Music speaks: on the language of opera, dance, and song
Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of musi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2009
|
| Schriftenreihe: | Eastman studies in music
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work. Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by juxtaposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it. The essays range widely, but they rarely stray far from opera, for the opera house is the venue where the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light. Daniel Albright teaches courses in the English, ComparativeLiterature, and Music departments at Harvard University |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 07 Mar 2023) Music's Pentecost, music's stupidity -- Heine and the composers -- The diabolical Senta -- Les Troyens : the undoing of opera -- Far sounds in Zemlinsky and Schreker -- Butchering Moses -- Elliott Carter and poetry : listening to, listening through -- Sophoclean opera -- Belletristic music in the twentieth century -- Golden calves : the role of dance in opera -- Elephant swan space grace |
| Beschreibung: | 1 Online-Ressource (xiv, 218 Seiten) |
| ISBN: | 9781580467292 |
| DOI: | 10.1017/9781580467292 |
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| dewey-ones | 781 - General principles and musical forms |
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| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
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| isbn | 9781580467292 |
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| spelling | Albright, Daniel 1945-2015 (DE-588)128600144 aut Music speaks on the language of opera, dance, and song Daniel Albright Rochester, NY University of Rochester Press 2009 1 Online-Ressource (xiv, 218 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music Title from publisher's bibliographic system (viewed on 07 Mar 2023) Music's Pentecost, music's stupidity -- Heine and the composers -- The diabolical Senta -- Les Troyens : the undoing of opera -- Far sounds in Zemlinsky and Schreker -- Butchering Moses -- Elliott Carter and poetry : listening to, listening through -- Sophoclean opera -- Belletristic music in the twentieth century -- Golden calves : the role of dance in opera -- Elephant swan space grace Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work. Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by juxtaposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it. The essays range widely, but they rarely stray far from opera, for the opera house is the venue where the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light. Daniel Albright teaches courses in the English, ComparativeLiterature, and Music departments at Harvard University Opera Songs / History and criticism Music and literature Dance / History Geschichte (DE-588)4020517-4 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Musik (DE-588)4040802-4 s Sprache (DE-588)4056449-6 s Literatur (DE-588)4035964-5 s DE-604 Tanz (DE-588)4059028-8 s Geschichte (DE-588)4020517-4 s Erscheint auch als Druck-Ausgabe 978-1-58046-324-9 https://doi.org/10.1017/9781580467292 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Albright, Daniel 1945-2015 Music speaks on the language of opera, dance, and song Opera Songs / History and criticism Music and literature Dance / History Geschichte (DE-588)4020517-4 gnd Tanz (DE-588)4059028-8 gnd Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd Sprache (DE-588)4056449-6 gnd |
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| title | Music speaks on the language of opera, dance, and song |
| title_auth | Music speaks on the language of opera, dance, and song |
| title_exact_search | Music speaks on the language of opera, dance, and song |
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| title_full | Music speaks on the language of opera, dance, and song Daniel Albright |
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| title_short | Music speaks |
| title_sort | music speaks on the language of opera dance and song |
| title_sub | on the language of opera, dance, and song |
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