Mothers and daughters: gender and genre in Shakespeare's plays
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| 245 | 1 | 0 | |a Mothers and daughters |b gender and genre in Shakespeare's plays |c Florian Neunstöcklin |
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| 490 | 1 | |a Schriftenreihe Literaturwissenschaft |v Bd. 99 | |
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Datensatz im Suchindex
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CONTENTS
CHAPTER
1:
INTRODUCTION
.
1
1.1
MOTHERS
AND
DAUGHTERS
.
3
1.2
GENDER
.
10
1.3
GENRE
.
19
CHAPTER
2:
PATRIARCHAL
WIVES
AND
FUTURE
BRIDES:
THE
RARE
MOTHER-DAUGHTER
BOND
IN
SHAKESPEARE
'
S
EARLY
PLAYS
.
24
2.1
"I
HAVE
DONE
WITH
THEE.
"
-
LADY
CAPULET
AND
JULIET
'
S
DESTRUCTIVE
RELATIONSHIP
IN
ROMEO
AND
JULIET
.
27
2.1.1
TRAGEDY
OF
LOVE
AND
FAMILY
TRAGEDY
.
28
2.1.2
COLLECTIVE
IDENTITY
VS.
INDIVIDUAL
IDENTITY
.
31
2.1.3
LADY
CAPULET
AND
JULIET
.
35
2.1.4 THE
NURSE
AS
A
COMIC
ERSATZ
MOTHER
.
39
2.1.5
LADY
CAPULET
AND
THE
NURSE
AS
GRIEVING
MOTHERS
.
42
2.2
"
NO
WOMAN
SHALL
SUCCEED
IN
SALIC
LAND
"
-
FEMALE
GENEALOGY
AND
MALE
HISTORY-MAKING
IN
HENRY
V
.
44
2.2.1
WAR,
POLITICS,
AND
PATRIOTISM:
HISTORY
AS
A
'
MALE
GENRE
'
?
.
45
2.2.2
THE
FEMALE
CHARACTERS
IN
HENRY
V
.
47
2.2.3
ENGLAND
'
S
'
INDIRECT
'
SALIC
LAW
AND
THE
FEMALE
BLOOD-LINE
.
48
2.2.4
INTIMACY
AND
INWARDNESS:
ALICE
AS
CATHERINE
'
S
PRIVATE
CONFIDANTE
.
50
2.2.5
MARRIAGE
POLICY
AND
RAISON
D
'
ETAT".
QUEEN
ISABEL
AS
A
PUBLIC
FIGURE
.
52
2.2.6
CATHERINE
OF
VALOIS
AND
THE
REFUSAL
TO
ACCEPT
MATERNAL
ANCESTRY
.
57
2.3
"
GOOD
MOTHER,
DO
NOT
MARRY
ME
TO
YON
FOOL.
"
-
MISTRESS
AND
ANNE
PAGE
'
S
FARCICAL
DISAGREEMENT
IN
THE
MERRY
WIVES
OF
WINDSOR
.
60
2.3.1
ANNE
PAGE
AND
HER
THREE
UNEQUAL
MARRIAGE
CANDIDATES
.
63
2.3.2
PARENTAL
UNION
IN
FARCICAL
DISAGREEMENT:
MASTER
AND
MISTRESS
PAGE
.
65
2.3.3
ANNE
'
S
MARRIAGE
WITH
FENTON
.
68
2.3.4
THE
TRANSFORMATIVE
POWERS
OF
THE
MIDDLE
CLASS
.
71
2.4
"
I
AM
A
MOTHER
TO
YOU
"
-
ADOPTION
AND
THE
PROBLEM
OF
INCEST
IN
ALL
'
S
WELL
THAT
ENDS
WELL
.
72
2.4.1
HELEN
AS
AN
UNORTHODOX
HEROINE
.
74
2.4.2
BERTRAM
'
S
OEDIPAL
COMPLEX
.
76
2.4.3
HELEN
AND
THE
COUNTESS
.
79
2.4.4
THE
WIDOW
OF
FLORENCE
AND
DIANA
.
82
2.4.5
BERTRAM
AND
HELEN
'
S
RETURN
TO
ROUSSILLON
.
83
CHAPTER
3:
THE
'
ABSENT
PRESENCE
'
OF
THE
GREAT
TRAGEDIES:
DAUGHTERLESS
MOTHERS
AND
MOTHERLESS
DAUGHTERS
.
