Aesthetics and the Incarnation in Early Medieval Britain: Materiality and the Flesh of the Word
This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Ear...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Notre Dame IN
University of Notre Dame Press
[2023]
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Schlagworte: | |
Zusammenfassung: | This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh," the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic—an enigma—and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain—Bede, Gregory the Great, and Isidore most prominent among them. Beechy’s study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán’s De locis sanctis ("On the holy lands"); and the difficult esoterica of the wisdom tradition. |
Beschreibung: | xviii, 319 Seiten Illustrationen |
ISBN: | 9780268205157 |
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520 | 3 | |a This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh," the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic—an enigma—and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain—Bede, Gregory the Great, and Isidore most prominent among them. Beechy’s study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán’s De locis sanctis ("On the holy lands"); and the difficult esoterica of the wisdom tradition. | |
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spelling | Beechy, Tiffany Verfasser (DE-588)122227874X aut Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word Tiffany Beechy Notre Dame IN University of Notre Dame Press [2023] xviii, 319 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh," the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic—an enigma—and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain—Bede, Gregory the Great, and Isidore most prominent among them. Beechy’s study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán’s De locis sanctis ("On the holy lands"); and the difficult esoterica of the wisdom tradition. Kunst (DE-588)4114333-4 gnd rswk-swf Mittelalter (DE-588)4129108-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Christentum (DE-588)4010074-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Ästhetik (DE-588)4000626-8 s Christentum (DE-588)4010074-1 s Mittelalter (DE-588)4129108-6 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-0-268-20517-1 Erscheint auch als Online-Ausgabe, EPUB 978-0-268-20514-0 |
spellingShingle | Beechy, Tiffany Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word Kunst (DE-588)4114333-4 gnd Mittelalter (DE-588)4129108-6 gnd Literatur (DE-588)4035964-5 gnd Christentum (DE-588)4010074-1 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4129108-6 (DE-588)4035964-5 (DE-588)4010074-1 (DE-588)4000626-8 (DE-588)4022153-2 |
title | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word |
title_auth | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word |
title_exact_search | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word |
title_exact_search_txtP | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word |
title_full | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word Tiffany Beechy |
title_fullStr | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word Tiffany Beechy |
title_full_unstemmed | Aesthetics and the Incarnation in Early Medieval Britain Materiality and the Flesh of the Word Tiffany Beechy |
title_short | Aesthetics and the Incarnation in Early Medieval Britain |
title_sort | aesthetics and the incarnation in early medieval britain materiality and the flesh of the word |
title_sub | Materiality and the Flesh of the Word |
topic | Kunst (DE-588)4114333-4 gnd Mittelalter (DE-588)4129108-6 gnd Literatur (DE-588)4035964-5 gnd Christentum (DE-588)4010074-1 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Kunst Mittelalter Literatur Christentum Ästhetik Großbritannien |
work_keys_str_mv | AT beechytiffany aestheticsandtheincarnationinearlymedievalbritainmaterialityandthefleshoftheword |