Politics and aesthetics in European baroque and classicist tragedy:
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and...
Gespeichert in:
Format: | Elektronisch Software E-Book |
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Sprache: | English |
Veröffentlicht: |
Leiden ; Boston
Brill
2016
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Schriftenreihe: | Drama and theatre in early modern Europe
v. 5 |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9789004323421 |
DOI: | 10.1163/9789004323421 |
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505 | 8 | 0 | |t Front Matter -- |t Introduction -- |t What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture |r Frans-Willem Korsten -- |t Grotius among the Dagonists: Joost van den Vondel's Samson, of Heilige Wraeck, Revenge and the Ius Gentium |r Russ Leo -- |t Performing the Medieval Past: Vondel's Gysbreght van Aemstel (1637) |r Freya Sierhuis -- |t Political Martyrdom at the English College in Rome |r Howard B. Norland -- |t Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583-1649) |r James A. Parente -- |t The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond |r Blair Hoxby -- |t Mortal Knowledge: Akrasia in English Renaissance Tragedy |r Emily Vasiliauskas -- |t A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England |r Sarah Knight -- |t The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) |r Tatiana Korneeva -- |t French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage |r Christian Biet -- |t German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms |r Joel B. Lande -- |t The Politics of Mobility: Shakespeare's Titus Andronicus, Jan Vos's Aran en Titus and the Poetics of Empire |r Helmer Helmers -- |t French Classicism in Jesuit Theater Poetics of the Eighteenth Century |r Nienke Tjoelker -- |t Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama |r Kirill Ospovat -- |
505 | 8 | 0 | |t Index |
520 | 3 | |a Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas | |
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Datensatz im Suchindex
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adam_txt | |
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author_additional | Frans-Willem Korsten -- Russ Leo -- Freya Sierhuis -- Howard B. Norland -- James A. Parente -- Blair Hoxby -- Emily Vasiliauskas -- Sarah Knight -- Tatiana Korneeva -- Christian Biet -- Joel B. Lande -- Helmer Helmers -- Nienke Tjoelker -- Kirill Ospovat -- |
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contents | Front Matter -- Introduction -- What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture Grotius among the Dagonists: Joost van den Vondel's Samson, of Heilige Wraeck, Revenge and the Ius Gentium Performing the Medieval Past: Vondel's Gysbreght van Aemstel (1637) Political Martyrdom at the English College in Rome Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583-1649) The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond Mortal Knowledge: Akrasia in English Renaissance Tragedy A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms The Politics of Mobility: Shakespeare's Titus Andronicus, Jan Vos's Aran en Titus and the Poetics of Empire French Classicism in Jesuit Theater Poetics of the Eighteenth Century Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama Index |
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discipline | Literaturwissenschaft |
discipline_str_mv | Literaturwissenschaft |
doi_str_mv | 10.1163/9789004323421 |
era | Geschichte 1600-1700 gnd |
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format | Electronic Software eBook |
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spelling | Politics and aesthetics in European baroque and classicist tragedy Edited by Jan Bloemendal, Nigel Smith Leiden ; Boston Brill 2016 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Drama and theatre in early modern Europe v. 5 Front Matter -- Introduction -- What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture Frans-Willem Korsten -- Grotius among the Dagonists: Joost van den Vondel's Samson, of Heilige Wraeck, Revenge and the Ius Gentium Russ Leo -- Performing the Medieval Past: Vondel's Gysbreght van Aemstel (1637) Freya Sierhuis -- Political Martyrdom at the English College in Rome Howard B. Norland -- Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583-1649) James A. Parente -- The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond Blair Hoxby -- Mortal Knowledge: Akrasia in English Renaissance Tragedy Emily Vasiliauskas -- A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England Sarah Knight -- The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) Tatiana Korneeva -- French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage Christian Biet -- German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms Joel B. Lande -- The Politics of Mobility: Shakespeare's Titus Andronicus, Jan Vos's Aran en Titus and the Poetics of Empire Helmer Helmers -- French Classicism in Jesuit Theater Poetics of the Eighteenth Century Nienke Tjoelker -- Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama Kirill Ospovat -- Index Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas Geschichte 1600-1700 gnd rswk-swf European drama 17th century History and criticism European drama (Tragedy) Classical influences Latin drama (Tragedy) History and criticism Politics in literature Aesthetics in literature Tragödie (DE-588)4060591-7 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Tragödie (DE-588)4060591-7 s Geschichte 1600-1700 z DE-604 Bloemendal, Jan 1961- Sonstige oth Smith, Nigel 1958- Sonstige oth Erscheint auch als Druckausgabe 9789004323414 https://doi.org/10.1163/9789004323421 Verlag kostenfrei Volltext |
spellingShingle | Politics and aesthetics in European baroque and classicist tragedy Front Matter -- Introduction -- What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture Grotius among the Dagonists: Joost van den Vondel's Samson, of Heilige Wraeck, Revenge and the Ius Gentium Performing the Medieval Past: Vondel's Gysbreght van Aemstel (1637) Political Martyrdom at the English College in Rome Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583-1649) The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond Mortal Knowledge: Akrasia in English Renaissance Tragedy A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms The Politics of Mobility: Shakespeare's Titus Andronicus, Jan Vos's Aran en Titus and the Poetics of Empire French Classicism in Jesuit Theater Poetics of the Eighteenth Century Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama Index European drama 17th century History and criticism European drama (Tragedy) Classical influences Latin drama (Tragedy) History and criticism Politics in literature Aesthetics in literature Tragödie (DE-588)4060591-7 gnd |
subject_GND | (DE-588)4060591-7 (DE-588)4015701-5 (DE-588)4143413-4 |
title | Politics and aesthetics in European baroque and classicist tragedy |
title_alt | Front Matter -- Introduction -- What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture Grotius among the Dagonists: Joost van den Vondel's Samson, of Heilige Wraeck, Revenge and the Ius Gentium Performing the Medieval Past: Vondel's Gysbreght van Aemstel (1637) Political Martyrdom at the English College in Rome Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583-1649) The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond Mortal Knowledge: Akrasia in English Renaissance Tragedy A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms The Politics of Mobility: Shakespeare's Titus Andronicus, Jan Vos's Aran en Titus and the Poetics of Empire French Classicism in Jesuit Theater Poetics of the Eighteenth Century Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama Index |
title_auth | Politics and aesthetics in European baroque and classicist tragedy |
title_exact_search | Politics and aesthetics in European baroque and classicist tragedy |
title_exact_search_txtP | Politics and aesthetics in European baroque and classicist tragedy |
title_full | Politics and aesthetics in European baroque and classicist tragedy Edited by Jan Bloemendal, Nigel Smith |
title_fullStr | Politics and aesthetics in European baroque and classicist tragedy Edited by Jan Bloemendal, Nigel Smith |
title_full_unstemmed | Politics and aesthetics in European baroque and classicist tragedy Edited by Jan Bloemendal, Nigel Smith |
title_short | Politics and aesthetics in European baroque and classicist tragedy |
title_sort | politics and aesthetics in european baroque and classicist tragedy |
topic | European drama 17th century History and criticism European drama (Tragedy) Classical influences Latin drama (Tragedy) History and criticism Politics in literature Aesthetics in literature Tragödie (DE-588)4060591-7 gnd |
topic_facet | European drama 17th century History and criticism European drama (Tragedy) Classical influences Latin drama (Tragedy) History and criticism Politics in literature Aesthetics in literature Tragödie Europa Aufsatzsammlung |
url | https://doi.org/10.1163/9789004323421 |
work_keys_str_mv | AT bloemendaljan politicsandaestheticsineuropeanbaroqueandclassicisttragedy AT smithnigel politicsandaestheticsineuropeanbaroqueandclassicisttragedy |