What is post-punk?: genre and identity in avant-garde popular music, 1977-82
"A great deal has been written about punk and the dramatic changes it wrought in the transatlantic world of pop music. A wave of new music that was strongly influenced by the politics and sounds of punk-but less raw, more commercially successful-followed close on punk's heels in the late 1...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
2023
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| Schlagworte: | |
| Online-Zugang: | FUBA1 |
| Zusammenfassung: | "A great deal has been written about punk and the dramatic changes it wrought in the transatlantic world of pop music. A wave of new music that was strongly influenced by the politics and sounds of punk-but less raw, more commercially successful-followed close on punk's heels in the late 1970s. (Think Joy Division, The Raincoats, Human League, Public Image Limited, The Slits.) Post-punk has always been controversial to the influential fans of punk and rock (music writers as well as music fans): post-punk is more self-consciously "arty" and cosmopolitan, engaged with genres outside the predominantly white-identified rock family tree (particularly reggae and disco), and has always been willing to question the valuing of authenticity over artifice (and pleasure). Haddon focuses on how post-punk's push beyond the tropes of rock and punk challenged prevalent ideas about what makes pop music culturally valuable and commercially successful, showing how post-punk's emphasis on artifice, identity politics, and eclecticism opened the door to wider discussions of these topics in the context of other genres ranging from glam and New Wave to indie rock"-- Dividing the New Wave : Emergence, Genealogy, and Signification -- Dub Is the New Black and the Post-Colonial Politics of Sonic Space -- Post-Punk or Death Disco? Dance, Rhythm, and White Masculinity -- Post-Punk Women and the Discourse of Punk Amateurism -- Between Flesh and Machines : "Modern" Music and the "Industrial" Sound of Post-Punk's Regional Cities -- Epilogue : The "Post" in Post-Punk. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (viii, 226 Seiten) |
| ISBN: | 9780472126552 |
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Datensatz im Suchindex
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| author | Haddon, Mimi 1985- |
| author_GND | (DE-588)1137071168 |
| author_facet | Haddon, Mimi 1985- |
| author_role | aut |
| author_sort | Haddon, Mimi 1985- |
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| bvnumber | BV049072145 |
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| ctrlnum | (OCoLC)1401187950 (DE-599)BVBBV049072145 |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.66 |
| dewey-search | 781.66 |
| dewey-sort | 3781.66 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1977-1982 gnd |
| era_facet | Geschichte 1977-1982 |
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| spelling | Haddon, Mimi 1985- Verfasser (DE-588)1137071168 aut What is post-punk? genre and identity in avant-garde popular music, 1977-82 Mimi Haddon Ann Arbor University of Michigan Press 2023 ©2020 1 Online-Ressource (viii, 226 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "A great deal has been written about punk and the dramatic changes it wrought in the transatlantic world of pop music. A wave of new music that was strongly influenced by the politics and sounds of punk-but less raw, more commercially successful-followed close on punk's heels in the late 1970s. (Think Joy Division, The Raincoats, Human League, Public Image Limited, The Slits.) Post-punk has always been controversial to the influential fans of punk and rock (music writers as well as music fans): post-punk is more self-consciously "arty" and cosmopolitan, engaged with genres outside the predominantly white-identified rock family tree (particularly reggae and disco), and has always been willing to question the valuing of authenticity over artifice (and pleasure). Haddon focuses on how post-punk's push beyond the tropes of rock and punk challenged prevalent ideas about what makes pop music culturally valuable and commercially successful, showing how post-punk's emphasis on artifice, identity politics, and eclecticism opened the door to wider discussions of these topics in the context of other genres ranging from glam and New Wave to indie rock"-- Dividing the New Wave : Emergence, Genealogy, and Signification -- Dub Is the New Black and the Post-Colonial Politics of Sonic Space -- Post-Punk or Death Disco? Dance, Rhythm, and White Masculinity -- Post-Punk Women and the Discourse of Punk Amateurism -- Between Flesh and Machines : "Modern" Music and the "Industrial" Sound of Post-Punk's Regional Cities -- Epilogue : The "Post" in Post-Punk. Geschichte 1977-1982 gnd rswk-swf Postpunk (DE-588)7582674-4 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Popular music / 1971-1980 / History and criticism Popular music / 1981-1990 / History and criticism Post-punk music / History and criticism Popular music Post-punk music Criticism, interpretation, etc USA (DE-588)4078704-7 g Großbritannien (DE-588)4022153-2 g Popmusik (DE-588)4046781-8 s Postpunk (DE-588)7582674-4 s Geschichte 1977-1982 z DE-188 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-472-13182-2 (DE-604)BV046649518 Erscheint auch als Druck-Ausgabe, Paperback 978-0-472-03921-0 |
| spellingShingle | Haddon, Mimi 1985- What is post-punk? genre and identity in avant-garde popular music, 1977-82 Postpunk (DE-588)7582674-4 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)7582674-4 (DE-588)4046781-8 (DE-588)4022153-2 (DE-588)4078704-7 |
| title | What is post-punk? genre and identity in avant-garde popular music, 1977-82 |
| title_auth | What is post-punk? genre and identity in avant-garde popular music, 1977-82 |
| title_exact_search | What is post-punk? genre and identity in avant-garde popular music, 1977-82 |
| title_exact_search_txtP | What is post-punk? genre and identity in avant-garde popular music, 1977-82 |
| title_full | What is post-punk? genre and identity in avant-garde popular music, 1977-82 Mimi Haddon |
| title_fullStr | What is post-punk? genre and identity in avant-garde popular music, 1977-82 Mimi Haddon |
| title_full_unstemmed | What is post-punk? genre and identity in avant-garde popular music, 1977-82 Mimi Haddon |
| title_short | What is post-punk? |
| title_sort | what is post punk genre and identity in avant garde popular music 1977 82 |
| title_sub | genre and identity in avant-garde popular music, 1977-82 |
| topic | Postpunk (DE-588)7582674-4 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Postpunk Popmusik Großbritannien USA |
| work_keys_str_mv | AT haddonmimi whatispostpunkgenreandidentityinavantgardepopularmusic197782 |