87
3.1
"
BRING
FORTH
MEN-CHILDREN
ONLY
"
-
LADY
MACBETH
AS
AN
AMBIVALENT
ANTI-MOTHER
.
89
3.1.1
THE
CONFUSION
OF
GENDER
ROLES
IN
MACBETH
.
89
3.1.2
WITCHCRAFT
AND
MATERNITY:
THE
WEIRD
SISTERS
AS
SATANIC
ANTI-MOTHERS
.
91
3.1.3
HYSTERIC,
WITCH,
AND
FEMALE
PSYCHOPATH:
LADY
MACBETH
'
S
FATAL
ALLIANCE
.
94
3.1.4
LADY
MACDUFF
AS
THE
QUINTESSENTIAL
PATRIARCHAL
VICTIM
.
99
3.1.5
DISSOLUTION
OF
MATERNAL
POWER
AND
RESTORATION
OF
MALE
ORDER
.
100
3.2
"O
MY
MOTHER,
MOTHER,
O!
"
VOLUMNIA
AS
A
DOMINANT
SUPER-MOTHER
IN
CORIOLANUS
.
104
3.2.1
VOLUMNIA
'
S
SUCCESSFUL
PRIVATE
EDUCATION
.
106
3.2.2
THE
FAILURE
OF
VOLUMNIA
'
S
PUBLIC
EDUCATION
.
108
3.2.3
CORIOLANUS
'
S
BANISHMENT
.
113
3.2.4 VOLUMNIA
AS
A
TRIUMPHANT
MATER
DOLOROSA
.
115
3.3
"
O,
HOW
THIS
MOTHER
SWELLS
UP
TOWARD
MY
HEART!
"
-
THE
MATERNAL
SUBTEXT(S)
OF
KING
LEAR
.
118
3.3.1
SENILITY
AND
BOYHOOD:
LEAR
'
S
LONGING
FOR
A
MOTHERING
DAUGHTER
.
119
3.3.2
REVERSAL
OF
GENDER
AND
FAMILY
ROLES:
FEMALE
ALLIANCE
AGAINST
KINGLY
RULE
.
123
3.3.3
THE
SYMBOLIC
RELEVANCE
OF
THE
STORM
.
126
3.3.4
GONERIL
AND
REGAN
'
S
MATRIARCHAL
TYRANNY
.
128
3.3.5
CORDELIA
'
S
RETURN
AND
LEAR
'
S
REDEMPTION
.
131
3.4
"
THIS
ISLAND
'
S
MINE
BY
SY
CORAX
MY
MOTHER
"
:
MATRIARCHAL
PHANTASIES
IN
THE
TEMPEST.
134
3.4.1
MATERNAL
METAPHORS:
THE
STORM
AND
THE
ENCHANTED
ISLAND
.
135
3.4.2
ABSENT
MOTHERS:
PROSPERO
'
S
WIFE
AND
SYCORAX
.
139
3.4.3
PROSPERO
'
S
TRANSFORMATIONS
.
143
3.4.4
MIRANDA
AND
CLARIBEL
.
147
3.4.5
RENUNCIATION
AND
RETURN
.
152
CHAPTER
4:
TRAGICOMIC
PRESENTATIONS
OF
PREGNANCY
AND
CHILDBIRTH:
MOTHERS
WHO
LOSE
THEIR
DAUGHTERS
.
155
4.1
"
A
TERRIBLE
CHILDBED
HAST
THOU
HAD
"
-
CONTAMINATED
PREGNANCY
AND
FAMILY
DISSOLUTION
IN
PERICLES,
PRINCE
OF
TYRE
.
159
4.1.1
KING
ANTIOCHUS
AND
HIS
DAUGHTER
.
160
4.1.2
THAISA
'
S
INDIRECT
MACULATION
.
163
4.1.3
DUMB
SHOW
PREGNANCY
AND
DIFFICULT
CHILDBIRTH
.
164
4.1.4
THAISA
AND
MARINA
AS
IDEALIZED
VIRGINS
.
167
4.1.5
A
MALE-CENTRED
FAMILY
REUNION
.
170
4.1.6
THE
FAIRYTALE
STRUCTURES
OF
SHAKESPEARE
'
S
LATE
PLAYS
.
171
4.2
"
NO
BARRICADO
FOR
A
BELLY
"
-
IMAG(IN)ING
MOTHERHOOD
IN
THE
WINTER
'S
TALE
.
