Queer exhibition histories:
Queer Exhibition Histories' comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archiv...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Valiz
2023
|
| Schriftenreihe: | PLURAL
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Queer Exhibition Histories' comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, ?public? is relative in events that were either short-lived, held under the veil of domestic spaces, or kept exclusive for those ?in the know?. Therefore, they were not exclusively artistic, but could equally be discursive, activist, educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, this volume considers how the efforts of LGBTQIA+ artists have advanced their public presence in museums and society alike |
| Beschreibung: | 285 Seiten Illustrationen |
| ISBN: | 9789493246133 9493246132 |
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| 520 | 3 | |a Queer Exhibition Histories' comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, ?public? is relative in events that were either short-lived, held under the veil of domestic spaces, or kept exclusive for those ?in the know?. Therefore, they were not exclusively artistic, but could equally be discursive, activist, educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, this volume considers how the efforts of LGBTQIA+ artists have advanced their public presence in museums and society alike | |
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Datensatz im Suchindex
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| adam_text |
CONTSFLTS
INTRODUCTION
A LABOUR OF LOVE
BAS HENDRIKX
9-13
IT MUST BE GREAT BEING
YOU WATCHING US
QUEER COMMUNITY-MAKING IN
KAROL RADZISZEWSKI'S 'PEDALY' (2005)
AND KAROLINA SOBERS 'LEZBY' (2020)
ALEKSANDRA GAJOWY
1S-31
THE SCENE OF THE OBSCENE
HOW QUEER SPACE HELPED CHANGE
ARCHITECTURE EXHIBITIONS
(BUT NOT REALLY)
AARON BETSKY
79-91
PHILIPPE THOMAS
'FEUX PALES'(1990)
ELISABETH LEBOVICI
93-113
A PERSONAL ACCOUNT OF
THE TEACHES OF PEACHES
JESSICA GYSEL
115-127
LETTING THE
'FREAK FLAG FLY'
QUEERING AND CRIPPING WITHIN
ARTISTIC EXHIBITION PRACTICES
SYLVIA SADZINSKI
33-49
SINFUL SICK MONSTERS
MAKING FREAKY ART
EXHIBITIONS
VALENTINA LANCU
51-65
REAL ART ON LOVE AIDS
RIOT SEX
A MEDITATION ON ART EXHIBITIONS ABOUT
HIV/AIDS IN THE GERMAN-SPEAKING
REGION, AND WHY SUCH PERSPECTIVES
STILL MATTER TODAY
LEON KRUIJSWIJK
129-147
INTERVIEW WITH LEONIDA
KOVAC
KAROL RADZISZEWSKI
149-161
MUSEUMS, GALLERIES,
AND ARCHIVES OF LGBTQ+
DISPLACEMENT
RIAN KEARNEY
67-77
CC G/F
A
BRAUOTHFK 2
- FT/CME
'
4
3
IN THE NAME OF PLEASURE,
POWER, AND RADICAL
DIFFERENCE
A CONVERSATION
PAULINE BOUDRY/RENATE LORENZ
AND OVIIL O. DURMUSOGLU
163-177
MUSING ON
A QUEER MUSEUM OF FAILURE
LIANG-KAI YU
179-189
UNTOLD STORIES
INTERVIEW WITH REBEKA PDLDSAM
AND AIRI TRIISBERG
KATRIN KIVIMAA
2S1-271
JUST FOR THE PLEASURE
QUEERNESS, INDIGENEITY, AND
SELF-DETERMINATION
KATARINA PIRAK SIKKU AND
SARA SALMINEN
191-199
AFTERWORD
RHYTHMIC MESSAGES
SIMONE WEGMAN
273-275
FAGGOT EXHIBITIONS
A CONVERSATION WITH EUGENIO VIOLA
ON JAANUS SAMMA'S 'NOT SUITABLE FOR
WORK. A CHAIRMAN'S TALE' (2015-16)
EDWIN NASR
201-211
BIOGRAPHIES
276-279
INDEX
280-285
ACKNOWLEDGEMENTS
286
EXHIBITIONS AND AIDS
IN FRANCE
FAR FROM INSTITUTIONAL
FRANGOIS PIRON
213-223
QUEER VISTAS
AN INTERVIEW WITH TAWANDA APPIAH
BAS HENDRIKX
225-233
THE BODY AND BURLESQUE
WAS THERE A PLACE FOR QUEERNESS
IN KHARKIV PHOTOGRAPHY?
