 Kenneth E. Boulding it is perhaps typical of very creative minds that they hit very large nails not quite on the head. 78 6 George P. Elliott me luhan’s teaching is radical, new, capable of moving people to social action, if he is wrong, it matters. 87 John Culkin, S.J. PARTTWO: THE HONEYMOON OF THE MECHANICAL BRIDE suppose crime did pay? is It an accident that the narcissistic heroes like tarzan, superman, cowboys, and sleuths are weak on social life? Is bogart america’s Shropshire iad? - me luhan
Contents 8 7 Rudolph E. Morris how refreshing to see a critique of a period and of its morals avoiding moral indignation 1 101 8 Walter Ong, S.J. in a way, the angels have a greater social problem than even industrialized man. 106 9 Ammunition (C.I.O.) the girl may be sweet and innocent and harmless, but coca-cola isn’t, the next time you get a tooth knocked out, put it in a glass of coca-cola and watch it dissolve in a day or so. 117 PARTTHREE: EXPLORATIONS IN THE NEW WORLD why have the effects of media, whether speech, writing, photography or radio, heen overlooked by social observers through the past 3500 years of the western world? - mo luhan 10 Marshall McLuhan where the hand of man never 131 set foot 11 Marshall McLuhan today we're beginning to realize that the new media aren’t just mechanical gimmicks for creating worlds of illusion, but new languages with new and unique powers of expression. 136 12 William Blissett bless explorations (careful: there’s cordite mixed with the popcorn), bless its editors and contributors, eminent products of book-culture, determined to get their notions down in print where we can square up to them. 142
Contents 13 Marshall McLuhan 14 Marshall McLuhan 9 it is strange that the popular press as an art form has often attracted the enthusiastic attention of poets and aesthetes while rousing the gloomiest apprehensions in the academic mind. 147 i wonder whether the rebellion of children today in classrooms and against the book has anything to do with the new electronic age we live in? 164 Harley Parker one of the most fascinating sides of the renaissance was the way in which it took its print culture as a system of aesthetics. Robert Shafer before gutenberg, people had relatively little incentive to become egotistically projected on to a whole civilization. 15 Marshall McLuhan is it natural that one medium should appropriate and exploit another? 172 PARTFOUR: THE GALAXY RECONSIDERED schizophrenia may be a necessary consequence of literacy. - me luhan 16 John Freund the gutenberg galaxy . strikes us as a hybrid species, disquieting rather than beautiful. 189 17 Patrick D. Hazard the analogy between print and electronic media history means nothing when looked at closely. 197
Contents 10 18 Dell Hymes the author’s mode of reasoning is such that involvement and importance (particularly of print) is transformed Into primary characteristic and determinant. 2^1 19 Frank Kermode mc luhan substitutes the printing press for genesis and the dissociation of sensibility for the fait 203 20 A. Alvarez the effect is of a lively, ingenious, but infinitely perverse summa by some medieval logician, who has given up theology in favor of sociology and knows all about the techniques of modern advertising. 210 21 Dan Μ. Davin the style . prefers to rape our attention rather than seduce our understanding. 213 22 Raymond Williams paradoxically, if the book works it to some extent annihilates itself. 216 PART FIVE: UNDERSTANDING Μ. the medium is the message. - me luhan. 23 Harold Rosenberg he is a belated whitman 225 singing the body electric with thomas edison as accompanist 24 Dwight Macdonald he has looted all culture, from cave painting to mad magazine, for fragments to shore up against the ruin of his system. 235
Contents 11 25 Christopher Ricks the style is a viscous fog, through which loom stumbling metaphors. 244 26 Jack Behar he doesn’t want ideas but action. 251 Ben Lieberman the greatest defect of me luhan’s theory is the complete rejection of any role for the content of communication. 27 John Μ. Johansen the experience we derive from our buildings will be drawn from a fusion of the senses : the impact swift, instant, condensed, total; the message immediate, direct, possibly crude, unedited, unrehearsed, but real. 258 28 George Steiner as for blake, mc luhan is his successor over and over again. 268 Jonathan Miller he often opens doors to chaos. Andrew Forge in his work there is an icy undertone which strikes terror. 29 Benjamin DeMott a literary self that amounts to an amalgam of bogie and dr huer might not seem everybody’s dish : but the thing obviously meets a felt need. 275 30 Susan Sontag the basic unit of contemporary art is not the idea, but the analysis of and extension of sensations. 285
12 ' Contents PART SIX: A DIALOGUE even hercules had to clean the augean stable· but once! - me luhan 31 Gerald E. Steam Q. will there ever be silence? Marshall McLuhan A. objects are unobservable. only relationships among objects are observable. 301 Sources 338 A Selected Bibliography 340 |
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| spelling | McLuhan: hot & cool a primer for the understanding of and critical symposium with responses by McLuhan edited by Gerald Emanuel Stearn MacLuhan: hot and cool McLuhan: hot and cool Harmondsworth Penguin Books 1968 350 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Auf dem Cover: "Susan Sontag, Jonathan Miller, Raymond Williams, George Steiner, Frank Kermode, A. Alvarez", "a primer for the understanding of & critical symposium with a rebuttal by McLuhan" McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd rswk-swf Medientheorie (DE-588)7610872-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content McLuhan, Marshall 1911-1980 (DE-588)118729977 p Medientheorie (DE-588)7610872-7 s DE-604 Stearn, Gerald Emanuel ca. 20. Jahrhundert Sonstige (DE-588)1297867726 oth Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034346612&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | McLuhan: hot & cool a primer for the understanding of and critical symposium with responses by McLuhan |
| title_alt | MacLuhan: hot and cool McLuhan: hot and cool |
| title_auth | McLuhan: hot & cool a primer for the understanding of and critical symposium with responses by McLuhan |
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| title_full | McLuhan: hot & cool a primer for the understanding of and critical symposium with responses by McLuhan edited by Gerald Emanuel Stearn |
| title_fullStr | McLuhan: hot & cool a primer for the understanding of and critical symposium with responses by McLuhan edited by Gerald Emanuel Stearn |
| title_full_unstemmed | McLuhan: hot & cool a primer for the understanding of and critical symposium with responses by McLuhan edited by Gerald Emanuel Stearn |
| title_short | McLuhan: hot & cool |
| title_sort | mcluhan hot cool a primer for the understanding of and critical symposium with responses by mcluhan |
| title_sub | a primer for the understanding of and critical symposium with responses by McLuhan |
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