Beneath the laurel tree: text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English Finnish |
| Veröffentlicht: |
Helsinki
Sibelius Academy, University of the Arts
2020
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| Schriftenreihe: | Studia musica
81 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 308 Seiten Diagramme, Notenbeispiele |
| ISBN: | 9789523291539 |
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Datensatz im Suchindex
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| adam_text | Table of Contents 1 Introduction..................................................................................................... 1 P art 1.................................................................................................................... 5 2 Silkkirumpu and its Composer........................................................................ 6 The Composer............................................................................................ 6 2.1 Towards Silkkirumpu............................................................................................ 7 2.1.1 2.2 Silkkirumpu·. The Drama and its Themes.................................................. 9 2.3 Silkkirumpu՛. The Musical Structure.........................................................11 2.4 Several Views of Silkkirumpu................................................................. 20 My Research Organization................................................................................ 21 2.4.1 3 Theoretical Framework.................................................................................. 24 3.1 Starting Points..........................................................................................24 3.2 Text and Music: The Referential Aspect................................................. 25 Referentiality in a Musical Context.................................................................... 26 3.2.1 3.3 Narrative Qualities.................................................................................. 30 3.3.1 Literary
Narrative................................................................................................ 31 3.3.2 Musical Narrative................................................................................................ 32 3.3.3 Opera: A Narrative Music Drama....................................................................... 35 3.4 Summary.................................................................................................. 40 4 Research Methods........................................................................................... 41 4.1 Perspectives and Tools for Music Analysis.............................................41 4.1.1 Similarity between Musical Entities................................................................... 41 4.1.2 Musical Form: The Problem of Segmentation................................................... 47 4.1.3 The Vocal Parts.....................................................................................................58 4.2 Perspectives and Tools for Text Analysis.............................................. 67 4.2.1 Libretto: The Verbal Description of the Story................................................ 68 4.2.2 Poetic Devices......................................................................................................81 4.3 Text and Music in Interaction.................................................................. 90
P artii............................................................................................................... 96 5 Irony in Silkkirumpu..................................................................................... 97 5.1 The Concept of Irony.................................................................................... 97 5.2 Ironic Features in Silkkirumpu s Libretto....................................................99 5.3 Musical Irony in Silkkirumpu.....................................................................104 5.3.1 “Arioso”.............................................................................................................. 105 5.3.2 “Promesso”......................................................................................................... 119 5.3.3 The Gardener’s Self-mockery............................................................................ 136 5.4 6 Summary......................................................................................................151 The Gardener’s Destiny.............................................................................. 153 6.1 The “Monologues”...................................................................................... 156 6.2 “La Follia I”................................................................................................. 163 6.2.1 7 “La Follia I” as a Whole.................................................................................... 176 Those Whom Love Has Joined................................................................... 179 7.1 The
Proverb.................................................................................................181 7.2 The Music of a Drum................................................................................. 183 7.2.1 Virtuoso Material: The Mad Princess............................................................... 189 7.2.2 Chordal Material: The Imaginary Drumming.................................................. 192 7.2.3 The Musical Montage........................................................................................ 197 7.2.4 “La Follia II” in Brief........................................................................................204 7.3 My Soul (Your Soul).................................................................................. 205 7.3.1 Two Souls in the World of Night...................................................................... 206 7.3.2 Curses on You.................................................................................................... 209 7.4 Summary..................................................................................................... 212
8 Role of the Orchestra................................................................................... 214 8.1 Organization of the Drama......................................................................215 8.2 Instrumental Agents................................................................................ 217 8.2.1 The Gardener’s Transformation......................................................................... 220 8.2.2 Time Has Progressed into Its End..................................................................... 225 8.2.3 Drumming............................................................................................................239 8.3 8.3.1 Starting Points..................................................................................................... 242 8.3.2 The Speed of Narration...................................................................................... 249 8.3.3 The Order of Narration...................................................................................... 257 8.4 9 Orchestra as a Temporal Agent.............................................................. 242 Summary.................................................................................................. 266 Conclusion..................................................................................................... 270 Glossary............................................................................................................... 282
References............................................................................................................ 290 Appendix.............................................................................................................. 303