173
4.2.1
MORBID
JEALOUSY:
TRUTH
VS.
KNOWLEDGE
.
174
4.2.2
LEONTES
'
IMPOTENCE
AND
MAMILLIUS
'
S
WINTER
'
S
TALE
.
178
4.2.3
PERDITA
'
S
BIRTH
AND
HERMIONE
'
S
DEATH
.
181
4.2.4
HERMIONE
'
S
GHOST
AND
THE
BEAR
.
184
4.2.5
SHAKESPEARE
'
S
MOTHERLESS
ARCADIA
.
186
4.2.6
THE
ADORATION
OF
HERMIONE
'
S
STATUE
.
187
CHAPTER
5:
TRAGEDY
AND
TRAGICOMEDY
RECONSIDERED:
SHAKESPEARE
'
S
EVIL
STEPMOTHERS
.
192
5.1
"
A
FATHER
CRUEL
AND
A
STEPDAME
FALSE
"
-
CYMBELINE
AS
A
FAIRYTALE
ROMANCE
.
195
5.1.1
THE
QUEEN
AND
HER
SON
CLOTEN
AS
ANTAGONISTIC
FIGURES
.
198
5.1.2
INNOGEN
BETWEEN
VIRTUE
AND
MISOGYNY
.202
5.1.3
CROSS-DRESSING
AS
A
FORM
OF
FEMALE
RESISTANCE
.
205
5.1.4
THE
QUEEN
'
S
DEATH
AND
INNOGEN
'
S
FAKE
FUNERAL
.
207
5.1.5
INNOGEN
'
S
MOTHER
AND
CYMBELINE
'
S
HERMAPHRODITISM
.
208
5.2
"
THOU
SHOULDST
HAVE
BEEN
MY
HAMLET
'
S
WIFE
"
-
HAMLET
BETWEEN
MURDER
AND
MATRICIDE
.
211
5.2.1
GERTRUDE
AS
AN
EVIL
QUEEN
.
211
5.2.2
OPHELIA
'
S
ISOLATION
.
215
5.2.3
FEMALE
MADNESS
AS
A
THREAT
TO
THE
PATRIARCHAL
SYSTEM
.218
5.2.4
OPHELIA
'
S
DEATH
AND
GERTRUDE
'
S
ELEGY
.
221
5.2.5
CLIMAX,
REVENGE,
AND
MATRICIDE
.
225
CHAPTER
6:
CONCLUSION
.229
WORKS
CITED
.
234
PRIMARY
LITERATURE
.234
SECONDARY
LITERATURE
.
235
Contents Chapter 1: Introduction. 1 I 1 1.2 1.3 Mothers and Daughters. 3 Gender. 10 Genre. 19 Chapter 2: Patriarchal wives and future brides: the rare mother-daughter bond in Shakespeare’s early plays. 24 21 2.1.1 2.1.2 2.1.3 2.1.4 2.1.5 2.2 2.2.1 2.2.2 2.2.3 2.2.4 2.2.5 2.2.6 2.3 2.3.1 2.3.2 2.3.3 2.3.4 2.4 2.4.1 2Λ2 2.4.3 2.4.4 2.4.5 “I have done with thee.” - Lady Capulet and Juliet’s destructive relationship in Romeo and Juliet. 27 Tragedy of love and family tragedy. 28 Collective identity vs. individual identity. 31 Lady Capulet and Juliet. 35 The Nurse as a comic ersatz mother. 39 Lady Capulet and the Nurse as grieving mothers. 42 “No woman shall succeed in Salic land” - Female genealogy and male history-making in Henry
V. 44 War, politics, and patriotism: history as a ‘male genre’?. 45 The female characters in Henry V. 47 England’s ‘indirect’ Salic law and the female blood-line. 48 Intimacy and inwardness: Alice as Catherine’s private confidante. 50 Marriage policy and raison d’état·. Queen Isabel as a public figure. 52 Catherine of Valois and the refusal to accept maternal ancestry. 57 “Good mother, do not marry me to yon fool.” - Mistress and Anne Page’s farcical disagreement in The Merry Wives of Windsor. 60 Anne Page and her three unequal marriage candidates. 63 Parental union in farcical disagreement: Master and Mistress Page. 65 Anne’s marriage with Fenton. 68 The transformative powers of the middle class.71 “I am a mother to you” -Adoption and the problem of incest in All’s Well That Ends Well. 72 Helen as an unorthodox heroine. 74 Bertram’s Oedipal complex. 76 Helen and
the Countess. 79 The Widow of Florence and Diana. 82 Bertram and Helen’s return to Roussillon. 83
Chapter 3: The ‘absent presence’ of the great tragedies: daughterless mothers and motherless daughters. 87 3.1 3.1.1 3.1.2 3.1.3 3.1.4 3.1.5 3.2 3.2.1 3.2.2 3.2.3 3.2.4 3.3 3.3.1 3.3.2 3.3.3 3.3.4 3.3.5 3.4 3.4.1 3.4.2 3.4.3 3.4.4 3.4.5 “Bring forth men-children only” - Lady Macbeth as an ambivalent anti-mother. 89 The confusion of gender roles in Macbeth. 89 Witchcraft and maternity: the weird sisters as satanic anti-mothers. 91 Hysteric, witch, and female psychopath: LadyMacbeth’s fatal alliance. 94 Lady Macduff as the quintessential patriarchal victim.99 Dissolution of maternal power and restorationof male order. 100 “O my mother, mother, O!” Volumnia as a dominant super-mother in Coriolanus. 104 Volumnia’s successful private education. 106 The failure of Volumnia’s public education. 108 Coriolanus’s banishment. 113 Volumnia as a triumphant mater dolorosa.115 “O, how this mother swells up toward my heart!” - The maternal subtext(s) of King
