A new era for the distribution of media art:
In recent years, media art distributors have seen their distribution and revenue models eroded. The focus on shareability and mass distribution - rooted in the ideals of early video art - was always at odds with the scarcity-based model of the art world but is now also challenged by emerging digital...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Lima
[2023]
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| Schlagworte: | |
| Zusammenfassung: | In recent years, media art distributors have seen their distribution and revenue models eroded. The focus on shareability and mass distribution - rooted in the ideals of early video art - was always at odds with the scarcity-based model of the art world but is now also challenged by emerging digital economies. Profound shifts in artistic practice over the past decades have also posed challenges to existing distribution models. More artists become engaged in digital art, using custom-built software or AI-driven tools, producing live AV performances, immersive installations or game inspired experiences. Unfortunately, due to their technical complexity, the distribution of media art often falls between the cracks, fitting neither the model of the film or visual arts world nor existing video art distribution. Exploring the potential of strategies such as festival-based distribution, commodification through encapsulation and emulation, and decoupling ownership from possession (e.g. NFT's) shows the still lopsided foundations of an infrastructure tailored for software-based art. This raises the question: how can a distributional turn, calling on the expertise of media arts distributors, strengthen this new infrastructure? In media art, works that exist only as files constitute a particular category. How do various types of digital platforms and their ingrained distribution models create opportunities for fair and sustainable distribution for this type of software-based art? These questions have been lingering around but gained momentum due to the COVID-pandemic. As a result, this publication explores the acceleration of media art distributors' transformation by critically embracing emerging technologies and innovative strategies that guarantee public accessibility, thus opening up a new era for the distribution of media art. |
| Beschreibung: | 130 Seiten Illustrationen |
| ISBN: | 9789090369020 |
Internformat
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| 245 | 1 | 0 | |a A new era for the distribution of media art |c edited by Rachel Somers Miles and Gaby Wijers ; authors: Stefan Glowacki, Rachel Somers Miles, Gaby Wijers, Ubermorgen |
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| 520 | 3 | |a In recent years, media art distributors have seen their distribution and revenue models eroded. The focus on shareability and mass distribution - rooted in the ideals of early video art - was always at odds with the scarcity-based model of the art world but is now also challenged by emerging digital economies. Profound shifts in artistic practice over the past decades have also posed challenges to existing distribution models. More artists become engaged in digital art, using custom-built software or AI-driven tools, producing live AV performances, immersive installations or game inspired experiences. Unfortunately, due to their technical complexity, the distribution of media art often falls between the cracks, fitting neither the model of the film or visual arts world nor existing video art distribution. Exploring the potential of strategies such as festival-based distribution, commodification through encapsulation and emulation, and decoupling ownership from possession (e.g. NFT's) shows the still lopsided foundations of an infrastructure tailored for software-based art. This raises the question: how can a distributional turn, calling on the expertise of media arts distributors, strengthen this new infrastructure? In media art, works that exist only as files constitute a particular category. How do various types of digital platforms and their ingrained distribution models create opportunities for fair and sustainable distribution for this type of software-based art? These questions have been lingering around but gained momentum due to the COVID-pandemic. As a result, this publication explores the acceleration of media art distributors' transformation by critically embracing emerging technologies and innovative strategies that guarantee public accessibility, thus opening up a new era for the distribution of media art. | |
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| spelling | A new era for the distribution of media art edited by Rachel Somers Miles and Gaby Wijers ; authors: Stefan Glowacki, Rachel Somers Miles, Gaby Wijers, Ubermorgen Amsterdam Lima [2023] 130 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier In recent years, media art distributors have seen their distribution and revenue models eroded. The focus on shareability and mass distribution - rooted in the ideals of early video art - was always at odds with the scarcity-based model of the art world but is now also challenged by emerging digital economies. Profound shifts in artistic practice over the past decades have also posed challenges to existing distribution models. More artists become engaged in digital art, using custom-built software or AI-driven tools, producing live AV performances, immersive installations or game inspired experiences. Unfortunately, due to their technical complexity, the distribution of media art often falls between the cracks, fitting neither the model of the film or visual arts world nor existing video art distribution. Exploring the potential of strategies such as festival-based distribution, commodification through encapsulation and emulation, and decoupling ownership from possession (e.g. NFT's) shows the still lopsided foundations of an infrastructure tailored for software-based art. This raises the question: how can a distributional turn, calling on the expertise of media arts distributors, strengthen this new infrastructure? In media art, works that exist only as files constitute a particular category. How do various types of digital platforms and their ingrained distribution models create opportunities for fair and sustainable distribution for this type of software-based art? These questions have been lingering around but gained momentum due to the COVID-pandemic. As a result, this publication explores the acceleration of media art distributors' transformation by critically embracing emerging technologies and innovative strategies that guarantee public accessibility, thus opening up a new era for the distribution of media art. Netzkunst (DE-588)4571611-0 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Computerkunst (DE-588)4010453-9 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Medienkunst (DE-588)4113418-7 s Netzkunst (DE-588)4571611-0 s Computerkunst (DE-588)4010453-9 s Kunstmarkt (DE-588)4120630-7 s Kunsthandel (DE-588)4033647-5 s DE-604 Somers Miles, Rachel edt aut Wijers, Gaby edt aut Glowacki, Stefan aut |
| spellingShingle | Somers Miles, Rachel Wijers, Gaby Glowacki, Stefan A new era for the distribution of media art Netzkunst (DE-588)4571611-0 gnd Kunsthandel (DE-588)4033647-5 gnd Computerkunst (DE-588)4010453-9 gnd Medienkunst (DE-588)4113418-7 gnd Kunstmarkt (DE-588)4120630-7 gnd |
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| title | A new era for the distribution of media art |
| title_auth | A new era for the distribution of media art |
| title_exact_search | A new era for the distribution of media art |
| title_exact_search_txtP | A new era for the distribution of media art |
| title_full | A new era for the distribution of media art edited by Rachel Somers Miles and Gaby Wijers ; authors: Stefan Glowacki, Rachel Somers Miles, Gaby Wijers, Ubermorgen |
| title_fullStr | A new era for the distribution of media art edited by Rachel Somers Miles and Gaby Wijers ; authors: Stefan Glowacki, Rachel Somers Miles, Gaby Wijers, Ubermorgen |
| title_full_unstemmed | A new era for the distribution of media art edited by Rachel Somers Miles and Gaby Wijers ; authors: Stefan Glowacki, Rachel Somers Miles, Gaby Wijers, Ubermorgen |
| title_short | A new era for the distribution of media art |
| title_sort | a new era for the distribution of media art |
| topic | Netzkunst (DE-588)4571611-0 gnd Kunsthandel (DE-588)4033647-5 gnd Computerkunst (DE-588)4010453-9 gnd Medienkunst (DE-588)4113418-7 gnd Kunstmarkt (DE-588)4120630-7 gnd |
| topic_facet | Netzkunst Kunsthandel Computerkunst Medienkunst Kunstmarkt Aufsatzsammlung |
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