Mozart's Così fan tutte: a compositional history
WINNER of the Mozart Society of America 'Marjorie Weston Emerson Award' for 2008 This study proposes a hypothesis to account for some of the opera's long-standing 'problems'. It suggests that Mozart considered the idea that the pairings in Act II should not be crossed: that...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, UK
Boydell Press
2008
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| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | WINNER of the Mozart Society of America 'Marjorie Weston Emerson Award' for 2008 This study proposes a hypothesis to account for some of the opera's long-standing 'problems'. It suggests that Mozart considered the idea that the pairings in Act II should not be crossed: that each of the two disguised officers should seek to seduce his own woman. Although this alternative plot structure was rejected, signs of it may remain in the final score, in the uneasy co-existence of dramatic duplicity and musical sincerity, and in the ending, in which the easy restitution of the original couples seems not to take account of the new passions that have been aroused. Evidence that several of the singers were re-cast is also presented. In addition to these radically new ideas about the conceptual genesis of Cos©Ơ, the book also provides a full account of the work's compositional history, based on early Viennese and Bohemian copies. Four different versions are identified, including a significant revision in which Mozart removed the Act II finale canon. The composer's probable involvement in the 1791 Prague production is also discussed. IAN WOODFIELD is Professor of Historical Musicology, School of Music and Sonic Arts, Queen's University Belfast |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 10 Mar 2023) |
| Beschreibung: | 1 Online-Ressource (xxi, 242 Seiten) |
| ISBN: | 9781846156632 |
| DOI: | 10.1017/9781846156632 |
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| 520 | |a WINNER of the Mozart Society of America 'Marjorie Weston Emerson Award' for 2008 This study proposes a hypothesis to account for some of the opera's long-standing 'problems'. It suggests that Mozart considered the idea that the pairings in Act II should not be crossed: that each of the two disguised officers should seek to seduce his own woman. Although this alternative plot structure was rejected, signs of it may remain in the final score, in the uneasy co-existence of dramatic duplicity and musical sincerity, and in the ending, in which the easy restitution of the original couples seems not to take account of the new passions that have been aroused. Evidence that several of the singers were re-cast is also presented. In addition to these radically new ideas about the conceptual genesis of Cos©Ơ, the book also provides a full account of the work's compositional history, based on early Viennese and Bohemian copies. Four different versions are identified, including a significant revision in which Mozart removed the Act II finale canon. The composer's probable involvement in the 1791 Prague production is also discussed. IAN WOODFIELD is Professor of Historical Musicology, School of Music and Sonic Arts, Queen's University Belfast | ||
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
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| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1017/9781846156632 |
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| id | DE-604.BV049034539 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:17:19Z |
| indexdate | 2024-07-10T09:53:24Z |
| institution | BVB |
| isbn | 9781846156632 |
| language | English |
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| spelling | Woodfield, Ian 1951- (DE-588)137826664 aut Mozart's Così fan tutte a compositional history Ian Woodfield Woodbridge, UK Boydell Press 2008 1 Online-Ressource (xxi, 242 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 10 Mar 2023) WINNER of the Mozart Society of America 'Marjorie Weston Emerson Award' for 2008 This study proposes a hypothesis to account for some of the opera's long-standing 'problems'. It suggests that Mozart considered the idea that the pairings in Act II should not be crossed: that each of the two disguised officers should seek to seduce his own woman. Although this alternative plot structure was rejected, signs of it may remain in the final score, in the uneasy co-existence of dramatic duplicity and musical sincerity, and in the ending, in which the easy restitution of the original couples seems not to take account of the new passions that have been aroused. Evidence that several of the singers were re-cast is also presented. In addition to these radically new ideas about the conceptual genesis of Cos©Ơ, the book also provides a full account of the work's compositional history, based on early Viennese and Bohemian copies. Four different versions are identified, including a significant revision in which Mozart removed the Act II finale canon. The composer's probable involvement in the 1791 Prague production is also discussed. IAN WOODFIELD is Professor of Historical Musicology, School of Music and Sonic Arts, Queen's University Belfast Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 u DE-604 Erscheint auch als Druck-Ausgabe 978-1-84383-406-9 https://doi.org/10.1017/9781846156632 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Woodfield, Ian 1951- Mozart's Così fan tutte a compositional history Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd |
| subject_GND | (DE-588)300107331 |
| title | Mozart's Così fan tutte a compositional history |
| title_auth | Mozart's Così fan tutte a compositional history |
| title_exact_search | Mozart's Così fan tutte a compositional history |
| title_exact_search_txtP | Mozart's Così fan tutte a compositional history |
| title_full | Mozart's Così fan tutte a compositional history Ian Woodfield |
| title_fullStr | Mozart's Così fan tutte a compositional history Ian Woodfield |
| title_full_unstemmed | Mozart's Così fan tutte a compositional history Ian Woodfield |
| title_short | Mozart's Così fan tutte |
| title_sort | mozart s cosi fan tutte a compositional history |
| title_sub | a compositional history |
| topic | Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd |
| topic_facet | Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte |
| url | https://doi.org/10.1017/9781846156632 |
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