Lear. 118 Senility and boyhood: Lear’s longing for a mothering daughter. 119 Reversal of gender and family roles: female alliance against kingly rule. 123 The symbolic relevance of the storm. 126 Goneril and Regan’s matriarchal tyranny. 128 Cordelia’s return and Lear’s redemption.131 “This island’s mine by Sycorax my mother”: Matriarchal phantasies in The Tempest.134 Maternal metaphors: the storm and theenchanted island. 135 Absent mothers: Prospero’s wife andSycorax. 139 Prospero’s transformations. 143 Miranda and Claribel. 147 Renunciation and return. 152 Chapter 4: Tragicomic presentations of pregnancy and childbirth: mothers who lose their daughters. 155 4.1 4.1.1 4.1.2 4.1.3 4.1.4 4.1.5 4.1.6 “A terrible childbed hast thou had” - Contaminated pregnancy and family dissolution in Pericles, Prince of
Tyre. 159 King Antiochus and his daughter. 160 Thaisa’s indirect maculation. 163 Dumb show pregnancy and difficult childbirth. 164 Thaisa and Marina as idealized virgins. 167 A male-centred family reunion.170 The fairytale structures of Shakespeare’s late plays. 171 4.2 “No barricado for a belly” - Imag(in)ing motherhood in The Winter ’s Tale . 173 4.2.1 Morbid jealousy: truth vs. knowledge. 174 4.2.2 Leontes’ impotence and Mamillius’s winter’s tale.178
4.2.3 4.2.4 4.2.5 4.2.6 Perdita’s birth and Hermione’s death.181 Hermione’s ghost and the bear. 184 Shakespeare’s motherless Arcadia. 186 The adoration of Hermione’s statue. 187 Chapter 5: Tragedy and tragicomedy reconsidered: Shakespeare’s evil stepmothers. 192 5.1 5.1.1 5.1.2 5.1.3 5.1.4 5.1.5 “A father cruel and a stepdame false” - Cymbeline as a fairytale romance. 195 The Queen and her son Cloten as antagonistic figures. 198 Innogen between virtue and misogyny. 202 Cross-dressing as a form of female resistance. 205 The Queen’s death and Innogen’s fake funeral.207 Innogen’s mother and Cymbeline’s hermaphroditism. 208 5.2 “Thou shouldst have been my Hamlet’s wife” - Hamlet between murder and matricide.211 Gertrude as an evil Queen. 211 Ophelia’s isolation. 215
Female madness as a threat to the patriarchal system . 218 Ophelia’s death and Gertrude’s elegy. 221 Climax, revenge, and matricide. 225 5.2.1 5.2.2 5.2.3 5.2.4 5.2.5 Chapter 6: Conclusion. 229 Works Cited. 234 Primary Literature. 234 Secondary Literature. 235
FLORIAN NEUNSTÖCKLIN Throughout his career, Shakespeare invented a plethora of maternal characters. In his plays one can find compliant patriarchal wives next to rebellious and misandrous widows, motherly friends and confidantes alongside evil stepmothers, and there are pregnant mothers who are separated from their child immediately after birth. Because of this great interest in different aspects of moth erhood, it is striking that Shakespeare’s plays so rarely depict the family relationship between a mother and her biological daughter. Mother-daughter relationships are not only marginalized within Shakespeare's dramatic oeuvre in general, but also within the plots of the six plays where they actually do appear. This analysis brings together close readings ranging from Shake speare’s earlier plays Romeo and Juliet, Henry V. and The Merry Wives of Windsor to the late tragicomedies Pericles and The Winter's Tale in order to show that the highly different and contrasting types of motherhood have strong repercussions on the (im)possibilities of imagining and staging mother-daughter relationships within the different genres of Shakespearean drama. The study is informed by an interdisciplinary approach that links Shakespeare and femi nist criticism with psycho-analysis and gender and genre studies. |