HALYNA HLEBA AND
KATERYNA LAKOVLENKO
235-249 |
| adam_txt |
CONTSFLTS
INTRODUCTION
A LABOUR OF LOVE
BAS HENDRIKX
9-13
IT MUST BE GREAT BEING
YOU WATCHING US
QUEER COMMUNITY-MAKING IN
KAROL RADZISZEWSKI'S 'PEDALY' (2005)
AND KAROLINA SOBERS 'LEZBY' (2020)
ALEKSANDRA GAJOWY
1S-31
THE SCENE OF THE OBSCENE
HOW QUEER SPACE HELPED CHANGE
ARCHITECTURE EXHIBITIONS
(BUT NOT REALLY)
AARON BETSKY
79-91
PHILIPPE THOMAS
'FEUX PALES'(1990)
ELISABETH LEBOVICI
93-113
A PERSONAL ACCOUNT OF
THE TEACHES OF PEACHES
JESSICA GYSEL
115-127
LETTING THE
'FREAK FLAG FLY'
QUEERING AND CRIPPING WITHIN
ARTISTIC EXHIBITION PRACTICES
SYLVIA SADZINSKI
33-49
SINFUL SICK MONSTERS
MAKING FREAKY ART
EXHIBITIONS
VALENTINA LANCU
51-65
REAL ART ON LOVE AIDS
RIOT SEX
A MEDITATION ON ART EXHIBITIONS ABOUT
HIV/AIDS IN THE GERMAN-SPEAKING
REGION, AND WHY SUCH PERSPECTIVES
STILL MATTER TODAY
LEON KRUIJSWIJK
129-147
INTERVIEW WITH LEONIDA
KOVAC
KAROL RADZISZEWSKI
149-161
MUSEUMS, GALLERIES,
AND ARCHIVES OF LGBTQ+
DISPLACEMENT
RIAN KEARNEY
67-77
CC G/F
A
BRAUOTHFK 2
- FT/CME
'
4
3
IN THE NAME OF PLEASURE,
POWER, AND RADICAL
DIFFERENCE
A CONVERSATION
PAULINE BOUDRY/RENATE LORENZ
AND OVIIL O. DURMUSOGLU
163-177
MUSING ON
A QUEER MUSEUM OF FAILURE
LIANG-KAI YU
179-189
UNTOLD STORIES
INTERVIEW WITH REBEKA PDLDSAM
AND AIRI TRIISBERG
KATRIN KIVIMAA
2S1-271
JUST FOR THE PLEASURE
QUEERNESS, INDIGENEITY, AND
SELF-DETERMINATION
KATARINA PIRAK SIKKU AND
SARA SALMINEN
191-199
AFTERWORD
RHYTHMIC MESSAGES
SIMONE WEGMAN
273-275
FAGGOT EXHIBITIONS
A CONVERSATION WITH EUGENIO VIOLA
ON JAANUS SAMMA'S 'NOT SUITABLE FOR
WORK. A CHAIRMAN'S TALE' (2015-16)
EDWIN NASR
201-211
BIOGRAPHIES
276-279
INDEX
280-285
ACKNOWLEDGEMENTS
286
EXHIBITIONS AND AIDS
IN FRANCE
FAR FROM INSTITUTIONAL
FRANGOIS PIRON
213-223
QUEER VISTAS
AN INTERVIEW WITH TAWANDA APPIAH
BAS HENDRIKX
225-233
THE BODY AND BURLESQUE
WAS THERE A PLACE FOR QUEERNESS
IN KHARKIV PHOTOGRAPHY?
HALYNA HLEBA AND
KATERYNA LAKOVLENKO
235-249 |
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| subject_GND | (DE-588)7705503-2 (DE-588)4043183-6 (DE-588)4114333-4 (DE-588)4129601-1 (DE-588)4143413-4 |
| title | Queer exhibition histories |
| title_auth | Queer exhibition histories |
| title_exact_search | Queer exhibition histories |
| title_exact_search_txtP | Queer exhibition histories |
| title_full | Queer exhibition histories Bas Hendrikx (ed.) ; contributors: Tawanda Appiah, Aaron Betsky, Boudry/Lorenz [und 24 weitere] |
| title_fullStr | Queer exhibition histories Bas Hendrikx (ed.) ; contributors: Tawanda Appiah, Aaron Betsky, Boudry/Lorenz [und 24 weitere] |
| title_full_unstemmed | Queer exhibition histories Bas Hendrikx (ed.) ; contributors: Tawanda Appiah, Aaron Betsky, Boudry/Lorenz [und 24 weitere] |
| title_short | Queer exhibition histories |
| title_sort | queer exhibition histories |
| topic | LGBT (DE-588)7705503-2 gnd Öffentlichkeit (DE-588)4043183-6 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | LGBT Öffentlichkeit Kunst Ausstellung Aufsatzsammlung |
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