P art II................................................................................................................... 96 5 Irony in Silkkirumpu......................................................................................... 97 The Concept of I rony................................................................................. 97 5.1 5.2 Ironic Features in Silkkirumpu’s Libretto....................................................99 5.3 “Arioso”.................................................................................................................. 105 5.3.2 “Promesso”............................................................................................................. 119 5.3.3 The Gardener’s Self-mockery.............................................................................. 136 5.4 6 Musical Irony in Silkkirumpu.................................................................... 104 5.3.1 Summary.................................................................................................... 151 The Gardener’s Destiny..................................................................................153 6.1 The “Monologues”..................................................................................... 156 6.2 “La Follia I”................................................................................................ 163 6.2.1 7 “La Follia 1” as a Whole....................................................................................... 176 Those Whom Love Has
Joined...................................................................... 179 7.1 The Proverb...............................................................................................181 7.2 The Music of a Drum................................................................................ 183 7.2.1 Virtuoso Material: The Mad Princess................................................................. 189 7.2.2 Chordal Material: The Imaginary Drumming.................................................... 192 7.2.3 The Musical Montage........................................................................................... 197 7.2.4 “La Follia 11” in Brief.......................................................................................... 204 7.3 My Soul (Your Soul)................................................................................. 205 7.3.1 Two Souls in the World of Night........................................................................ 206 7.3.2 Curses on You....................................................................................................... 209 7.4 Summary................................................................................................... 212
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| adam_txt |
Table of Contents 1 Introduction. 1 P art 1. 5 2 Silkkirumpu and its Composer. 6 The Composer. 6 2.1 Towards Silkkirumpu. 7 2.1.1 2.2 Silkkirumpu·. The Drama and its Themes. 9 2.3 Silkkirumpu՛. The Musical Structure.11 2.4 Several Views of Silkkirumpu. 20 My Research Organization. 21 2.4.1 3 Theoretical Framework. 24 3.1 Starting Points.24 3.2 Text and Music: The Referential Aspect. 25 Referentiality in a Musical Context. 26 3.2.1 3.3 Narrative Qualities. 30 3.3.1 Literary
Narrative. 31 3.3.2 Musical Narrative. 32 3.3.3 Opera: A Narrative Music Drama. 35 3.4 Summary. 40 4 Research Methods. 41 4.1 Perspectives and Tools for Music Analysis.41 4.1.1 Similarity between Musical Entities. 41 4.1.2 Musical Form: The Problem of Segmentation. 47 4.1.3 The Vocal Parts.58 4.2 Perspectives and Tools for Text Analysis. 67 4.2.1 Libretto: The Verbal Description of the Story. 68 4.2.2 Poetic Devices.81 4.3 Text and Music in Interaction. 90
P artii. 96 5 Irony in Silkkirumpu. 97 5.1 The Concept of Irony. 97 5.2 Ironic Features in Silkkirumpu's Libretto.99 5.3 Musical Irony in Silkkirumpu.104 5.3.1 “Arioso”. 105 5.3.2 “Promesso”. 119 5.3.3 The Gardener’s Self-mockery. 136 5.4 6 Summary.151 The Gardener’s Destiny. 153 6.1 The “Monologues”. 156 6.2 “La Follia I”. 163 6.2.1 7 “La Follia I” as a Whole. 176 Those Whom Love Has Joined. 179 7.1 The
Proverb.181 7.2 The Music of a Drum. 183 7.2.1 Virtuoso Material: The Mad Princess. 189 7.2.2 Chordal Material: The Imaginary Drumming. 192 7.2.3 The Musical Montage. 197 7.2.4 “La Follia II” in Brief.204 7.3 My Soul (Your Soul). 205 7.3.1 Two Souls in the World of Night. 206 7.3.2 Curses on You. 209 7.4 Summary. 212
8 Role of the Orchestra. 214 8.1 Organization of the Drama.215 8.2 Instrumental Agents. 217 8.2.1 The Gardener’s Transformation. 220 8.2.2 Time Has Progressed into Its End. 225 8.2.3 Drumming.239 8.3 8.3.1 Starting Points. 242 8.3.2 The Speed of Narration. 249 8.3.3 The Order of Narration. 257 8.4 9 Orchestra as a Temporal Agent. 242 Summary. 266 Conclusion. 270 Glossary. 282
References. 290 Appendix. 303
P art II. 96 5 Irony in Silkkirumpu. 97 The Concept of I rony. 97 5.1 5.2 Ironic Features in Silkkirumpu’s Libretto.99 5.3 “Arioso”. 105 5.3.2 “Promesso”. 119 5.3.3 The Gardener’s Self-mockery. 136 5.4 6 Musical Irony in Silkkirumpu. 104 5.3.1 Summary. 151 The Gardener’s Destiny.153 6.1 The “Monologues”. 156 6.2 “La Follia I”. 163 6.2.1 7 “La Follia 1” as a Whole. 176 Those Whom Love Has
Joined. 179 7.1 The Proverb.181 7.2 The Music of a Drum. 183 7.2.1 Virtuoso Material: The Mad Princess. 189 7.2.2 Chordal Material: The Imaginary Drumming. 192 7.2.3 The Musical Montage. 197 7.2.4 “La Follia 11” in Brief. 204 7.3 My Soul (Your Soul). 205 7.3.1 Two Souls in the World of Night. 206 7.3.2 Curses on You. 209 7.4 Summary. 212 |
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| spelling | Jaakkola, Inkeri 1962- Verfasser (DE-588)1147162271 aut Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 Inkeri Jaakkola Helsinki Sibelius Academy, University of the Arts 2020 308 Seiten Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Studia musica 81 Dissertation Sibelius Academy, University of the Arts Helsinki 2020 Text in English, with abstract also in Finnish Heininen, Paavo 1938-2022 Silkkirumpu (DE-588)300467125 gnd rswk-swf Wort-Ton-Verhältnis (DE-588)7504909-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Heininen, Paavo 1938-2022 Silkkirumpu (DE-588)300467125 u Wort-Ton-Verhältnis (DE-588)7504909-0 s DE-604 Erscheint auch als Online-Ausgabe 978-952-329-154-6 Studia musica 81 (DE-604)BV009112675 81 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034303339&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jaakkola, Inkeri 1962- Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 Studia musica Heininen, Paavo 1938-2022 Silkkirumpu (DE-588)300467125 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
| subject_GND | (DE-588)300467125 (DE-588)7504909-0 (DE-588)4113937-9 |
| title | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 |
| title_auth | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 |
| title_exact_search | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 |
| title_exact_search_txtP | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 |
| title_full | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 Inkeri Jaakkola |
| title_fullStr | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 Inkeri Jaakkola |
| title_full_unstemmed | Beneath the laurel tree text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 Inkeri Jaakkola |
| title_short | Beneath the laurel tree |
| title_sort | beneath the laurel tree text music relationships in paavo heininen s opera silkkirumpu op 45 |
| title_sub | text-music relationships in Paavo Heininen's opera 'Silkkirumpu', op. 45 |
| topic | Heininen, Paavo 1938-2022 Silkkirumpu (DE-588)300467125 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
| topic_facet | Heininen, Paavo 1938-2022 Silkkirumpu Wort-Ton-Verhältnis Hochschulschrift |
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