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| discipline_str_mv | Anglistik / Amerikanistik |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV049042816 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:19:28Z |
| indexdate | 2024-11-13T09:03:27Z |
| institution | BVB |
| institution_GND | (DE-588)1065707533 |
| isbn | 9783868219838 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034305324 |
| oclc_num | 1389393509 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-739 DE-29 DE-20 DE-473 DE-BY-UBG DE-384 DE-12 |
| owner_facet | DE-355 DE-BY-UBR DE-739 DE-29 DE-20 DE-473 DE-BY-UBG DE-384 DE-12 |
| physical | 251 Seiten 21 cm x 14.8 cm, 433 g |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | WVT Wissenschaftlicher Verlag Trier |
| record_format | marc |
| series | Schriftenreihe Literaturwissenschaft |
| series2 | Schriftenreihe Literaturwissenschaft |
| spelling | Neunstöcklin, Florian Verfasser (DE-588)1293533327 aut Mothers and daughters gender and genre in Shakespeare's plays Florian Neunstöcklin Trier WVT Wissenschaftlicher Verlag Trier 2023 251 Seiten 21 cm x 14.8 cm, 433 g txt rdacontent n rdamedia nc rdacarrier Schriftenreihe Literaturwissenschaft Bd. 99 Dissertation Universität Köln 2022 Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Tochter Motiv (DE-588)4132353-1 gnd rswk-swf Mutter Motiv (DE-588)4120778-6 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Mutter Motiv (DE-588)4120778-6 s Tochter Motiv (DE-588)4132353-1 s b DE-604 Dr. Erwin Otto u. WVT Wissenschaftl. Vlg Trier (DE-588)1065707533 pbl Schriftenreihe Literaturwissenschaft Bd. 99 (DE-604)BV000895372 99 B:DE-101 application/pdf https://d-nb.info/1285493214/04 Verlag Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034305324&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034305324&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034305324&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Neunstöcklin, Florian Mothers and daughters gender and genre in Shakespeare's plays Schriftenreihe Literaturwissenschaft Shakespeare, William 1564-1616 (DE-588)118613723 gnd Tochter Motiv (DE-588)4132353-1 gnd Mutter Motiv (DE-588)4120778-6 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4132353-1 (DE-588)4120778-6 (DE-588)4012899-4 (DE-588)4113937-9 |
| title | Mothers and daughters gender and genre in Shakespeare's plays |
| title_auth | Mothers and daughters gender and genre in Shakespeare's plays |
| title_exact_search | Mothers and daughters gender and genre in Shakespeare's plays |
| title_exact_search_txtP | Mothers and daughters gender and genre in Shakespeare's plays |
| title_full | Mothers and daughters gender and genre in Shakespeare's plays Florian Neunstöcklin |
| title_fullStr | Mothers and daughters gender and genre in Shakespeare's plays Florian Neunstöcklin |
| title_full_unstemmed | Mothers and daughters gender and genre in Shakespeare's plays Florian Neunstöcklin |
| title_short | Mothers and daughters |
| title_sort | mothers and daughters gender and genre in shakespeare s plays |
| title_sub | gender and genre in Shakespeare's plays |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Tochter Motiv (DE-588)4132353-1 gnd Mutter Motiv (DE-588)4120778-6 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Tochter Motiv Mutter Motiv Drama Hochschulschrift |
| url | https://d-nb.info/1285493214/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034305324&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034305324&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034305324&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000895372 |
| work_keys_str_mv | AT neunstocklinflorian mothersanddaughtersgenderandgenreinshakespearesplays AT drerwinottouwvtwissenschaftlvlgtrier mothersanddaughtersgenderandgenreinshakespearesplays |
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